scholarly journals Why Superman Will Not Save the World: Theorizing the Relationship Between Suffering and DC Comics Superman (Translation into Russian)

Corpus Mundi ◽  
2021 ◽  
Vol 2 (2) ◽  
pp. 14-34
Author(s):  
Kwasu Tembo
Keyword(s):  
Sigmund Freud ◽  
Comic Book ◽  
Human Suffering ◽  
Pleasure Principle ◽  
Physical Suffering ◽  
The World ◽  
Pure Altruism ◽  
The Relationship ◽  
Do So

The hypothesis that there is an inextricable link between comic book superheroes and suffering would, to anyone with a cursory knowledge of superhero characters found in DC, Marvel, Image, Wildstorm and other houses, and their histories, ostensibly seem valid. This validity depends on which character one is applying said hypothesis to; the psychological and physical suffering of a Batman being more acceptable as such than that of a Plastic Man, for example. However, using DC Comics character Superman as a case study, this paper explores the inextricable link between Otherness, power, and suffering within the remit of the character's mythos. In order to do so, this paper refers to psychoanalytic concepts elaborated by Sigmund Freud in his text Beyond the Pleasure Principle (1922) as a way of demonstrating that despite the character's conventional appraisal as a positivist humanistic symbol of pure altruism, an insuperable, unimpeachable symbol of selflessness and good morality, there is in fact a fundamental link between Superman's 'tridentity' of selves (Clark Kent/Kal-El/Superman), the character's own suffering, and human suffering on a terrestrial scale, as represented within the numerous realities of the DC Comics Multiverse.

scholarly journals Why Superman Will Not Save the World: Theorizing the Relationship Between Suffering and DC Comics Superman

2020 ◽  
Vol 2 (3) ◽  
pp. 119-137
Author(s):  
Kwasu Tembo
Keyword(s):  
Sigmund Freud ◽  
Comic Book ◽  
Human Suffering ◽  
Pleasure Principle ◽  
Physical Suffering ◽  
The World ◽  
Pure Altruism ◽  
The Relationship ◽  
Do So

The hypothesis that there is an inextricable link between comic book superheroes and suffering would, to anyone with a cursory knowledge of superhero characters found in DC, Marvel, Image, Wildstorm and other houses, and their histories, ostensibly seem valid. This validity depends on which character one is applying said hypothesis to; the psychological and physical suffering of a Batman being more acceptable as such than that of a Plastic Man, for example. However, using DC Comics character Superman as a case study, this paper explores the inextricable link between Otherness, power, and suffering within the remit of the character's mythos. In order to do so, this paper refers to psychoanalytic concepts elaborated by Sigmund Freud in his text Beyond the Pleasure Principle (1922) as a way of demonstrating that despite the character's conventional appraisal as a positivist humanistic symbol of pure altruism, an insuperable, unimpeachable symbol of selflessness and good morality, there is in fact a fundamental link between Superman's 'tridentity' of selves (Clark Kent/Kal-El/Superman), the character's own suffering, and human suffering on a terrestrial scale, as represented within the numerous realities of the DC Comics Multiverse.

scholarly journals Local industrial strategy and skills policy in England: Assessing the linkages and limitations – a case study of the Sheffield City Deal

2016 ◽  
Vol 31 (8) ◽  
pp. 857-872 ◽  
Author(s):  
Paul Sissons ◽  
Katy Jones
Keyword(s):  
Local Economic Development ◽  
Innovation Policy ◽  
National Policy ◽  
Local Economy ◽  
Local Growth ◽  
Potential Growth ◽  
Economic Development Policy ◽  
The Relationship ◽  
Do So

