L’ingénieur Kirillov (Dostoïevski, les Démons), nihiliste hégélien chez Alexandre Kojève et Albert Camus

2021 ◽  
Vol 92 (3-4) ◽  
pp. 599-614
Author(s):  
Dimitri Tokarev
Keyword(s):  
Albert Camus

Assia Djebar en face à face avec Albert Camus

2013 ◽  
Vol 87 (2) ◽  
pp. 33-45
Author(s):  
Laura Klein
Keyword(s):  
Albert Camus ◽  
Assia Djebar ◽  
En Face

Photopoetics: Sisyphus Outdone, the Apostrophal Subject and the Elusive Image

2020 ◽  
Vol 4 (1) ◽  
pp. 84-95
Author(s):  
Esther Sánchez-Pardo
Keyword(s):  
Catastrophe Theory ◽  
Albert Camus ◽  
Current Image ◽  
Difficult Condition ◽  
The Subject ◽  
The Individual

AbstractIn Sisyphus Outdone (2012), Nathanaël’s particular tribute to Albert Camus’ The Myth of Sisyphus (1942), the reader faces a challenging hybrid text in which the verbal and visual dimensions intermingle to produce an idiosyncratic type of narrative. Fragmentary, elliptical, a web of quotations, dictums, and meditations on the difficult condition of the individual in the current image-saturated scenario of the first decades of the 21st century, the text manages to propose a rigorous reflection upon crucial aspects of representation from History and temporality, to the Subject now, photography, catastrophe theory, architecture, failure and translation, among the most salient. Sisyphus, I suggest, exhibits a strategic photopoetics which operates as a self-reflective mechanism contributing to the persistence of an impermanent liminal subject and to the (re)production of textuality and the proliferation of voices against silence.

Albert Camus. Europe 77

2001 ◽  
Vol 96 (1) ◽  
pp. 201
Author(s):  
Mark Orme
Keyword(s):  
Albert Camus
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