A Study on the Design Methodology Applicable to Stage Lighting Design Classes

2018 ◽  
Vol 33 ◽  
pp. 33-66
Author(s):  
Kwang Sub Kim
Keyword(s):  
Design Methodology ◽  
Lighting Design ◽  
Stage Lighting

scholarly journals Interior Lighting Design Methodology Supported by Computer

1993 ◽  
Vol 77 (9) ◽  
pp. 543-547
Author(s):  
Mitsugu Hirata ◽  
Takashi Kamei ◽  
Tsutomu Yano
Keyword(s):  
Design Methodology ◽  
Lighting Design ◽  
Interior Lighting

Exploratory Stage Lighting Design using Visual Objectives

2019 ◽  
Vol 38 (2) ◽  
pp. 417-429 ◽  
Author(s):  
Evan Shimizu ◽  
Sylvain Paris ◽  
Matt Fisher ◽  
Ersin Yumer ◽  
Kayvon Fatahalian
Keyword(s):  
Lighting Design ◽  
Exploratory Stage ◽  
Stage Lighting

scholarly journals Illuminance Calculations for Stage Lighting Concept as a Tool to Improve It

2020 ◽  
pp. paper64-1-paper64-12
Author(s):  
Maksim Nasennikov
Keyword(s):  
3D Modeling ◽  
Lighting Design ◽  
Concert Hall ◽  
Modeling Software ◽  
Stage Lighting

The article covers lighting design in terms of its impact on a human. After making an analysis of scientific sources on this topic, the project has been implementing with the use of 3D modeling software. The model of the concert hall of NUST “MISIS” was created, then several concepts of stage lighting were developed. We made an analysis of one concept using lighting engineering calculations. This allowed us to find out how safe developed variant of stage lighting is.

Eric Wolfensohn: Pioneer of Twentieth-Century British Theatre Lighting Design

2008 ◽  
Vol 24 (4) ◽  
pp. 355-362
Author(s):  
Nigel Morgan
Keyword(s):  
Higher Education ◽  
Lighting Design ◽  
Music Teacher ◽  
Design And Technology ◽  
Stage Design ◽  
Caryl Churchill ◽  
Film And Television ◽  
Rock Band ◽  
Undergraduate Programme ◽  
Stage Lighting

Eric Wolfensohn was one of a small group of British lighting designers to emerge in the 1940s. In this article, Nigel Morgan records how, as he plied his trade, Wolfensohn established a blueprint for the working pattern of the modern freelance lighting designer. Starting as a technician and operator, he progressed to designer and consultant, crossing between the genres of ballet, opera, and plays, and moving seamlessly into shop display, exhibition, film and television, borrowing techniques from each particular form and fusing styles in a quest for aesthetic satisfaction. Nigel Morgan qualified as a music teacher, and playing in a rock band introduced him to the stage and a fascination for stage design and technology. For the next twenty years he followed a career in theatre, lighting world premieres of plays by Caryl Churchill, Stephen Jeffreys and Tom Kempinski. He developed a highly successful lighting business in retail, with Harrods and Daks-Simpsons the principal London clients. Parallel to this, he was the innovator of lighting programmes in higher education, including the first European undergraduate programme in lighting design at Rose Bruford College in 1996. Nigel gained a PhD in 2003 for researching the origins of lighting design in Britain, and has published Stage Lighting for Theatre Designers and Stage Lighting in Britain: the Emergence of the Lighting Designer.

The Lighting Art: The Aesthetics of Stage Lighting Design

1986 ◽  
Vol 38 (4) ◽  
pp. 515
Author(s):  
Joseph W. Clapper ◽  
Richard H. Palmer
Keyword(s):  
Lighting Design ◽  
Stage Lighting

Calculation and measurement of mean room surface exitance: The accuracy evaluation

2018 ◽  
Vol 51 (6) ◽  
pp. 956-968 ◽  
Author(s):  
Q Dai ◽  
Y Huang ◽  
L Hao ◽  
W Cai
Keyword(s):  
Numerical Simulation ◽  
Design Methodology ◽  
Lighting Design ◽  
Accuracy Evaluation ◽  
Surface Reflectance ◽  
Interior Lighting ◽  
Easy Calculation ◽  
Wide Range ◽  
Measurement Location ◽  
Work First

Cuttle proposed mean room surface exitance as a new interior lighting design methodology, which focuses on lit appearance rather than visual performance. A few challenges exist, among which, an easy calculation method and a practical measurement strategy are two important aspects. Cuttle has developed a simplified equation for mean room surface exitance calculation and proposed that mean room surface exitance can be estimated by measuring indirect corneal illuminance from a position that ‘ brings most of the space into view’; however, no solid proof was provided. In this work, first, we demonstrate that the simplified equation is reasonably accurate by comparing its predictions with the results based on numerical simulation of a wide range of surface reflectance combinations. Two luminaire locations, which are carefully selected to have the same input to the simplified equation but leading to very different surface exitance distributions, are adopted to further verify the simplified equation; second, through a theoretical analysis and numerical simulation, we show that both indirect corneal illuminance and indirect cylindrical illuminance vary significantly with the measurement location and can be very different from mean room surface exitance. Therefore, we conclude that the method of measuring mean room surface exitance suggested in prior publications may not provide accurate results.

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