scholarly journals Political satire and music: Humorous (and political) songs in Donald Trump's America

Miranda ◽  
2019 ◽  
Author(s):  
Aurélie Denat
Keyword(s):  
Political Satire ◽  
Political Songs

Tajik Migrant Religious Poetry

2019 ◽  
Vol 48 (4) ◽  
pp. 169-177
Author(s):  
Tokhir S. Kalandarov
Keyword(s):  
Labor Migration ◽  
Personal Communication ◽  
Russian Society ◽  
Asian Countries ◽  
Religious Poetry ◽  
Labor Migrants ◽  
Central Asian ◽  
Semantic Translation ◽  
Central Asian Countries ◽  
Political Songs

Today there are hundreds of papers published on the problem of labor migration from Central Asian countries, its political, social and economic aspects, as well as on the problem of integration and adaptation of migrants in the Russian society. However, the topic of migrant poetry is still poorly studied in Russia. At least there is no such research on Tajik labor migrants. The genres of Tajik migrant poetry vary significantly and include such forms as love poems, political songs, songs about migration hardships, religious poems. This paper is based on the results of monitoring social networks «Odnoklassniki», «Facebook», as well as on the results of personal communication and interviews with poets. In the paper we use the poems of three authors written in Tajik, Russian and Shugnani languages. The semantic translation from Tajik and Shugnani was done by the author of this paper

Case Study #3: When I Was a Lad & Modern Major-General by William S. Gilbert

Public Voices ◽  
2016 ◽  
Vol 13 (1) ◽  
pp. 177
Author(s):  
Kenneth Nichols
Keyword(s):  
Nineteenth Century ◽  
Government Official ◽  
Political Satire ◽  
Public Officials ◽  
Generalist Education ◽  
Arthur Sullivan ◽  
Major General

“When I Was a Lad” is from H.M.S. Pinafore, a nineteenth century British operetta by William S. Gilbert and Arthur Sullivan. It’s sung by a man who has become “the ruler of the Queen’s Navy.” Through the song, he tells about his climb to success. “I Am the Very Model of a Modern Major-General” is from Pirates of Penzance. Sung by the major-general, it extols his many qualifications and hints at his ambition.Gilbert and Sullivan’s comic operas often involved political satire, and this is the case with both of these songs. Both songs describe the talents, experience, qualifications of a government official. Both songs poke fun of officials and their self-importance. Both songs point to the benefit of having a broad, generalist education for higher-level positions. And both songs make the point that public officials need appropriate qualifications and experience. But the characters singing these songs display many differences as well, and very different outlooks on how to succeed. As you follow the lyrics, what do you make of the two gentlemen? Who would you want to work for? Who would you want working for you?

From fiction to reality: Presidential framing in the Ukrainian comedy Servant of the People

2021 ◽  
pp. 026732312110121
Author(s):  
Nataliya Roman ◽  
Berrin A Beasley ◽  
John H Parmelee
Keyword(s):  
Framing Theory ◽  
Character Traits ◽  
Political Satire ◽  
Political Leaders ◽  
The People

This study examines presidential framing in the Ukrainian sitcom Servant of the People, which may have helped Ukrainian comedian and political novice Volodymyr Zelenskyy win the presidency in 2019. Building upon research into fictional framing and political satire verite, this study analyzes the roles and character traits of Vasiliy Goloborodko, a fictional Ukrainian president played by Zelenskyy. The findings expand framing theory to include fictional political leaders in sitcoms.

Political satire in young'sthe Brothers

1977 ◽  
Vol 58 (4) ◽  
pp. 319-323
Author(s):  
J. Graeme Roberts
Keyword(s):  
Political Satire

scholarly journals Transcending the moment

2019 ◽  
Vol 18 (4) ◽  
pp. 491-508
Author(s):  
Martin J. Power ◽  
Aileen Dillane
Keyword(s):  
Folk Song ◽  
Performance Style ◽  
Grass Roots ◽  
Protest Songs ◽  
Structures Of Feeling ◽  
Ordinary Person ◽  
The Moment ◽  
Traditional Structures ◽  
Historical Moment ◽  
Political Songs

Abstract Our paper argues that British singer Billy Bragg performs protest songs that cleverly draw upon musical forms underpinning his positioning as a voice of, and for, the ordinary person, ultimately disenfranchised by governmental adherence to neoliberal policies. While political songs are a product of their time, many of them can also transcend that historical moment and have a longer shelf-life in terms of their capacity to inform political thinking and action. Our song(s) of choice in this paper do so not just in terms of the relevance of their ‘literal’ message but also in how they draw upon traditional structures of feeling and generic elements of folk song to underpin this sense of ‘grass-roots’ critique via a modified, acoustic ballad form and a performance style. This serves to authenticate and legitimate the singer and his message and, in turn, allows Bragg to accumulate political and cultural capital.

scholarly journals Interconnection of Orwell's Novel Animal Farm as a Micro-Universe and Our Macro-Universe

2021 ◽  
Vol 5 (4) ◽  
pp. 27-36
Author(s):  
Salim Kadhim Abass
Keyword(s):  
Critical Discourse Analysis ◽  
Real World ◽  
English Literature ◽  
Narrative Text ◽  
George Orwell ◽  
Political Satire ◽  
The Social ◽  
Political Novel ◽  
Animal Farm ◽  
Analytical Approaches

George Orwell is best known for his allegorical political novel, Animal Farm (1945), written in the period of Modernism in English literature. This novel is read as an offensive on totalitarianism in general, and a political satire against Stalinism Communist totalitarianism in particular. The current paper is conducted to investigate the relationship between the micro-universe which is represented by the narrative text of Orwell's novel Animal Farm, and macro-universe which represents the reality or the real world. The main aim of this study is to determine the interconnection of the micro-universe (the narrative text), and the macro-universe (the reality) through finding a convergence between the topics and events of the narrative text and our real world. Marxist Criticism and Critical Discourse Analysis (CDA) are used together as analytical approaches to investigate the selected narrative text and the historical, political, and social context in which the narrative text was written. The findings of this study points out that the narrative text of Animal Farm represents reality. This confirms the social and moral function of the committed literature which expresses human sufferings and aspirations for better conditions. The significance of the current study lies in provides better comprehension of the interconnection of the narrative text and reality as a missing feature in literature on this novel. This study contributes to literature on Orwell's novel Animal Farm particularly, and the field of the political English novels in general. Thus, this study extends the base of the researchers' knowledge in this literary area. Keywords: Micro-universe and Macro-universe, Modernism, Totalitarianism, Animal Farm.

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