scholarly journals Maritime Memorates and Contemporary Legends of Storm Apparitions and Storm Making in Folklore Traditions of Ireland and Scotland*

2011 ◽  
Vol 7 (2 (9)) ◽  
pp. 154-162
Author(s):  
Maxim Fomin
Keyword(s):  
Present Article ◽  
Research Council ◽  
Research Project ◽  
Scottish Gaelic ◽  
Arts And Humanities ◽  
The Arts

The present article examines the folklore genre of maritime memorates of Irish and Scottish origin. It describes the maritime traditions of Gauls when various supernatural creatures and inanimate objects appeared from the sea, as well as the spells and magic tricks producing winds. The article studies contemporary legends which tell about omens and visions bewitching a storm. * This contribution is based upon the findings of the research project ‘Stories of the Sea: A Typological Study of Maritime Memorates in Modern Irish and Scottish Gaelic Folklore Traditions’ supported by the Arts and Humanities Research Council (AHRC, UK).

scholarly journals Fishing, Fishing Boats and Traditional Lore Based on Maritime Memorates Collected in the 19th and 20th Centuries in Ireland and Scotland

2021 ◽  
Vol 12 ◽  
pp. 105-120
Author(s):  
Séamus Mac Mathúna ◽  
Keyword(s):  
Research Council ◽  
University Research ◽  
Research Project ◽  
Scottish Gaelic ◽  
Arts And Humanities ◽  
Shared Beliefs ◽  
Personal Nature ◽  
Nineteenth And Twentieth Centuries ◽  
Late Nineteenth ◽  
The Uk

This paper will analyse and assess material contained in a corpus of maritime memorates, or stories of the sea, collected in Ireland and Scotland, in the late nineteenth and twentieth centuries. It is based on the Ulster University research project ‘Stories of the Sea: A Typological Study of Maritime Memorates in Modern Irish and Scottish Gaelic Folklore Traditions’, funded by the UK Arts and Humanities Research Council, and aims to add to previous published studies on this subject, including Fomin and Mac Mathúna 2010, 2015, 2016. The focus of this paper is on matters relating to fishing, fishermen and their boats, in Ireland, especially on the Gaelic-speaking western seaboard, and to a lesser extent in Scotland, during the period under consideration. Most of the narrators and some of the collectors themselves were fishermen, and the close bond and shared beliefs and taboos between informant and collector serves to emphasise the personal nature of the accounts. The information gained from these stories is supplemented here by works of other writers and scholars on Irish vernacular boats and on the practice of fishing and the legends, taboos and other matters associated with it.

scholarly journals The rationale for the DREaM: Developing Research Excellence and Methods Project

2011 ◽  
Vol 35 (110) ◽  
pp. 43-49 ◽  
Author(s):  
Hazel Hall ◽  
Stephanie Kenna ◽  
Charles Oppenheim
Keyword(s):  
Research Council ◽  
Arts And Humanities ◽  
The Arts ◽  
Research Excellence ◽  
The Uk

The article describes the background to the development of the DREaM project, which is aimed at expanding the range of skills of UK-based researchers in the LIS field, and at developing a network of active researchers, both in academia and amongst LIS practitioners. The project, which is funded by the Arts and Humanities Research Council involves two major conferences and a number of workshops throughout the UK starting in July 2011. Details of the events, and how the project will be evaluated, are provided.

Deliberations and Predispositions

2008 ◽  
Author(s):  
James Herbert
Keyword(s):  
Higher Education ◽  
Research Council ◽  
Final Approval ◽  
House Of Commons ◽  
Standing Committee ◽  
Higher Education Act ◽  
Arts And Humanities ◽  
The Arts ◽  
House Of Lords ◽  
Education Act

This chapter discusses deliberations and predispositions that were made before the final approval of the establishment of the Arts and Humanities Research Council/Board. After the second reading of the Higher Education Bill, the AHRB and the Bill was subjected to a more detailed review. Between February and March, fifteen sittings of the Standing Committee H were conducted to examine the proposal and the legislation clause by clause. Whilst the head of the committee, Alan Johnson declared a seemingly unanimous support for the Bill as no demonstrations against the arts and humanities aspect of the Bill occurred. Many of the members of the committee averted that they needed time to consider and scrutinize every aspect of the bill. In the House of Lords the Bill was warmly welcomed. However, as with the House of Commons and the Standing Committee, some of the aspects of the Bill were met by antagonism. The most serious opposition against the Bill was against Part 1 of the Higher Education Bill which expressed that devolved administrations can perform arts and humanities research on their own. After much deliberation and considerations, on the evening of July 1, 2004, the Higher Education Bill received Royal Assent and was considered as the Higher Education Act.