This paper examines changes in local economic development policy which occurred between 2010 and 2015, with a focus on the relationship between industrial strategy and skills policy. Under the Coalition Government, Local Enterprise Partnerships were established and tasked with facilitating local growth, and to do so many identified a set of (potential) growth sectors for industrial strategy to support. These sectors tended to be drawn from a relatively narrow range of industries which therefore often excluded a large proportion of the local economy. An important focus of the support for growth sectors for many has been through an ambition to influence the local skills system. Skills policy more broadly has been an important dimension of devolution, and a number of City Deals have included elements of skills policy. Echoing previous national policy however, the focus of local concerns with skills under devolution has been framed largely with reference to skills gaps and shortages. While specific skills gaps and shortages can be identified, this paper questions whether this default position is reflected widely, and as such, if a narrow focus on skills supply is a sufficient approach. It is argued that to support local growth across a broad base, greater attention needs to be paid to stimulating employer demand for skills through better integrating industrial and innovation policy with skills policymaking across a wider section of the local economy. To support these arguments we present a case study of the Sheffield City Deal.

scholarly journals Drawing Out by Drawing Into: Representation and Partnership in a Design-Science Collaboration

2016 ◽  
Vol 2 ◽  
pp. 294
Author(s):  
Pablo Schyfter
Keyword(s):  
Design Science ◽  
Self Organization ◽  
Art And Design ◽  
Structural Growth ◽  
Science Collaboration ◽  
Interdisciplinary Partnership ◽  
The Relationship ◽  
Joint Representation ◽  
Do So

“Synthetic Aesthetics” was a two-year experimental, interdisciplinary project that supported six partnerships between synthetic biologists and artists and designers. Each group sought to accomplish two tasks: build an interdisciplinary partnership and construct a joint representation. In this article, I explore the relationship between partnering and representing in one of the six partnerships: a collaboration between an architect and a synthetic biologist. I describe David Benjamin and Fernan Federici’s work on the self-organization and structural growth of xylem cells, and their pursuit of graphical and mathematical representations of so-called biological “logic.” I analyze the case study using two frameworks in unison. The first, from research in STS, explains representation as a social accomplishment with ontological consequences. The second, by pragmatist John Dewey, describes representation as drawing out and drawing into: selecting and extracting out of the world, and molding and installing into human artifice. I study Benjamin and Federici’s work as two acts of drawing out by drawing into: constructing and representing “logic” by forming a partnership to do so; and building a partnership by jointly forming a commitment to the existence of that “logic.” Doing so also involved ontological labor: making biological “logic” and rendering cells intelligible as products of rational mechanisms (as logical cells). Thus, representing and partnering are mutually enabling, mutually dependent and capable of ontological accomplishments. The lesson is useful to STS, a field increasingly concerned with art and design as topics of study and potential partners in work.

A Methodology for Building Knowledge Memory Within the Handicraft Sector

2019 ◽  
Vol 15 (3) ◽  
pp. 45-65 ◽  
Author(s):  
Imane El Amrani ◽  
Abdelmjid Saka ◽  
Nada Matta ◽  
Taoufik Ouazzani Chahdi
Keyword(s):  
Knowledge Engineering ◽  
Multimedia System ◽  
Methodological Framework ◽  
Know How ◽  
The World ◽  
Knowledge Preservation ◽  
Knowledge Memory ◽  
Interactive Multimedia System ◽  
Do So

The Moroccan handicraft is threatened by the loss of its knowledge and several authorities are calling to safeguard this cultural heritage through a detailed transcription and development of an interactive multimedia system. In response to this call, this article represents a first step in addressing this need. It provided a basic methodology for building a craft memory which will be considered as a benchmark for handicraft knowledge preservation. The study focuses on identifying the most critical and vulnerable know-how and modelling the knowledge which needs to be retained. To do so, a methodological framework is proposed and validated through a case study on the Moroccan zellige craft. The methods used here are derived from the world of Knowledge Management (KM) and Knowledge Engineering (KE); in particular, MASK method, GAMETH and M3C. Nevertheless, their systematic application is not perfectly adapted, it needs to be in accordance to the craft characteristics and the artisan's profile which is the key point of the current study.

