Who’s Afraid of Women Photographers? Redefining Gender, Gaze, and Photography in Amy Levy’s The Romance of a Shop

2018 ◽  
pp. 54-78
Author(s):  
Mavis Chia-Chieh Tseng
Keyword(s):  
Women Photographers

Post-Orientalist Comments by Contemporary Women Photographers

2021 ◽  
pp. 375-397
Author(s):  
Işık Sezer
Keyword(s):  
Female Body ◽  
Focal Point ◽  
Point Of View ◽  
Western Countries ◽  
Women Photographers ◽  
Visual Expression ◽  
Postmodern Art ◽  
Male Dominated ◽  
Expression Form

Today, Iran, Morocco, Tunisia, etc. women photographers have made the orientalist visual expression form the focal point of their art: the orientalist painting tradition as a result of the painter Delacroix's trip to Morocco in 1832, the imagination world and the painting tradition shaped by the economy-politics of the period, from the male-dominated point of view, the harem, the chamber, etc. It is based on fantasies based on the female body in oriental spaces. Although this painting movement maintained its effectiveness between 1832-1914, it is taken as a reference by photographers in today's postmodern art environment. In today's photography art, Shirin Neshat, Lalla Essaydi, Shadi Ghadirian, Majida Khattari, Meriem Bouderbala, who have Eastern and Western cultures and mostly live in Western countries, visualize the position of women in their countries with an interdisciplinary interpretation in their photographic visions that they shape with a post-orientalist attitude.

Women photographers in Europe: a fresh, feminine approach

2018 ◽  
Vol 37 (4) ◽  
pp. 141-145
Author(s):  
Ana M. Muñoz-Muñoz ◽  
M. Barbaño González-Moreno
Keyword(s):  
Women Photographers

A History of Women Photographers

The Art Book ◽  
1994 ◽  
Vol 2 (1) ◽  
pp. 23d-23d ◽  
Author(s):  
Naomi Rosenblum
Keyword(s):  
Women Photographers ◽  
History Of

A History of Women Photographers

1999 ◽  
Vol 20 (1) ◽  
pp. 67
Author(s):  
Naomi Rosenblum
Keyword(s):  
Women Photographers ◽  
History Of
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