The Academic Book of the Future

LOGOS ◽  
2018 ◽  
Vol 29 (2-3) ◽  
pp. 80-90
Author(s):  
Samantha Rayner
Keyword(s):  
Communities Of Practice ◽  
Research Council ◽  
British Library ◽  
Morte Darthur ◽  
Arts And Humanities ◽  
The Arts ◽  
The Future ◽  
Le Morte Darthur ◽  
Future Project

This paper explores the contexts in which the academic books of the future in the arts and humanities (A&H) are being shaped, with the aim of demonstrating how crucial it is that the communities of practice that produce those books continue to work together to build better bridges of understanding and collaboration. There is particular reference to the Arts and Humanities Research Council/ British Library Academic Book of the Future Project (2014–2017) and to a case study of Sir Thomas Malory’s Le Morte Darthur.

The Oxyrhynchus Papyri, Vol.LXXV. Edited with Translations and Notes by H. Maehler, C. E. Römer and R. Hatzilambrou with contributions by M. Buchholz, R.-L. Chang, C. Fuhrmann, M. Gerhardt, M. De Groote, L. Guichard, A. Hartmann, P. James, I. Karamanou, R. Kritzer, B. Laudenbach, D. Leith, N. Litinas, K. Lubitz, M. Malouta, F. Maltomini, G. del Mastro, †D. Montserrat, T. Murgatroyd, O. Pelcer, C. Pernigotti, A. Syrkou.

Gnomon ◽  
2011 ◽  
Vol 83 (8) ◽  
pp. 686-692
Author(s):  
Dieter Hagedorn
Keyword(s):  
Research Council ◽  
James I ◽  
Arts And Humanities ◽  
The Arts

The Oxyrhynchus Papyri, Vol.LXXV. Edited with Translations and Notes by H. Maehler, C. E. Römer and R. Hatzilambrou with contributions by M. Buchholz, R.-L. Chang, C. Fuhrmann, M. Gerhardt, M. De Groote, L. Guichard, A. Hartmann, P. James, I. Karamanou, R. Kritzer, B. Laudenbach, D. Leith, N. Litinas, K. Lubitz, M. Malouta, F. Maltomini, G. del Mastro, †D. Montserrat, T. Murgatroyd, O. Pelcer, C. Pernigotti, A. Syrkou. London: Published by The Egypt Exploration Society with the support of The Arts and Humanities Research Council and The British Academy 2010. XI, 164 S. 12 Taf. 4°. (Graeco-Roman Memoirs. 96.).

Of ‘Butterfly’ and Men: Robert Wilson Directs Diana Soviero at the Paris Opéra

1995 ◽  
Vol 11 (41) ◽  
pp. 3-11
Author(s):  
Maria Shevtsova
Keyword(s):  
Present Article ◽  
Research Council ◽  
Cultural Interaction ◽  
French Studies ◽  
Australian Research Council ◽  
Paris Opera ◽  
Robert Wilson ◽  
The Arts ◽  
Madame Butterfly ◽  
The University

In NTQ40 (November 1994), in the first of two pieces on modern directorial approaches to the staging of opera as music theatre, Maria Shevtsova discussed Peter Brook's production of Impressions de Pelléas, complementing her own analysis with an interview with one of the leading actor-singers, Vincent Le Texier. Pursuing a similar dual-faceted approach, here she provides a detailed explication of Robert Wilson's production of Madame Butterfly, seen at the Opéra de Paris Bastille in 1993, exploring the ways in which Puccini's original orientalisms are translated and transmuted into a version of intercultural theatre appropriate to our own fin de siècle. Again setting her own views against those of a leading actor-singer – here, Diana Soviero, who played Butterfly – she explores how Wilson's coolly aesthetic, even ascetic style ‘incarnates the century's tentacular, monopolistic tendencies (of which interculturalism in its many guises in the arts are a sign), as well as its polyvalencies (of which the blurring of genres – hybrid genres – is a sign)’. Maria Shevtsova, who teaches in the Department of French Studies in the University of Sydney, earlier contributed a three-part survey of ‘The Sociology of the Theatre’ to NTQ17–19 (1989), and recently published a major collection of essays, Theatre and Cultural Interaction. Her present article forms part of research supported by the Australian Research Council Large Grants Scheme.

