Protest art and public space

2020 ◽  
pp. 40-59
Author(s):  
Marina Maximova
Keyword(s):  
Public Space ◽  
Protest Art

scholarly journals Marketing, art and voices of dissent

2017 ◽  
Vol 18 (1) ◽  
pp. 75-100 ◽  
Author(s):  
Georgios Patsiaouras ◽  
Anastasia Veneti ◽  
William Green
Keyword(s):  
Social Movements ◽  
Hong Kong ◽  
Social Movement ◽  
Public Space ◽  
Empirical Data ◽  
Future Research ◽  
Marketing Theory ◽  
Audience Engagement ◽  
Protest Art ◽  
Arts Marketing

Limited research exists around the interrelationships between protest camps and marketing practices. In this article, we focus on the 2014 Hong Kong protest camps as a context where artistic work was innovatively developed and imaginatively promoted to draw global attention. Collecting and analysing empirical data from the Umbrella Movement, our findings explore the interrelationships between arts marketing technologies and the creativity and artistic expression of the protest camps so as to inform, update and rethink arts marketing theory itself. We discuss how protesters used public space to employ inventive methods of audience engagement, participation and co-creation of artwork, together with media art projects which aimed not only to promote their collective aims but also to educate and inform citizens. While some studies have already examined the function of arts marketing beyond traditional and established artistic institutions, our findings offer novel insights into the promotional techniques of protest art within the occupied space of a social movement. Finally, we suggest avenues for future research around the artwork of social movements that could highlight creative and political aspects of (arts) marketing theory.

scholarly journals The politics of the street: Street art, public writing and the history of political contest in Chile

2021 ◽  
Vol 6 (1) ◽  
Author(s):  
Camilo Trumper
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Political History ◽  
Transition To Democracy ◽  
Street Art ◽  
Public Writing ◽  
Protest Art ◽  
The Face ◽  
History Of ◽  
New Generation

This commentary focuses on the politics of public space in democracy and dictatorship. It delves into what Peter Winn calls the revolution ‘from below’ from the perspective of urban conflict, suggesting a political history that attends to urban and visual culture as a crucial arena of political practice. It suggests that the often-conflictive battle over public spaces was, and continues to be, a mechanism by which an unprecedented range of citizens entered into an ongoing debate over the boundaries of citizenship, practice, politics and that this practice was adapted, transformed and reimagined over the last five decades. The struggle over streets and walls continues to be central to Chilean political history, and urban space remains a field of ongoing contest and debate: the estallido of social unrest in contemporary Chile connected a new generation of activists to this longer history of creative politics of protest and protest art and gave them the opportunity to articulate new forms of intersectional political thought in public space, even in the face of state-sponsored violence. Studying these forms of unrest reveals that theirs is an incisive, intersectional critique of the limits of the ‘transition to democracy’, of neoliberal democracies and of the legacies of dictatorship.

scholarly journals ART AND CIVIL SOCIETY: FROM PROTEST TO COOPERATION

2010 ◽  
Vol 3 (2) ◽  
pp. 145-160
Author(s):  
Katarzyna Niziołek
Keyword(s):  
Civil Society ◽  
Public Space ◽  
Local Community ◽  
Minority Group ◽  
Specific Area ◽  
Social Functions ◽  
Protest Art ◽  
Social Art ◽  
Cultural Democracy ◽  
Democratic Transformation

In the article, adopting the democratic transformation perspective, the author focuses on art as a specific area of civil society. With an eye on Poland, various forms of artistic activism are analyzed and compared, from artistic vanguard and protest art of the communist period, to the practices of cultural democracy and social art of the present day. In particular, the concept of social art is explained and exemplified with three model projects, each set in a different context ‐ of an open public space, local community and minority group, and each representing a different set of social functions. Menas ir pilietinė visuomenė: nuo protesto iki bendradarbiavimo Santrauka Straipsnyje, laikydamasi demokratinės transformacijos perspektyvos, autorė susitelkia į meną kaip specifinę pilietinės visuomenės sritį. Analizuojamos ir lyginamos įvairios meninio aktyvumo formos, pasitaikančios Lenkijoje – nuo komunistinio laikotarpio meninio avangardo ir protestinio meno iki šių dienų kultūrinės demokratijos bei socialinio meno praktikos. Daug dėmesio skiriama socialinio meno sampratai, kuri čia aiškinama pateikiant trijų modelių pavyzdžius ir kiekvieną iš jų tiriant skirtinguose kontekstuose – atviroje viešojoje erdvėje, vietinėje bendruomenėje ir mažumos grupėje. Visi šie kontekstai straipsnyje pristatomi kaip skirtingų socialinių funkcijų visumos.

