scholarly journals John Lennon, autograph hound: The fan-musician community in Hamburg's early rock-and-roll scene, 1960–65

2010 ◽  
Vol 6 ◽  
Author(s):  
Julia Sneeringer
Keyword(s):  
Working Class ◽  
Social Space ◽  
West Germany ◽  
Rock And Roll ◽  
Lingua Franca ◽  
Economic Miracle ◽  
Music Scene ◽  
The 1960S ◽  
Opening Up

This article explores the Beat music scene in Hamburg, West Germany, in the early 1960s. This scene became famous for its role in incubating the Beatles, who played over 250 nights there in 1960–62, but this article focuses on the prominent role of fans in this scene. Here fans were welcomed by bands and club owners as cocreators of a scene that offered respite from the prevailing conformism of West Germany during the Economic Miracle. This scene, born at the confluence of commercial and subcultural impulses, was also instrumental in transforming rock and roll from a working-class niche product to a cross-class lingua franca for youth. It was also a key element in West Germany's broader processes of democratization during the 1960s, opening up social space in which the meanings of authority, respectability, and democracy itself could be questioned and reworked.

“Fuck Him, He Wasn’t With Us”

2017 ◽  
Author(s):  
Robert Bussel
Keyword(s):  
Civil Rights ◽  
Working Class ◽  
Vietnam War ◽  
Urban Revitalization ◽  
National Politics ◽  
Political Expression ◽  
Direct Involvement ◽  
The Vietnam War ◽  
The 1960S

This chapter examines the convergence of events that thrust Harold Gibbons into the maelstrom of national politics and led to his estrangement from the Teamsters's hierarchy. It first considers how Gibbons's rifts with Teamsters played out among Local 688's membership in St. Louis, which helped oust Gibbons in the summer of 1973, terminated his political partnership with Ernest Calloway, and signaled the demise of their quest for total person unionism and working-class citizenship. It then discusses Calloway's gradual withdrawal from direct involvement in civil rights activism and union affairs by the end of the 1960s, assuming instead the role of respected community elder. It also describes Gibbons's opposition to the Vietnam War and his difficulty in finding outlets for political expression during the last years of his career, even as he continued with his advocacy of interracial politics and comprehensive strategies for urban revitalization. Finally, it reflects on Calloway's death on December 31, 1989.

‘Catalanism Only Will Win by the Force of Songs’, Revisited 100 Years After. The Role of Catalan(ist) Pop-Rock Music in Socially Sanitizing Working-Class Neighborhoods of Barcelona (1976–2000)

2012 ◽  
Vol 2 (2) ◽  
pp. 1-20
Author(s):  
Jordi Nofre
Keyword(s):  
Working Class ◽  
Rock Music ◽  
Urban Life ◽  
Political Freedom ◽  
Great Success ◽  
Conservative Government ◽  
Music Scenes ◽  
Music Scene ◽  
Fascist Regime

Abstract: During the last years of the Spanish fascist regime, two politically contrary music scenes emerged in Barcelona. While Catalanist folk music emerged for political freedom, Spanished rock’n’roll, punk, and heavy scenes emerged in the working-class suburbs of Barcelona, denouncing bad conditions of everyday urban life. The great success of this last music scene in Barcelona in the 1980s led to the then nationalist, conservative government of Catalonia to promote a new socially and politically sanitized music scene in response to such class-based contestation. This study aims to explore how a new Catalan(ist) pop-rock scene was created to socially and culturally sanitize the working-class suburbs of Barcelona along the decades of the 1980s and 1990s.

scholarly journals Introduction: The Global E.P. Thompson

2016 ◽  
Vol 61 (1) ◽  
pp. 1-9 ◽  
Author(s):  
Gabriel Winant ◽  
Andrew Gordon ◽  
Sven Beckert ◽  
Rudi Batzell
Keyword(s):  
South Africa ◽  
Working Class ◽  
Social History ◽  
West Germany ◽  
The Other ◽  
Class Formation ◽  
Historical Inquiry ◽  
The People ◽  
The 1960S ◽  
The One

