La Performance in Italia tra ‘comportamenti’ esplosivi ed implosivi
The essay examines a short period of the performance art phenomenon, or art of behavior, between 1967 and the mid 70s, a period characterized by an euphoric, explosive phase followed by an implosive, analytical moment that gave up unconventional spaces in favour of those traditionally exhibited. Considering critical points of view of foreign scholars, the essay questions the peculiarities that define an Italian and "Roman" identity (Fabio Mauri, Luca Patella, Vettor Pisani, Gino De Dominicis, Jannis Kounellis…) of the phenomenon that the author traces in the interdisciplinary nature, in the use of technological media, of mythology, art history, alchemical symbols, in the irony that attacks the role of the artist and above all in the constant reference to painting.