Fredric Jameson, Archéologies du futur. Le désir nommé utopie et autres sciences-fictions

Lectures ◽  
2022 ◽  
Author(s):  
Thomas Michaud
Keyword(s):  
Fredric Jameson

Adam Smith en Pekín. Orígenes y fundamentos del siglo xxi de Giovanni Arrighi

2009 ◽  
Vol 39 (153) ◽  
Author(s):  
HUGO RODAS MORALES
Keyword(s):  
Twentieth Century ◽  
Adam Smith ◽  
New Left ◽  
Fredric Jameson

Este libro completa otro, cuyo título destaca el largo periodo que estudia: The Long Twentieth Century. Money, Power, and the Origins of Our Times (1994), adoptado elogiosamente por la teoría posmoderna —“Cultura y capital financiero” de Fredric Jameson—. El que se reseña fue anticipado parcialmente a los lectores de los números 20 y 32 de la conocida publicación internacional New Left Review, en 2003. Del declive militarista euroestadounidense y el prometedor ascenso social y capitalista chino deriva esta mirada occidental (auto)crítica que anticipa sus desafortunadas páginas finales: declarar que Smith y Marx no han sido bien comprendidos reduce toda obra interpretativa anterior sobre dos océanos de conocimiento y otros tantos de errores.

Education and the Postmodern Subject in Neoliberal Society and the Possibilities of Emancipation by Paulo Freire’s Pedagogy

2021 ◽  
Vol 23 (4) ◽  
pp. 52-76
Author(s):  
Ronnie Peter Pereira Zanatta ◽  
Maria Sara Lima Dias ◽  
Nestor Cortez Saavedra Filho
Keyword(s):  
History Of Education ◽  
Theoretical Frameworks ◽  
Educational Legislation ◽  
Capitalist System ◽  
Humanist Education ◽  
Data Collection And Analysis ◽  
Company Culture ◽  
History Of ◽  
Fredric Jameson

Background: In a society increasingly marked by the logic of contemporary capitalism, education becomes an instrument for the reproduction of alienated labour forces. Objectives: To provide an overview of the characteristics of subjectivity and attitudes of the postmodern subject based on the studies of Fredric Jameson and David Harvey; unveiling the development of techniques for producing more effective ways of subjecting the company culture to neoliberal rationality described by Pierre Dardot and Christian Laval and their influences on the formation of contemporary identities; reflect on the role of education, in particular of scientific education, in overcoming the state of alienation brought about by the capitalist system of neoliberal societies. Design: Articulation between exploratory and bibliographic research, articulated with the theoretical frameworks of Paulo Freire’s critical theory and pedagogy.  Settings and Participants: Given the typology of the research carried out, articles, books and documents about the capitalist system in neoliberal societies, the educational legislation and Paulo Freire’s pedagogy. Data Collection and analysis: Critical reflection on the texts consulted and included in the research. Results: There is a relationship between the subjects constituted from the marketing logic and the role of the school as a reproducer of mechanisms of subjugation to the hegemonic capitalist system; there is also the business and industrial influence in the development of educational policies throughout the history of education. Conclusions: As a possibility of transforming this scenario of alienation from the educational system to hegemonic power, the Freirean conception of emancipatory critical humanist education is presented, in addition to the reproduction of capitalist logic, based on the awareness of subjects based on dialogical pedagogy and the appropriation of the scientific knowledge as a transformer of reality.

scholarly journals Los nuevos decorados del arte

2016 ◽  
Vol 10 (17) ◽  
pp. 102
Author(s):  
Carlos Fajardo Fajardo
Keyword(s):  
Jean Baudrillard ◽  
Cultural Logic ◽  
The Sublime ◽  
Advanced Capitalism ◽  
The Aesthetic ◽  
Crisis Of Modernity ◽  
Fredric Jameson