Aesthetic Expression

1998 ◽  
Vol 2 (3) ◽  
pp. 40-47 ◽  
Author(s):  
Carol Picard, ◽  
Caryl Sickul, ◽  
Shannon Natale,
Keyword(s):  
Nursing Practice ◽  
Human Science ◽  
Illness Narratives ◽  
Human Suffering ◽  
Need For Care ◽  
Healing Power ◽  
The World ◽  
Nursing Literature ◽  
Relationship Of ◽  
The Relationship

This paper examines the relationship of suffering, the need for care, and the healing power of aesthetics in human science. The authors live in the world of art and healing as scholars, educators, performers, and healers. In examining suffering in a cooperative mode of inquiry, the authors reflected on aesthetic works of suffering and beauty, as well as science, nursing literature, and illness narratives. Implications for nursing practice, education, and research are discussed. Recommendations for the possibilities of healing art in hospitals will be addressed as a restorative process in postmodern healthcare. The hospitals have been described as concentrated centers of human suffering, very much in need of its healing sister, art.

scholarly journals Impact of Intellectual Capital Efficiency on Profitability (A Case Study of LSE25 Companies)

2008 ◽  
Vol 13 (2) ◽  
pp. 81-98 ◽  
Author(s):  
Muhammad Abdul Majid Makki ◽  
Suleman Aziz Lodhi
Keyword(s):  
Intellectual Capital ◽  
Regression Models ◽  
Value Added ◽  
Net Profit ◽  
The World ◽  
Capital Efficiency ◽  
Successful Business ◽  
The Relationship

The aim of this study is to examine the relationship between intellectual capital efficiency and the firm's profitability. The importance of intellectual capital (IC) and the related philosophy of the knowledge economy have captured the attention of researchers and business enterprises in the World Trade Organization (WTO) era. IC is widely recognized as a tool that is critical to running a successful business in a highly competitive environment. Various models have been introduced to measure the numerous facets of IC, including the Skandia navigator, Tobin's Q, and value added intellectual coefficient (VAIC). This article examines the role of IC efficiency in the firm’s net profit using the VAIC developed by Ante Pulic (1998). It also investigates its correlation with the firm’s profitability, using regression models.

scholarly journals Learning to Die: Analysis of The Cultural Role of Voluntary Death

2020 ◽  
Vol 3 (4) ◽  
pp. 38-49
Author(s):  
Niccolò Martini
Keyword(s):  
Assisted Suicide ◽  
Structured Interview ◽  
Even Start ◽  
General Law ◽  
The Social ◽  
The World ◽  
Real Education ◽  
The Relationship

Voluntary death is a morally and legally grey area in many countries around the world. In my research I studied the topic of euthanasia and assisted suicide in Italy. Specifically, I analyzed the relationship between collective law and individual morality using as case study the phenomenon of voluntary death, which has been making people talk about itself in recent years precisely because of its as yet undefined nature. Using a qualitative approach i.e., semi-structured interview, I listened the voices of a representative sample of Italian doctors in order to collect the opinion of the medical class i.e., the social group that would be most affected by the possible legalization of euthanasia. It has emerged, among other things, that Italy lacks a real education to death. The research has opened a reflection on the range of voluntary death within a Nation where it is illegal. Numerous studies have determined the enormous symbolic baggage present within the concept of death, but in the study of the legalization of voluntary death a new factor has emerged: a legalization is not desired until the population receives a real education on the idea of having to die. Like sex, death is still a taboo in many societies around the world. Is it therefore necessary to fulfill a death education before even start to talk about creating a general law. This research has exalted not only a cultural deficiency but also the desire to remedy it through education, in order to exorcise the fear of an event that sooner or later everyone has to face.

scholarly journals The playful newsroom: Iterating and reiterating the news and its publics

First Monday ◽  
2016 ◽  
Author(s):  
Maxwell Foxman
Keyword(s):  
Public Sphere ◽  
Professional Identity ◽  
Structured Interviews ◽  
Primary Case ◽  
News Production ◽  
The Public ◽  
The Press ◽  
The World ◽  
The Relationship

