scholarly journals Work and workers in the United States: A historic turning point?

Author(s):  
Chris Rhomberg
2021 ◽  
Vol 34 (73) ◽  
pp. 405-416
Author(s):  
ANDRE PAGLIARINI

ABSTRACT This article surveys the ways that the global COVID-19 pandemic has effected higher education in the United States. After reviewing the effects of this critically important historical episode on colleges, particularly as it pertains to the humanities, I outline potential paths forward in the years to come. The fundamental tension I highlight is that between returning to a pre-COVID status quo or imagining an alternative model that is ultimately more sustainable for students and academics alike.


Author(s):  
M. Share

On April 30 the United States and the World marked the 100th day in office of Donald Trump as President of the United States. The first 100 days are considered as a key indicator of the fortunes for a new President’s program. This article briefly reviews the 2016 campaign and election, the 11 week transition period, his first 100 days, a brief examination of both American-Russian relations and Sino-American relations, and lastly, what the future bodes for each under a Trump Presidency. The 100 Day period has been chaotic, shifting, and at times incoherent. He has made 180 degree shifts toward many major issues, including Russia and China, which has only confused numerous world leaders, including Presidents Putin and Xi. There has been a definite disconnection between what Trump says about Russia, and what his advisors and cabinet officials say. So far Trump has conducted a highly personalized and transactional foreign policy. All is up for negotiation at this a huge turning point in American foreign policy, the greatest one since 1945. Given all the world’s instabilities today, a rapprochement between the United States and Russia is a truly worthwhile objective, and should be strongly pursued.


2009 ◽  
pp. 173-201
Author(s):  
Sophie Méritet ◽  
Fabienne Salaün

2014 ◽  
Vol 44 (1) ◽  
pp. 29-41 ◽  
Author(s):  
Robin D.G. Kelley

During the summer of 2014, the U.S. government once again offered the State of Israel unwavering support for its aggression against the Palestinian people. Among the U.S. public, however, there was growing disenchantment with Israel. The information explosion on social media has provided the public globally with much greater access to the Palestinian narrative unfiltered by the Israeli lens. In the United States, this has translated into a growing political split on the question of Palestine between a more diverse and engaged younger population and an older generation reared on the long-standing tropes of Israel's discourse. Drawing analogies between this paradigm shift and the turning point in the civil rights movement enshrined in Mississippi's 1964 Freedom Summer, author and scholar Robin Kelley goes on to ask whether the outrage of the summer of 2014 can be galvanized to transform official U.S. policy.


1998 ◽  
Vol 28 (4) ◽  
pp. 747-755 ◽  
Author(s):  
Richard W. Clapp

In 1996, a series of articles and news stories about cancer mortality in the United States proclaimed a “turning point in the 25-year war on cancer.” While these articles and stories pointed to a recent decline in overall cancer mortality, they missed some important points about increases in specific types. They also ignored the politics behind the emphasis on smoking and diet as the main contributors to the cancer rates and the racial disparities in the U.S. data. In addition, recent articles on the decline in cancer mortality fail to note the much sharper decline in heart disease mortality. Continued efforts to reduce carcinogenic exposures at work and in the environment are needed to truly reduce the cancer burden.


2020 ◽  
Vol 2020 ◽  
pp. 1-13
Author(s):  
Amir Hossein Amiri Mehra ◽  
Mohsen Shafieirad ◽  
Zohreh Abbasi ◽  
Iman Zamani

