scholarly journals A CONCEPTUAL STUDY OF SNAYU W.S.R. TO ANKLE SPRAIN (GULPHA)

2021 ◽  
Vol 9 (5) ◽  
pp. 1054-1058
Author(s):  
Archana Saroj ◽  
Arvind Kumar

In Ayurveda, the role of Acharya Sushruta is very important. Acharya Sushruta was not only one of the earliest pioneers of surgery in the world but also one among the earliest to study the human body. Acharya Sushruta was the first in the field of Ayurveda who has defined the clinical importance of structural components of the body like Asthi (Bones), Jala (plexus), Kurcha (brush like structure), Sira (vein), Dhamni (artery), Snayu, etc. Snayu is one of the important anatomical structures in the human body which is strong and holds all the joints for the purposeful function. Similar to Snayu, in modern anatomy, ligaments and tendons are described as human structures which are attached bone to bone and muscle to bone respectively. All the joints are bound together by Snayu. According to shape and location the Snayu are of four types: Pratanvati, Vritta, Sushira & Prithula. Snayu are very much similar to ligaments, so excessive stretching, tearing or injury to ligaments causes severe pain. Ligament injuries are the most common amongst the athletes or sports person. Common ligamental injuries are to the knee, ankle, wrist, thumb, neck or back ligament with ankle injury being the most common occurring injury. Keywords: Snayu, Ligaments, Injuries.

Author(s):  
Hubert L. Dreyfus

This chapter discusses the role of the body in the constitution and development of expertise. It begins by briefly presenting the five-stage model of expertise, developed by Dreyfus and Dreyfus. The main argument here is that we acquire our everyday coping skills in five stages, going through which we develop increasingly refined discriminations in our everyday experience. The chapter then seeks a better understanding of the role of embodiment in skill acquisition and, for this purpose, turns to phenomenological thinkers like Heidegger, Merlau-Ponty, and Todes. Heidegger has very little to say about embodiment, while Merlau-Ponty accords the body an important role in perceiving and dealing with the world. The phenomenological account is concluded with exploring the work of Todes, for whom the particular structure and capacities of the human body provide culturally invariant conditions for the intelligibility of human forms of life.


Author(s):  
Thomas S. Henricks

This chapter examines the link between play and nature, or more specifically, the human body. Our feats of thinking, feeling, and acting depend profoundly on structures of the body and the brain. Decisions to play are conditioned by our physical forms. Feelings about what we are doing—registered as sensations and emotions—arise from long-established physical processes. And we move through the world only as our bodies permit. Understanding play means understanding these physical processes. In that context, the chapter focuses on the consequences of play for physiology. It reviews studies of bodily movement, brain activity, consciousness, and affect in both humans and animals. It also explores animal play, classic theories of physical play, the role of the organism in play, play as an expression of surplus resources, and the role of brain in play.


2014 ◽  
Vol 17 (2) ◽  
pp. 248-263 ◽  
Author(s):  
Sheila Kohring

The role of the human body in the creation of social knowledge—as an ontological and/or aesthetic category—has been applied across social theory. In all these approaches, the body is viewed as a locus for experience and knowledge. If the body is a source of subjective knowledge, then it can also become an important means of creating ontological categories of self and society. The materiality of human representations within art traditions, then, can be interpreted as providing a means for contextualizing and aestheticizing the body in order to produce a symbolic and structural knowledge category. This paper explores the effect of material choices and techniques of production when representing the human body on how societies order and categorize the world.


2021 ◽  
Vol 9 (10) ◽  
pp. 2339-2346
Author(s):  
Shivakumari Shivakumari ◽  
Vasudev A Chate ◽  
Shreevastha Shreevastha