The crisis in the journalism industry, intensified with the popularization of the World Wide Web, warrants radical rethinking of the professional identity of journalists and their role in society. This paper first suggests replacing the Habermasian public sphere with Dutch historian Johan Huizinga’s magic circle of play to describe the relationship between the press and its audience. Within this new model, the writer configures the rules and boundaries in which the reader is free to respond and subvert, an interplay that increasingly shapes both current news production and expectations of the public. This paper then explores play and playful attitudes in newsroom practices and output through semi-structured interviews with journalists, game designers and educators. The “Game Team” at the news and entertainment Web site BuzzFeed acts as a primary case study of a group of journalists who make a variety of playful products — from full-fledged games to interactives — which they iterate and improve over time, in response to readers’ feedback.

scholarly journals Verso il restauro

2013 ◽  
Author(s):  
Maurizio De Vita
Keyword(s):  
Final Stage ◽  
University Education ◽  
University Faculty ◽  
The World ◽  
Methods And Techniques ◽  
Specific Discipline ◽  
The University ◽  
The Relationship ◽  
Selection Of

The book brings together critical considerations and experiences linked to the work of the author, lecturer in restoration at the Florence University Faculty of Architecture, as supervisor of degree theses on restoration. The reflections concern teaching Restoration as a subject, the conditions within which the knowledge and culture of restoration can ripen within our universities and the most recent problems encountered by both the discipline and restoration projects. In the first part of the publication, these aspects are set out in broad and more precisely conceptual and methodological terms in chapters and themed paragraphs which also act as a guide to drawing up degree theses on restoration, as well as a contributing to the didactics and efficiency of the specific discipline. This is followed by a selection of degree theses on restoration discussed in recent years which show the route from the principles, general problems and intervention criteria for every case study to drawing up a project. They are projects that deal with analysis methods and techniques, surveys, specialist restorations, regeneration, and the relationship between old and new. In short, the projects are what gave the final stage in the university education meaning and substance, also in order to acquire fundamental keys to restoration culture and activities in the world after university.

scholarly journals Metafore sebstva u autobiografskom diskursu Vesne Parun

2016 ◽  
Vol XIV (2) ◽  
pp. 184-184
Author(s):  
Kornelija Kuvač-Levačić
Keyword(s):  
Narrative Identity ◽  
The Self ◽  
The Other ◽  
Factual Information ◽  
Human Personality ◽  
The World ◽  
Literary Device ◽  
The Relationship ◽  
Symbolic Number ◽  
Do So

By using the concept of the Self as the human personality in its totality, as defined by Carl Gustav Jung and furthered by P. Ricoeur (the theory of narrative identity, the Self defined as an identity constructed by narrative configuration, the dialectics of the discovery of the other in one’s own Self and one’s own Self in the Other), this work will focus in the analysis of metaphors which express the Self of the auto-diegetic narrator as can be found in the autobiographical discourse of Vesna Parun. The corpus of this research is to be found in selected texts from her volume Noć za pakost. Moj život u 40 vreća (2001). From the first chapter of this volume [which consists of the following works of autobiography and essays: Poljubac života (1993), Do zalaska sunca hodajući za kamilicom (1958), Pod muškim kišobranom (1986)] the reader comes to realise that, for this author, the writing of autobiography is itself a problem of self-expression and that she had constantly deferred it, while, on the other hand, feeling a great compulsion from within to do so. This sense of paradox finds its reflection in some of the constitutive elements which can be found in her autobiographical discourse. In the relationship between literature and reality, which is something which the genre of autobiography questions in its own way, the author noticeably distances herself from the mere documentary transmission of factual information from her life. A reflection of this can be seen in the negation of a strict chronology of events and confessions, as she makes recourse to a technique which uses collage and appears fragmentary; furthermore, here prose here has a lyrical quality, negating "metaphor as a literary device" and transforming it into "literature as metaphor". The autobiographical prose of Vesna Parun is especially dense with metaphor, and it can be concluded that it expresses her Self. Attention is directed here to three metaphors in particular – the umbrella, which can be both "masculine" and "feminine", a map of the world, on the wall of every house in Vesna’s community, as well the sack, which is followed by the symbolic number 40, as many in which she could fill her life in. Besides the metaphors mentioned here, what will be proposed here is that in the autobiographical discourse of Vesna Parun literature itself is presented as metaphor of her Self, appearing to the reader as significantly (auto)meta-textual.

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