Public space in the old derelict city area – a case study of Mong Kok, Hong Kong

2001 ◽  
Vol 6 (1) ◽  
pp. 15-31 ◽  
Author(s):  
Charlie Q L Xue ◽  
Kevin K Manuel ◽  
Rex H Y Chung
Keyword(s):  
Hong Kong ◽  
Public Space ◽  
City Area

EFFECT OF DIGITAL COMMUNITY TOWARDS DEMOCRACY PROCESS: DIGITAL PARTISIPATION ANALYSIS IN INDONESIA

2020 ◽  
Vol 15 (2) ◽  
Author(s):  
Alih Aji Nugroho
Keyword(s):  
Public Policy ◽  
Social Media ◽  
Political Participation ◽  
Public Space ◽  
Rapid Development ◽  
Critical Mass ◽  
Digital Society ◽  
Digital World ◽  
Digital Community ◽  
The Government

The world is entering a new phase of the digital era, including Indonesia. The unification of the real world and cyberspace is a sign, where the conditions of both can influence each other (Hyung Jun, 2018). The patterns of behavior and public relations in the virtual universe gave rise to new social interactions called the Digital Society. One part of Global Megatrends has also influenced public policy in Indonesia in recent years. Critical mass previously carried out conventionally is now a virtual movement. War of hashtags, petitions, and digital community comments are new tools and strategies for influencing policy. This paper attempts to analyze the extent of digital society's influence on public policy in Indonesia. As well as what public policy models are needed. Methodology used in this analysis is qualitative descriptive. Data collection through literature studies by critical mass digital recognition in Indonesia and trying to find a relationship between political participation through social media and democracy. By processing the pro and contra views regarding the selection of social media as a level of participation, this paper finds that there are overlapping interests that have the potential to distort the articulation of freedom of opinion and participation. - which is characteristic of a democratic state. The result is the rapid development of digital society which greatly influences the public policy process. Digital society imagines being able to participate formally in influencing policy in Indonesia. The democracy that developed in the digital society is cyberdemocracy. Public space in the digital world must be guaranteed security and its impact on the policies that will be determined. The recommendation given to the government is that a cyber data analyst is needed to oversee the issues that are developing in the digital world. Regulations related to the security of digital public spaces must be maximized. The government maximizes cooperation with related stakeholders.Keywords: Digital Society; Democracy; Public policy; Political Participation

Reconstruction Of Urban Parks Of Culture And Rest Of The Soviet Period

2019 ◽  
pp. 61-65
Keyword(s):  
Public Space ◽  
Senior Citizens ◽  
Urban Parks ◽  
Public Spaces ◽  
Historical Background ◽  
Soviet Period ◽  
Limited Mobility ◽  
Functional Zoning ◽  
Functional Areas ◽  
The City

This article analyzes the main problems of urban public spaces, because today public spaces can determine the future of cities. It is noted that parks are multifunctional public spaces in the urban environment, as they are an important element of the citywide system of landscaping and recreation, perform health, cultural, educational, aesthetic and environmental functions. The article notes that the need for easily accessible and well-maintained urban parks remains, however, the state of parks in many cities of Russia remains unsatisfactory, requiring reconstruction. A brief historical background of the Park of Culture and Rest of the Soviet period in Omsk is expounded, the analysis of the existing territory of the Park is presented. It is revealed that the Park, being the largest public space in Omsk, does not meet the requirements of modern urbanism, although it represents a great potential for designing the space for the purpose of recreation of citizens. Performed functional zoning scheme of the territory of the Park in question, where its division into functional areas destined for active recreational users of the Park is presented, considered the interests of senior citizens, people with limited mobility, etc. Reconstruction of Parks of the Soviet period can provide the city with additional recreational opportunities, as well as increase its tourist attractiveness.

Ruler Visibility and Popular Belonging in the Ottoman Empire, 1808-1908

2018 ◽  
Author(s):  
Darin Stephanov
Keyword(s):  
Public Space ◽  
Ottoman Empire ◽  
The Other ◽  
Group Consciousness ◽  
Central Question ◽  
Point Model ◽  
The Everyday ◽  
National Movements ◽  
Tanzimat Reforms ◽  
The One

‘What do we really speak of when we speak of the modern ethno-national mindset and where shall we search for its roots?’ This is the central question of a book arguing that the periodic ceremonial intrusion into the everyday lives of people across the Ottoman Empire, which the annual royal birthday and accession-day celebrations constituted, had multiple, far-reaching, and largely unexplored consequences. On the one hand, it brought ordinary subjects into symbolic contact with the monarch and forged lasting vertical ties of loyalty to him, irrespective of language, location, creed or class. On the other hand, the rounds of royal celebration played a key role in the creation of new types of horizontal ties and ethnic group consciousness that crystallized into national movements, and, after the empire’s demise, national monarchies. The book discusses the themes of public space/sphere, the Tanzimat reforms, millet, modernity, nationalism, governmentality, and the modern state, among others. It offers a new, thirteen-point model of modern belonging based on the concept of ruler visibility.

Habermas, Cultural Hegemony, and the Educational Public Sphere

2018 ◽  
Vol 11 (1-2) ◽  
pp. 43-62
Author(s):  
Wisam Kh. Abdul-Jabbar
Keyword(s):  
Public Sphere ◽  
Social Inequality ◽  
Public Space ◽  
Oral Tradition ◽  
Pedagogical Practices ◽  
Cultural Hegemony ◽  
The Public ◽  
The Public Sphere ◽  
Arabic Speaking

This study explores Habermas’s work in terms of the relevance of his theory of the public sphere to the politics and poetics of the Arab oral tradition and its pedagogical practices. In what ways and forms does Arab heritage inform a public sphere of resistance or dissent? How does Habermas’s notion of the public space help or hinder a better understanding of the Arab oral tradition within the sociopolitical and educational landscape of the Arabic-speaking world? This study also explores the pedagogical implications of teaching Arab orality within the context of the public sphere as a contested site that informs a mode of resistance against social inequality and sociopolitical exclusions.

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