The concept of Srotas and Srotodushti Lakshana has been very scientifically explained in the various context of Ayurveda literature. Detailed Srotas and Srotodushti Lakshana are according to Charaka Samhita Vimansthana assessment of Srotodushti Lakshana can be done by Pratyksha Pramana and in detail explanation. The Srotas play an important role in physiology and the pathogenesis of diseases in normal state; they regulate the physiolo- gy of the body and maintain the anatomical structures of dhatus. The influences of aetiology factors on Srotas can affect pathological manifestations. Considering this fact present study explores various aspects related to the Sro- tas, Srotodushti and Srotodushti Lakshana. Objectives-To assessment of Srotodushti Lakshana in Artavavaha Srotas through Clinical, biochemical, and radiological examination in Artavavaha Srotas. Methodology -The study was conducted under two headings, conceptual and survey study. Conceptual study all the concerned litera- ture were referred and analysed and for survey study, the Artvavaha Sroto Vikara observed and survey through face-face interview. -Hence it is concluded that the knowledge of Srotas is not only used in learning about the anatomy of the transport system of the body but also to understand their physiology and pathology. It can be as- sessed through clinical, biochemical, and radiological findings. Keywords: Srotas, Srotodushti Lakshana, Artavavaha Srotas,


2021 ◽  
Vol 9 (8) ◽  
pp. 1733-1736
Author(s):  
Ajay Kumar Nigwal ◽  
Lajwanti Keswani ◽  
Rajesh Kumar Malviya ◽  
Arvind Kumar Yadav

Cardiovascular disease such as hypertension will be the largest cause of death and disability in India by 2020. The prevalence of hypertension is increasing globally and currently, more than 1 billion people have hypertension. About 26.4% of the world adult population in 2000 had hypertension and 29.2% were projected to have this con- dition by 2025. Elevated blood pressure affects 1 billion individuals and causes an estimated 10.4 million deaths per year. Thus, hypertension is needed to be studied. Though a lot of potent antihypertensive drugs are available today none of them is free from untoward adverse effects. Especially the elderly population poorly tolerates these drugs. The global incidence of hypertension is increasing day by day and is a very common problem nowadays. Ayurveda has classified the causes of disease into three main categories: - 1. Asatmendriyartha Samyoga 2. Pragyaparada and 3. Parinama (Kaala), these three main causes of disease enable different kinds of diseases to manifest. Firstly, they lead to the imbalance of body /or mind by vitiation the Tridosha. The consequence of the imbalance is a disturbance of the basic biological principles. Hypertension is a lifestyle disorder. Ayurveda causes of lifestyle disorders are mainly Pragyaparada. Pragyaparadha is the main cause of all noncommunicable dis- eases (NCDs) such as diabetes, cancer, hypertension etc. Keywords: Asatmendriyartha, Pragyaparada, Parinama, Trividha Rogaayatanas, Hypertension.


1970 ◽  
Vol 2 (2) ◽  
pp. 25-31
Author(s):  
Samin Gheitasy ◽  
Leila Montazeri ◽  
Simin Dolatkhah

The dramatic text defines, to some extent, the structure of the work but the type of performance and the physical approach to the text can represent different meanings. The body of the actor, as a means of conveying concepts from the text to the audience, can be effective in creating different interpretations and meanings of the text. Since eons ago, directors have used the body of the actor with different approaches, and the application of body on the stage has always been underdoing changes. Anne Bogart is one of the few directors who is less known in the Iranian theater despite possessing the most updated and well-known methods of practice and performance in the world. Using her viewpoint method, she brings live and dynamic bodies to the stage; bodies that are able to convey the hidden meanings of the text to the audience in the most suitable way. The overall purpose of this research is to find the relationship between the dramatic text and the performance with the centrality of the body with a sociological view toward the body. To this end, by presenting Foucault's theories, the researchers defines the role of the body in the society and its extent of effectivity and impressibility. Finally, this study explores the implications of this role in each element of Aeschylus’s The Persians, and it shall show how Bogart beautifully represents them using the bodies of her actors during performance.