RESUMENEl presente artículo pasa revista y analiza algunas de las tesis que Jean François Lyotard, Fredric Jameson y Jean Baudrillard construyeron para dar cuenta de las consecuencias de la llamada crisis de la modernidad y sus repercusiones en el arte. Se presta especial atención a categorías estéticas que surgieron a partir del resquebrajamiento de los pilares del edificio estético de Occidente bajo la globalización y la posmodernidad. De Lyotard se abordan su reflexión sobre la crisis de los grandes relatos y su noción de lo sublime, de Jameson sus apreciaciones sobre el pastiche, la moda retro bajo las lógicas culturales del capitalismo avanzado, y, de Baudrillard, los conceptos de transestética y estetización, y la pérdida de ilusión estética en la sociedad tecno-mediática y de mercados.PALABRAS CLAVESPosmodernidad, sublime, pastiche, moda retro, estetización.MUSO ALLI CHIKUNA SUGLLAPIKai kilkape willakume imasam kai kimsa runakuna Jean Francois Lyotard, Fredic Jameson y Jean Baudrillard rurankuna tukui mana allilla kaskakunata Kawangapa imasam kunaurra, ruranchi, paikuna allilla ñawe churranaku Kawangapa imasam kunaurra ruranchi, paikuna allilla ñawe shuranaku Kawangapa mana paquerechu tuku, kaipe willaku llukanchi llullarenga Allila mana kai atun llakiikuna pasarrengapa mana chingarrengachu Tukui allila ruranakuska tukui runakunamanda.IMA SUTI RIMAI SIMINespa musukauangapa, atun iuiai, kauaskatak rurangapa, kunaurra musu Kauai, retro, estatización.THE NEW SCENERIES OF ART. ABSTRACTThis article reviews and discusses some of the theses that Jean Francois Lyotard, Fredric Jameson and Jean Baudrillard advanced to account for the consequences of the so-called crisis of modernity and its impact on art. Special attention is given to the aesthetic categories that emerged from the breakdown of the pillars of the Western aesthetic building under globalization and postmodernity. From Lyotard, the article picks up his reflections on the crisis of the grand narratives and his notion of the sublime; from Jameson, his theoretical insights on the pastiche and the retro in fashion under the cultural logic of advanced capitalism; and from Baudrillard, the concepts of transaesthetics and aesthetization, and the loss of the aesthetic illusion in the techno-media and market society.KEYWORDSPostmodernism, sublime, pastiche, retro fashion, aesthetization. LES NOUVEAUX DÉCORS DE L’ART. RÉSUMÉCet article examine certaines des thèses que Jean François Lyotard, Fredric Jameson et Jean Baudrillard ont élaborées pour tenir compte des conséquences de la dite crise de la modernité et de son impact sur l’art. Une attention particulière est donnée aux catégories esthétiques qui ont émergé de l’effondrement des piliers de l’édifice esthétique occidental dans le cadre de la mondialisation et du postmodernisme. De Lyotard on aborde sa ré- flexion sur la crise des grands récits et sa notion du sublime ; de Jameson ses vues sur le pastiche et la mode rétro dans la logique culturelle du capitalisme avancé, et, de Baudrillard, les concepts de transesthétique et esthétisation, et la perte de l’illusion esthétique dans la société techno-médiatique et des marchés.MOTS CLÉSPostmodernisme, sublime, pastiche, mode rétro, esthétisation.OS NOVOS ENFEITES DA ARTE. RESUMOO presente artigo passa revista e analisa algumas das teses que Jean Françoeis Lyotard, Fredic Jameson e Jean Baudrillard construíram para dar conta das conseqüências da chamada crise da modernidade e suas repercussões na arte. Presta-se especial atenção a categorias estéticas que surgiram a partir do rachamento dos pilares do edifício estético do Ocidente sob a globalização e a pos-modernidade. De Jameson suas apreciações sobre o pasticho, a moda retro sob lógicas culturais do capitalismo avançado, e, de Baudrillard, os conceitos de trans-estética e estetização, e a perda de ilusão estética na sociedade tecno-mediática e de mercados.PALAVRAS CHAVESPos-modernidade, sublime, pasticho, moda retro, estetização.

scholarly journals O pós-moderno cor-de-rosa

2014 ◽  
Vol 6 ◽  
pp. 131-148
Author(s):  
Michel Amary
Keyword(s):  
Fredric Jameson

Este ensaio busca retomar as discussões iniciadas por Fredric Jameson sobre o pós-modernismo e sua aplicação na contemporaneidade. Nosso objetivo é procurar no pós-modernismo alguma objetividade capaz de responder aos anseios concretos de liberdade e de promover um estado verdadeiramente novo e humano que a arte promete. Para isso passamos primeiro por uma contextualização histórica sobre origem do pós-moderno; após, sua caracterização em expressões artísticas; e por fim, a relação da arte com a política em uma análise crítica sobre o seu potencial de emancipação.