AbstractThis article introduces the present Special Theme on the global reception and appropriation of E.P. Thompson’sThe Making of the English Working Class(1963). It aims to interrogate Thompson’s legacy and potential vitality at a moment of renewed social and intellectual upheavals. It emphasizes the need for an interdisciplinary and global reflection on Thompson’s work and impact for understanding how class, nation, and “the people” as subjects of historical inquiry have been repeatedly recast since the 1960s. Examining the course of Thompson’s ideas in Japan and West Germany, South Africa and Argentina, as well as Czechoslovakia and Poland, each of the following five articles in the Special Theme is situated in specific and different locations in the global historiographical matrix. Read as a whole, they show how national historiographies have been products of local processes of state and class formation on the one hand, and transnational transfers of intellectual and historiographical ideas, on the other. They highlight the remarkable ability of Thompsonian social history to inspire new lives in varying national contexts shaped by different formations of race, class, and state.

Trade Unions and Political Parties in Britain, France, Italy and West Germany

1978 ◽  
Vol 13 (4) ◽  
pp. 485-495
Author(s):  
David Coombes
Keyword(s):  
Political Parties ◽  
Working Class ◽  
Trade Unions ◽  
Political Representation ◽  
Direct Action ◽  
West Germany ◽  
The Social ◽  
Changing Role ◽  
The Relationship

The object in trying to compare the relationship between trade unions and working-class political parties in these four countries was to see how far the relationship had changed in response to certain trends supposed to be common to the countries concerned. The trends were: (i) the changing role of working-class parties themselves; (ii) the decline of political representation, especially by parliamentary means, in favour of direct action; (iii) the growth of government in the social and economic sphere and increasing direct participation by trade unions in governmental decision-making. It was considered important to look at these countries together in view of their growing economic and political interdependence, in spite of fundamental differences among them which affect the roles both of political parties and of trade unions.

Ambivalent Relationships: London's Youth Culture and the Making of the Multi-Racial Society in the 1960s

2018 ◽  
Vol 11 (1) ◽  
pp. 4-26 ◽  
Author(s):  
Felix Fuhg
Keyword(s):  
Working Class ◽  
Social Life ◽  
Youth Culture ◽  
Global Culture ◽  
Local Conditions ◽  
White Working Class ◽  
Ambivalent Relationship ◽  
Post War ◽  
The 1960S ◽  
Class Youth

The emergence and formation of British working-class youth cultures in the 1960s were characterized by an ambivalent relationship between British identity, global culture and the formation of a multicultural society in the post-war decades. While national and local newspapers mostly reported on racial tensions and racially-motivated violence, culminating in the Notting Hill riots of 1958, the relationship between London's white working-class youth and teenagers with migration backgrounds was also shaped by a reciprocal, direct and indirect, personal and cultural exchange based on social interaction and local conditions. Starting from the Notting Hill Riots 1958, the article reconstructs places and cultural spheres of interaction between white working-class youth and teenagers from Caribbean communities in London in the 1960s. Following debates and discussions on race relations and the participation of black youth in the social life of London in the 1960s, the article shows that British working-class youth culture was affected in various ways by the processes of migration. By dealing with the multicultural dimension of the post-war metropolis, white working-class teenagers negotiated socio-economic as well as political changes, contributing in the process to an emergent, new image of post-imperial Britain.

