Oxford Poetry by Richard Eedes and George Peele

Thomas Middleton, dramatist (1580–1627), was not by any means the literary discoverer of the rogue's fascination. Even the moral Harman had lost himself, at times, in the romantic appeal of the vagrants he pictured, and Greene, after a perfunctory moral preface to his series of Conny-catching Pamphlets (1591–92), had given himself more and more unreservedly to revealing the adventurous life of rogues.

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A Bibliography of the Writings of George Peele

Modern Philology ◽

10.1086/388135 ◽

1934 ◽

Vol 32 (2) ◽

pp. 143-156

Author(s):

Thorleif Larsen

Keyword(s):

George Peele

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2. Theatre in Shakespeare’s time

10.1093/actrade/9780198718628.003.0002 ◽

2015 ◽

Author(s):

Stanley Wells

Keyword(s):

Christopher Marlowe ◽

Early Career ◽

Early Years ◽

Robert Greene ◽

John Lyly ◽

George Peele ◽

King's Men ◽

Thomas Lodge ◽

Narrative Poems ◽

The University

Both drama and theatre were developing rapidly in Shakespeare’s early years. ‘Theatre in Shakespeare’s time’ explains how Shakespeare followed in the footsteps of the first great wave of stage writers known as the University Wits—John Lyly, Thomas Lodge, Christopher Marlowe, George Peele, Thomas Nashe, and Robert Greene—learning from them and collaborating with them. It describes the London theatrical scene, the playing spaces, and the actors of the time before outlining Shakespeare’s early career, the narrative poems that kept him afloat financially, and introducing the Lord Chamberlain’s, and later King’s Men, the acting company that formed in 1594.

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