scholarly journals Le débat sur le temps présent

2012 ◽  
Author(s):  
Gabriel Rockhill
Keyword(s):  
Richard Rorty ◽  
Nous Proposons ◽  
Jürgen Habermas ◽  
Jurgen Habermas ◽  
Fredric Jameson

Précis: Au lieu d'intervenir dans le débat sur la nature du temps présent en créant une nouvelleschématisation de notre âge, nous proposons ici une intervention sur ce débat en esquissant lescoordonnées concep-tuelles qui déterminent l'espace des possibles de la controverse. Il s'agit alorsd'une réflexion sur la logique historique, sociale et normative qui structure le débat sur le tempsprésent, et plus particulièrement la controverse postmoderne. Loin pourtant d'être une simple analyse«externe», cette interrogation sur les paramètres concep-tuels et pratiques qui déterminent d'avance lanature même des in-terventions dans le débat postmoderne est aussi l'occasion d'examiner de prèsdes prises de position spécifiques, comme celles d'Alex Callinicos, Fredric Jameson, Jean-FrançoisLyotard, Ihab Hassan, Jürgen Habermas, Richard Rorty et Gianni Vattimo.Mots cléfs: postmodernisme, postmodernité, débat postmoderne, histoire du présent.Resumen: En lugar de intervenir en el debate acerca de la naturaleza del tiempo presente creando unanueva esquematización de nuestra época, proponemos aquí una intervención sobre este debateesbozando las coordenadas concep-tuales que determinan el espacio de posibilidades de lascontroversias. Se trata entonces de una reflexión sobre la lógica histórica, social y normativa queestructura el debate sobre el tiempo presente, y más específicamente la controversia postmoderna. Noobstante, lejos de ser un simple análisis "externo", esta interrogación esta interrogación sobre losparámetros concep-tuales y prácticos que determinan previamente la naturaleza misma de las intervencionesen el debate postmoderno es también la oportunidad de examinar de cerca unas posturasespecíficas, como las de Alex Callinicos, Fredric Jameson, Jean-François Lyotrad, Ihab Hassan, JürgenHabermas, Richard Rorty y Giani VattimoPalabras clave: postmodernismo, postmodernidad, debate postmoderno, historia del presente.

Twenty-five Years of Marxist Biblical Criticism

2007 ◽  
Vol 5 (3) ◽  
pp. 298-321 ◽  
Author(s):  
Roland Boer
Keyword(s):  
Literary Criticism ◽  
New Testament ◽  
Hebrew Bible ◽  
Holistic Approach ◽  
Biblical Studies ◽  
Current Status ◽  
New Testament Studies ◽  
Fredric Jameson ◽  
Literary Methods ◽  
Mode Of Production

In the context of a renewed interest in Marxism outside biblical studies, this article surveys and critiques the background and current status of a similar renewal in biblical studies. It begins with a consideration of the background of current studies in liberation, materialist and political theologies, and moves on to note the division between literary and social scientific uses of Marxist theories. While those who used Marxist literary methods were initially inspired by Terry Eagleton and Fredric Jameson, more recent work has begun to make use of a whole tradition of Marxist literary criticism largely ignored in biblical studies. More consistent work, however, has taken place in the social sciences in both Hebrew Bible and New Testament studies. In Hebrew Bible studies, debates focus on the question of mode of production, especially the domestic or household mode of production, while in New Testament studies, the concerns have been with reconstructing the context of the Jesus movement and, more recently, the Pauline correspondence. I close with a number of questions concerning the division into different areas of what is really a holistic approach to texts and history.

Il capitale come totalizzazione. Jameson erede di Sartre

2012 ◽  
pp. 133-144
Author(s):  
Marco Gatto
Keyword(s):  
Fredric Jameson

Fredric Jameson, considerato il massimo critico e teorico di ispirazione marxista nel mondo angloamericano, sin dagli esordi ha proposto una lettura dei concetti piů rilevanti della Critica della ragione dialettica di Sartre, indirizzandoli verso una critica del capitalismo, letto come fenomeno di totalizzazione. L'obiettivo del saggio č discutere l'ereditÀ del pensiero di Sartre nella riflessione marxista contemporanea sulla totalitÀ, nella quale pare emergere, in particolare, un'analisi dei suoi movimenti formali: nella recente disamina di Jameson, per esempio, l'attualizzazione di Sartre č diretta verso la costituzione di una ‘poetica della totalitÀ', in cui estetica e politica trovano una relazione filosofica ponendosi quali forme di resistenza alla totalitÀ capitalistica.

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