scholarly journals Forced to flee: A multi-disciplinary conference on internal displacement, migration and refugee crises

2017 ◽  
Vol 99 (904) ◽  
pp. 421-432
Author(s):  
Keyword(s):  
Government Policy ◽  
Research Council ◽  
International Committee ◽  
Internal Displacement ◽  
Red Cross ◽  
Policy Makers ◽  
Arts And Humanities ◽  
The Arts ◽  
Uk Government ◽  
The University

“Forced to Flee” was a multidisciplinary two-day conference on internal displacement, migration and refugee crises, jointly organized by SOAS University of London, the Arts and Humanities Research Council, the University of Exeter, the British Red Cross and the International Committee of the Red Cross (ICRC). It brought together some sixty researchers, independent and UK government policy-makers, and senior humanitarian practitioners.

scholarly journals Accessible paratext: actively engaging (with) D/deaf audiences

2020 ◽  
Vol 06 (01) ◽  
pp. 203-219
Author(s):  
Pierre Alexis Mével
Keyword(s):  
United Kingdom ◽  
Sign Language ◽  
Research Council ◽  
Crucial Point ◽  
The Public ◽  
Arts And Humanities ◽  
The Arts ◽  
Semiotic Systems ◽  
Theatrical Performances ◽  
Video Material

This article examines the importance of paratext – theoretically and practically – in getting D/deaf audiences to engage with theatrical performances. Our notion of ‘accessible paratext’ necessarily involves multimodal forms of translation, and intersemiotic interactions, to provide a crucial point of access for D/deaf members of the public who often feel that theatrical performances are ‘not for them.’ The article focuses on intersemiotic multimedial translation in the form of creative captions for the theatre and, more specifically, for paratextual video material created as part of a project funded by the Arts and Humanities Research Council (United Kingdom) to showcase integrated captions in live performances. The widespread perception that the theatre is not for D/deaf audiences appears to be driven by several factors, including the fact that many members of the D/deaf community have neither heard of nor seen integrated theatre and because access to integrated performances is not forthcoming. Information about such performances, in the form of what we here define as paratext, either does not exist or is not communicated in a way that makes the accessible nature of the performances tangible to members of the D/deaf audience. We demonstrate the extent to which several semiotic systems (sign language, spoken words, and written captions) interacting on the stage or a screen can provide a much-needed gateway to theatrical performances, bringing marginalized audiences back to the theatre and improving the shows’ accessibility.

Board to Council

2008 ◽  
Author(s):  
James Herbert
Keyword(s):  
Research Council ◽  
The Core ◽  
Arts And Humanities ◽  
Strategic Initiatives ◽  
The Arts ◽  
Public Body ◽  
The Creation ◽  
The Government ◽  
The Uk ◽  
Research Councils

The AHRB was given the core responsibility to produce 12,000 active arts and humanities researches over the UK. As of 1998, the Board had made over 4000 awards involving over 5000 researches. Across the UK, in the institutions of the government and the academy, several have been engaged with the AHRB and were actively committed to the fulfilment of the AHRB as a true Research Council. In 2005, the Arts and Humanities Research Council achieved its desired transformation after having built an impressive array of assets. This chapter discusses the transformation of the Arts and Humanities Research Board to a Research Council. In the process of the transformation of the Board, several changes were made. Among of these are the transition of the charitable status of the board and the transition of the AHRB's assets and obligations in to the new Non-Deparmental Public Body (NDPB). It also meant that the now AHRC must provide multi-year funding and the creation of strategic initiatives that would support intellectual urgency. The integration of the AHRC within the Research Councils also meant the restoration of arts and humanities to the circle of serious sciences and knowledge.

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