scholarly journals HBO and the Aristocracy of Contemporary TV Culture: affiliations and legitimatising television culture, post-2007

Mise au point ◽  
2018 ◽  
Author(s):  
Kim Akass ◽  
Janet McCabe
Keyword(s):  
Tv Culture

Diagnosis of Trichomonas vaginalis in adolescent females: ‘Inpouch TV’ culture versus wet mount microscopy

1996 ◽  
Vol 18 (2) ◽  
pp. 117
Author(s):  
Chris L. Ohlemeyer ◽  
Laurie L. Hornberger ◽  
Daryl A. Lynch ◽  
Ella M. Swierkosz
Keyword(s):  
Trichomonas Vaginalis ◽  
Adolescent Females ◽  
Wet Mount ◽  
Tv Culture

Global streamers: Placing the transnational at the heart of TV culture

2021 ◽  
Author(s):  
Jean K. Chalaby
Keyword(s):  
Professional Practice ◽  
Video On Demand ◽  
Video Sharing ◽  
On Demand ◽  
Cross Border ◽  
Transnational Media ◽  
The Status ◽  
History Of ◽  
Media Globalization ◽  
Tv Culture

As media globalization has progressed, transnational media have evolved, and this article contends that a new generation has emerged. The first that developed in the latter part of the twentieth century consists of cross-border TV networks and formats. The second is the rise of streaming platforms. During the first generation, the transnational remained a professional practice out of viewers’ reach. With the arrival of the second generation, the transnational has become an everyday mode of media consumption and interaction. Online entertainment services have altered the status of the transnational within TV culture, and what was once at the margins now sits at the core. This article theorizes the notion of the transnational before examining the first and second generations of cross-border media. Considering the advent of streaming, it divides the market into three spaces: subscription video on demand (SVoD), advertising video on demand (AVoD) and video sharing. This article demonstrates how transnational consumption makes SVoD platforms more cosmopolitan than cross-border TV networks. Turning to video-sharing platforms – YouTube in particular – it argues that in the history of TV culture this constitutes a shift in status of the transnational by turning a professional practice into a popular one performed by millions. Based on interviews, this article shows how international access lowers the threshold of economic viability for content creators, while users get involved in cross-border conversations through memetic videos and comments. It is no longer place but technology that determines the fate of stories and ideas, and internet delivery has loosened the ties between TV culture and national culture more than ever.

Beauties and beasts – Deconstructing gender in popular TV culture

Edda ◽  
2005 ◽  
Vol 91 (04) ◽  
pp. 356-358
Author(s):  
Elise Seip Tønnessen
Keyword(s):  
Tv Culture

Television as the arena of shaping a music genre: The Hong Kong TV broadcasting culture and the rise of Cantopop, 1970–85

2021 ◽  
Vol 9 (1) ◽  
pp. 79-91 ◽  
Author(s):  
Yat-wai Joseph Wong
Keyword(s):  
Hong Kong ◽  
Popular Songs ◽  
Music Genre ◽  
Tv Broadcasting ◽  
Tv Culture

The term Cantopop is used by scholars to describe Cantonese popular songs developed in Hong Kong during the early 1970s. The rise and development of the genre was not cultivated by music programmes or variety shows but by Cantonese TV drama culture and the competition between different channels in the 1970s. Footage of early 1970s shows indicates that cover versions of English popular songs were initially more prominent than Cantopop in these programmes. Producers and music directors introduced the genre to television by tailor-making Cantonese theme songs based on the characters and stories of TV dramas. By doing so, Cantopop emerged as an effective tool for promoting TV dramas. In this way, and benefitting from the success of Cantonese TV dramas, Cantopop gradually became accepted as one of the mainstream genres in TV culture.

scholarly journals PUBLIC VIRTUES AND PRIVATE PLEASURES: HOW TV CULTURE EMERGED IN SOCIALIST YUGOSLAVIA

2021 ◽  
pp. 093
Author(s):  
Ildiko Erdei
Keyword(s):  
World War Ii ◽  
20Th Century ◽  
Cultural Influence ◽  
Iron Curtain ◽  
World War ◽  
Everyday Lives ◽  
The Sixties ◽  
Gradual Development ◽  
Cultural Force ◽  
Tv Culture

Television represented the transformative technology in the 20th century, and it has also served as a major social and cultural force for modernization after World War II, on both sides of the Iron Curtain. In socialist countries television was closely connected with future-oriented ideology, and aimed to provide the democratization of knowledge, promotion of socialist values and development of socialist citizenry. The beginning of TV broadcast in socialist Yugoslavia in 1958 gave way to the gradual development of TV culture during the sixties and seventies, the overall impact of which on the subjectivities and everyday lives of the viewers was undeniable. The aim of this paper is to briefly outline the context in which television culture in socialist Yugoslavia emerged and achieved momentum, pinpointing two periods: the penetration of TV into small places and villages during the sixties and the socio-cultural influence and ramifications of the broadcast of "Peyton Place" in the early seventies.

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