Short Films from a Small Nation

2018 ◽  
Author(s):  
C. Claire Thomson
Keyword(s):  
Public Information ◽  
Industrial Process ◽  
Actor Network Theory ◽  
Documentary Films ◽  
Wide Range ◽  
Short Films ◽  
Post War ◽  
The 1960S ◽  
Art And Architecture

The first book-length study in English of a national corpus of state-sponsored informational film, this book traces how Danish shorts on topics including social welfare, industry, art and architecture were commissioned, funded, produced and reviewed from the inter-war period to the 1960s. For three decades, state-sponsored short filmmaking educated Danish citizens, promoted Denmark to the world, and shaped the careers of renowned directors like Carl Th. Dreyer. Examining the life cycle of a representative selection of films, and discussing their preservation and mediation in the digital age, this book presents a detailed case study of how informational cinema is shaped by, and indeed shapes, its cultural, political and technological contexts.The book combines close textual analysis of a broad range of films with detailed accounts of their commissioning, production, distribution and reception in Denmark and abroad, drawing on Actor-Network Theory to emphasise the role of a wide range of entities in these processes. It considers a broad range of genres and sub-genres, including industrial process films, public information films, art films, the city symphony, the essay film, and many more. It also maps international networks of informational and documentary films in the post-war period, and explores the role of informational film in Danish cultural and political history.

“Because every recipient is also a potential patient” – TV Health Programmes in the FRG and the GDR, from the 1960s to the 1980s

Gesnerus ◽  
2019 ◽  
Vol 76 (2) ◽  
pp. 172-191
Author(s):  
Susanne Vollberg
Keyword(s):  
Public Awareness ◽  
West Germany ◽  
Continuous Coverage ◽  
Public Consciousness ◽  
Television Programme ◽  
East German ◽  
Health And Disease ◽  
Media Systems ◽  
The 1960S ◽  
And Function

In the television programme of West Germany from the 1960s to the 1980s, health magazines like Gesundheitsmagazin Praxis [Practice Health Magazine] (produced by ZDF)1 or ARD-Ratgeber: Gesundheit [ARD Health Advisor] played an important role in addressing health and disease as topics of public awareness. With their health magazine Visite [Doctor’s rounds], East German television, too relied on continuous coverage and reporting in the field. On the example of above magazines, this paper will examine the history, design and function of health communication in magazine-type formats. Before the background of the changes in media policy experienced over three decades and the different media systems in the then two Germanys, it will discuss the question of whether television was able to move health relevant topics and issues into public consciousness.

State-run celebration of Liberation Day in Czechoslovakia (based on audiovisual sources)

2019 ◽  
pp. 251-268
Author(s):  
Timur Gimadeev
Keyword(s):  
Political Development ◽  
Communist Regime ◽  
Political Regime ◽  
The Political ◽  
Historical Experience ◽  
History Of ◽  
Post War ◽  
The 1960S ◽  
The Military

The article deals with the history of celebrating the Liberation Day in Czechoslovakia organised by the state. Various aspects of the history of the holiday have been considered with the extensive use of audiovisual documents (materials from Czechoslovak newsreels and TV archives), which allowed for a detailed analysis of the propaganda representation of the holiday. As a result, it has been possible to identify the main stages of the historical evolution of the celebrations of Liberation Day, to discover the close interdependence between these stages and the country’s political development. The establishment of the holiday itself — its concept and the military parade as the main ritual — took place in the first post-war years, simultaneously with the consolidation of the Communist regime in Czechoslovakia. Later, until the end of the 1960s, the celebrations gradually evolved along the political regime, acquiring new ritual forms (ceremonial meetings, and “guards of memory”). In 1968, at the same time as there was an attempt to rethink the entire socialist regime and the historical experience connected with it, an attempt was made to reconstruct Liberation Day. However, political “normalisation” led to the normalisation of the celebration itself, which played an important role in legitimising the Soviet presence in the country. At this stage, the role of ceremonial meetings and “guards of memory” increased, while inventions released in time for 9 May appeared and “May TV” was specially produced. The fall of the Communist regime in 1989 led to the fall of the concept of Liberation Day on 9 May, resulting in changes of the title, date and paradigm of the holiday, which became Victory Day and has been since celebrated on 8 May.

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