In this paper, the SIR epidemiological model for the COVID-19 with unknown parameters is considered in the first strategy. Three curves ( S , I , and R ) are fitted to the real data of South Korea, based on a detailed analysis of the actual data of South Korea, taken from the Korea Disease Control and Prevention Agency (KDCA). Using the least square method and minimizing the error between the fitted curve and the actual data, unknown parameters, like the transmission rate, recovery rate, and mortality rate, are estimated. The goodness of fit model is investigated with two criteria (SSE and RMSE), and the uncertainty range of the estimated parameters is also presented. Also, using the obtained determined model, the possible ending time and the turning point of the COVID-19 outbreak in the United States are predicted. Due to the lack of treatment and vaccine, in the next strategy, a new group called quarantined people is added to the proposed model. Also, a hidden state, including asymptomatic individuals, which is very common in COVID-19, is considered to make the model more realistic and closer to the real world. Then, the SIR model is developed into the SQAIR model. The delay in the recovery of the infected person is also considered as an unknown parameter. Like the previous steps, the possible ending time and the turning point in the United States are predicted. The model obtained in each strategy for South Korea is compared with the actual data from KDCA to prove the accuracy of the estimation of the parameters.


2013 ◽  
Vol 10 (1) ◽  
pp. 59-90 ◽  
Author(s):  
DAVID CLINE

AbstractMorton Feldman composed his first works on graph paper in 1950–53, but he subsequently abandoned graph music, before taking it up again in 1958 at a time of rapidly increasing interest in musical indeterminacy and graphic notations in the United States and Europe. Feldman's return to graph music was a turning point in his career that would affect his subsequent output for almost a decade, but his principal surviving account of this change in his musical direction, which appeared in liner notes for an LP record, is misleading. This article presents a revised account that highlights a previously undocumented and atypical graph work that was used by John Cage to derive the graph now known as Ixion. In addition, it reveals links between Feldman's compositional ideas and those of Henry Cowell, explains how Robert Rauschenberg inadvertently affected the sound of Feldman's graph music for several years, and clarifies Feldman's response to problems he encountered in performances of his graph music.


2019 ◽  
pp. 112-159
Author(s):  
Jeffrey W. Taliaferro

Chapter 4 examines the proliferation dispute between the United States and Pakistan. As with the Middle East, averting containment failure in South Asia was the overriding aim of the Ford, Carter, and Reagan administrations. Slowing or halting the clandestine Pakistani nuclear weapons program was always a subordinate goal. The Soviet Union’s invasion of Afghanistan in 1979 was the turning point. Chapter 4 examines the oscillations in US nonproliferation policies toward Pakistan, from the Ford administration’s offer of advanced fighters for nuclear restraint in 1975–1976, to the Carter administration’s imposition of sanctions in early1979, to the Reagan administration’s provision of a $1.4 billion foreign military assistance package and efforts to circumvent nonproliferation legislation in exchange for Pakistani dictator General Muhammad Zia-ul-Haq’s pledge not to cross four nuclear “red lines” from 1981 to 1988, to the George H. W. Bush administration’s resumption of sanctions after the Soviet pullout from Afghanistan in 1990.


Author(s):  
Alex Alonso

Paul Muldoon was looking west long before he left Ireland for the United States in 1987, and his transatlantic departure would prove to be a turning point in his life and work. In America, where he now lives as a US citizen, Muldoon’s creative repertoire has extended into song writing, libretti, and literary criticism, while his poetry collections have themselves extended to outlandish proportions, typified in recent years by a level of formal intensity that is unique in modern poetry. To leave Northern Ireland, though, is not necessarily to leave it behind. Muldoon has spoken of his ‘sense of belonging to several places at once’, and in the United States his work has found another creative gear, new modes of performance facilitated by his Irish émigré status. This book approaches the protean work of his American period, focusing on Muldoon’s expansive structural imagination, his investment in Eros and errors, the nimbleness of his allusive practice as both a reader and writer, and the mobility of his transatlantic position. It draws on archival research to produce provocative new readings of Muldoon’s later works. Exploring the poetic and literary-critical ‘long forms’ that are now his hallmark, this book places the most significant works of Muldoon’s American period under the microscope, and opens up the intricate formal schemes of a poet Mick Imlah credits as having ‘reinvented the possibilities of rhyme for our time’.


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