scholarly journals david f. taylor, Politics of Parody. A Literary History of Caricature (1760-1830)

XVII-XVIII ◽  
2021 ◽  
Author(s):  
Brigitte Friant-Kessler
Keyword(s):  
Literary History ◽  
History Of

Migration and Modernities

2019 ◽  
Keyword(s):  
Native Americans ◽  
Literary History ◽  
Historical Study ◽  
Racial Categories ◽  
Geographic Boundaries ◽  
The Us ◽  
Technological Developments ◽  
History Of ◽  
The Aesthetic ◽  
Eighteenth And Nineteenth Centuries

Migration and Modernities recovers a comparative literary history of migration by bringing together scholars from the US and Europe to explore the connections between migrant experiences and the uneven emergence of modernity. The collection initiates transnational, transcultural and interdisciplinary conversations about migration in the eighteenth and nineteenth centuries, demonstrating how mobility unsettles the geographic boundaries, temporal periodization, and racial categories we often use to organize literary and historical study. Migrants are by definition liminal, and many have existed historically in the spaces between nations, regions or ethnicities. In exploring these spaces, Migration and Modernities also investigates the origins of current debates about belonging, rights, and citizenship. Its chapters traverse the globe, revealing the experiences — real or imagined — of eighteenth- and nineteenth-century migrants, from dispossessed Native Americans to soldiers in South America, Turkish refugees to Scottish settlers. They explore the aesthetic and rhetorical frameworks used to represent migrant experiences during a time when imperial expansion and technological developments made the fortunes of some migrants and made exiles out of others. These frameworks continue to influence the narratives we tell ourselves about migration today and were crucial in producing a distinctively modern subjectivity in which mobility and rootlessness have become normative.

Literature published in BAMlag’s main newspaper Stroitel BAMa

2019 ◽  
pp. 138-157
Author(s):  
T. E. Smykovskaya
Keyword(s):  
Literary History ◽  
Lyrical Poetry ◽  
Russian Literary ◽  
History Of ◽  
Labour Camp

T. Smykovskaya writes about a unique episode of Russian literary history: the development of so-called ‘labour-camp literature’, more specifically, lyrical poetry, published in the camps’ newspapers. The article focuses on BAMlag’s principal paper Stroitel BAMa, which saw publications of works by A. Alving, P. Florensky, A. Tsvetaeva, and other detainees. In her examination of the material, which so far has provoked little to no scholarly interest, the author highlights the key themes, images and subjects of labour-camp literature. Essentially, the article attempts to focus on the yet unknown history of the newspaper Stroitel BAMa, the main printed medium of BAMlag, as well as to describe the paper’s artistic and journalistic paradigm, which defined the literary activities of Svobodlag for a decade. Therefore, the article covers the newspaper’s history from the 1933 competition for its name until the emergence of the poetry section in the mid-1930s; from the Stakhanov theme, omnipresent in ‘free’ and labour-camp poetry alike in 1936, until eulogy of the Soviet leaders in pre-war years.

Discrepant Solace

2019 ◽  
Author(s):  
David James
Keyword(s):  
Literary History ◽  
Doris Lessing ◽  
Kazuo Ishiguro ◽  
Joan Didion ◽  
Julian Barnes ◽  
Ethical Implications ◽  
History Of ◽  
Late Twentieth ◽  
Ian Mcewan ◽  
Affective Meanings

Consolation has always played an uncomfortable part in the literary history of loss. But in recent decades its affective meanings and ethical implications have been recast by narratives that appear to foil solace altogether. Illuminating this striking archive, Discrepant Solace considers writers who engage with consolation not as an aesthetic salve but as an enduring problematic for late twentieth- and twenty-first-century fiction and memoir. Making close readings of emotion crucial to understanding literature’s work in the precarious present, David James examines writers who are rarely considered in conversation, including Sonali Deraniyagala, Colson Whitehead, Cormac McCarthy, W.G. Sebald, Doris Lessing, Joan Didion, J. M. Coetzee, Marilynne Robinson, Julian Barnes, Helen Macdonald, Ian McEwan, Colm Tóibín, Kazuo Ishiguro, Denise Riley, and David Grossman. These figures overturn critical suppositions about consolation’s kinship with ideological complaisance or dubious distraction, producing unsettling perceptions of solace that shape the formal and political contours of their writing.

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