scholarly journals Inner Stimuli, Outer Stimuli and Their Relationship with Consumer Behavior: A Structural Functionistic Study in Popular Music Industry

2021 ◽  
Vol 6 (7) ◽  
pp. 376-387
Author(s):  
Jia Li

All researches pertaining to marketing would be worthless, unless they will boil down to the most important ingredient of success in the field of consumer behavior. In this research, consumer behavior is not looked upon as something that a consumer does unknowingly. Consumer behavior is treated as an expression of decision on the part of the consumer. This decision is phenomenological in nature, which is a function of the inner and outer stimuli. These stimuli work together to form consumer behavior by entering into a black box, which the human mind. In this paper, the correlations between the outer stimuli and such behaviors are gauged. There were 284 respondents who answered a questionnaire regarding their consumer behavior in the popular music industry. These behaviors are outlined based on the black box model that was adjusted within the parameters and limitations of this research. The survey was conducted at the SM Baguio City. Respondents bought music products from music stores within that mall. It was shown that in general, self-identity was related or associated with consumer behaviors. Environmental and marketing stimuli were range restricted, so only one variable was found significant and it was promotion effectiveness. This implies that differences in self-identity, which is a result of different upbringing, environment, and inner dynamics, go well with differences in consumer behavior. In contained and similar environment (like in the case of this research), self identity is an important determinant of consumer behavior. Marketing efforts should therefore be focused toward fulfilling the demands associated with the self identity of the consumers.

Author(s):  
Laurence Maslon

At the beginning of the twentieth century, the first way that the imprimatur of Broadway reached consumers was through the immense distribution of colorful and tuneful sheet music. Early music publishers learned quickly that associating a song with a Broadway show such as the Ziegfeld Follies, Broadway personalities such as Al Jolson and Fanny Brice, or Broadway composers such as Victor Herbert gave that tune a special identity that increased its popularity. In addition, music publishers, such as Max Dreyfus, were major power brokers in the popular music industry, yielding the ability to make a song into a hit, and continued to be influential through the first half of the twentieth century.


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