2021 ◽  
Vol 66 (2 supplement) ◽  
pp. 55-77
Author(s):  
Dominic Nnaemeka Ekweariri

" My investigation reveals that Heidegger’s account of affectivity – though his programmatical determination included an ontical dimension or otherwise lived, personal experiences – is overshadowed by a dense ontology that cannot enable real phenomenal experience. This is why he could not account for other affective states such as emotions, feel-ings and the role of the body in affectivity. Besides, in that account we are lost when we seek to answer the question of whether moods are “one” or “many”. My aim is to point out how these deficiencies in Heidegger’s account of mood could be overcome in Richir’s account of affectivity, where indeterminate background feelings (affections) could give rise to a deter-minate and occurent emotion (affects). The advantage of this move is a rich ontic account of affectivity where not only the body but also sense/meaning of affective episodes play a robust role in an encounter of world events. If Richir reproached Heidegger for existential solipsism, one could now reproach the former for existentiell/phenomenal solipsism. In the end I suggest that these two core but opposite aspects of affectivity (the ontological and the ontic) belong to the same reality: Dasein is not just in the world (ontology), but also the world is in Dasein (ontic/phenomenological). Keywords: mood, affection, affect, Heidegger’s ontology, Richir’s Leib and sense. "


2015 ◽  
Vol 6 (1) ◽  
pp. 22-35
Author(s):  
Diane Oatley

Abstract In The Meaning of the Body, philosopher Mark Johnson makes a case for the significance of movement in terms of the body processes he holds as essential to the generation of meaning and knowledge acquisition in physical interaction with the world–equally essential as language and cognition. The article employs this theory in interpreting the experiences of women learning flamenco dance in Spain. The investigation of the perceptions of women studying flamenco dance, a dance tradition often defined as “gypsy,” indicates that exposure to flamenco dance and culture leads to revision of stereotypes regarding embodiment and difference, but respondents did not relate this revision to bodily engagement, or physical processes particular to dancing flamenco. Although Johnson’s failure to properly account for the role of the unconscious proved to be a serious shortcoming in the theory, and one which had implications for the findings, application of the theory disclosed the parameters of a discourse on the body in flamenco. The theory thus represents a radical gesture in redefining embodiment in its own right in a manner that precludes dualism with the consequent opening of a range of alternative perspectives on the articulation of embodied knowledge.


Author(s):  
Sarah Hickmott

This chapter explores the role of music in Nancy’s broader sensuous philosophy, focusing largely on À l’écoute as well as his (rarely considered) writings on rock and techno, highlighting the divergent ways in which different genres are approached – Western high art music is often assumed to tell us something about music’s (timeless, universal) essence, whilst popular genres such as rock and techno are more expressly linked to particular social and historical contexts. In À l’écoute, Nancy utilises music to explore the sensuous (and non-visual) domain that philosophy has traditionally ignored or paid scant attention to in order to consider other ways in which we might ‘know’, find or make meaning in the world, and in so doing aims to destabilise binary oppositions that emerge in vision-oriented (phallogocentric) thought. The concluding analysis, however, contends that Nancy’s analysis still depends on a set of hierarchized binary oppositions, with vision and language linked to paternal law and the symbolic, and music and sound linked to the body and emotions, and an earlier pre-symbolic space (that is then mapped onto the maternal-feminine).


2020 ◽  
Vol 37 (3) ◽  
pp. 71-96
Author(s):  
Peter Lindner

Since the publication of Nikolas Rose’s ‘The Politics of Life Itself’ (2001) there has been vivid discussion about how biopolitical governance has changed over the last decades. This article uses what Rose terms ‘molecular politics’, a new socio-technical grip on the human body, as a contrasting background to ask anew his question ‘What, then, of biopolitics today?’ – albeit focusing not on advances in genetics, microbiology, and pharmaceutics, as he does, but on the rapid proliferation of wearables and other sensor-software gadgets. In both cases, new technologies providing information about the individual body are the common ground for governance and optimization, yet for the latter, the target is habits of moving, eating and drinking, sleeping, working and relaxing. The resulting profound differences are carved out along four lines: ‘somatic identities’ and a modified understanding of the body; the role of ‘expert knowledge’ compared to that of networks of peers and self-experimentation; the ‘types of intervention’ by which new technologies become effective in our everyday life; and the ‘post-discipline character’ of molecular biopolitics. It is argued that, taken together, these differences indicate a remarkable shift which could be termed aretaic: its focus is not ‘life itself’ but ‘life as it is lived’, and its modality are new everyday socio-technical entanglements and their more-than-human rationalities of (self-)governance.


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