The break-up of Yugoslavia and the Soviet Union

2015 ◽  
Vol 10 (6) ◽  
pp. 221-225
Author(s):  
Поляков ◽  
Aleksandr Polyakov

The article considers the issues of interaction between public organizations and municipal authorities after the break-up of the Soviet Union. The author presents the analysis of some enactments regulating the work of public organizations and their relationships. Current problems in organizing joint activities of the presented structures are shown.


Author(s):  
Anna Estera Mrozewicz

This chapter focuses on the films whose plots are set in the period following the break-up of the Soviet Union and in which the Baltic Sea undergoes symbolic transformation from a metaphor of liminal space into a space which links the Nordic peripheries of Europe with neighbours on the opposite shores. Rather than being positioned as small nations facing a large and dangerous neighbour, the small Nordic countries now find themselves among equally small neighbours that have (re)emerged in the northern consciousness after the disintegration of the Eastern Bloc. In these pictures (such as Aki Kaurismäki’s Take Care of Your Scarf, Tatjana), Baltic is an expanse of ambivalence, reflecting both fear of and fascination with the newly opened borders and increasing globalisation. Plots structured on the cognitive binary of centre/periphery are examined as baselines for narratives showing various forms of distant neighbourhood. Here, the Nordic subjects are often ousted from the centre position they previously adopted. Filmic devices serve to compress the space in order to accentuate contiguity rather than distance between the Nordic and the Eastern European coasts of the Baltic.


2011 ◽  
Vol 35 (4) ◽  
pp. 155-189 ◽  
Author(s):  
Timothy W. Crawford

States use wedge strategies to prevent hostile alliances from forming or to disperse those that have formed. These strategies can cause power alignments that are otherwise unlikely to occur, and thus have significant consequences for international politics. How do such strategies work and what conditions promote their success? The wedge strategies that are likely to have significant effects use selective accommodation—concessions, compensations, and other inducements—to detach and neutralize potential adversaries. These kinds of strategies play important roles in the statecraft of both defensive and offensive powers. Defenders use selective accommodation to balance against a primary threat by neutralizing lesser ones that might ally with it. Expansionists use selective accommodation to prevent or break up blocking coalitions, which isolates opposing states by inducing potential balancers to buck-pass, bandwagon, or hide. Two cases—Great Britain's defensive attempts to accommodate Italy in the late 1930s and Germany's offensive efforts to accommodate the Soviet Union in 1939—help to demonstrate these arguments. By paying attention to these dynamics, international relations scholars can better understand how balancing works in specific cases, how it manifests more broadly in international politics, and why it sometimes fails in situations where it ought to work well.


2013 ◽  
Vol 67 (3) ◽  
pp. 335-352 ◽  
Author(s):  
Michel Guillot ◽  
So-jung Lim ◽  
Liudmila Torgasheva ◽  
Mikhail Denisenko

2014 ◽  
pp. 183-192 ◽  
Author(s):  
Katarzyna Roman ◽  
Tomasz Rawski

The Russian Cinema of the DissolutionThe paper takes the issue of Russian reckoning cinema after 1989. This current can be defined as comprising the films which try to lay the foundations of a new narrative about the Soviet Union (alternative to the dominant narrative). The authors reflect on the specificity of the filmmakers’ critical attitude towards the previous system. The story of the break-up of the Soviet Union turns to be a story of the great catastrophe – the tragedy of the whole society, abandoned by hypocritical intelligentsia and deceived by political elites. Rosyjskie kino rozpaduTekst podejmuje problematykę rosyjskiego kina rozliczeniowego po 1989 roku – słabo widocznego nurtu próbującego stworzyć zręby nowej narracji o Związku Radzieckim, która mogłaby stanowić alternatywę wobec narracji dominującej. Stanowi próbę namysłu nad specyfiką krytyki poprzedniego systemu przeprowadzaną przez twórców tego nurtu. Opowieść o rozpadzie Związku Radzieckiego okazuje się tu opowieścią o wielkiej katastrofie – tragedii całego społeczeństwa, opuszczonego przez obłudną inteligencję i oszukanego przez elity polityczne.


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