scholarly journals "So oft to the movies they've been": British fan writing and female audiences in the silent cinema

Author(s):  
Lisa Rose Stead

This article aims to address the ways in which working-class and lower-middle-class British women used silent-era fan magazines as a space for articulating their role within the development of a female film culture. The article focuses on letter pages that formed a key site for female contribution to British fan magazines across the silent era. In contributing to these pages, women found a space to debate and discuss the appeal and significance of particular female representations within film culture. Using detailed archival research tracing the content of a specific magazine, Picturegoer, across a 15-year period (1913–28), the article will show the dominance of particular types of female representation in both fan and "official" magazine discourses, analyzing the ways in which British women used these images to work through national tensions regarding modern femininity and traditional ideas of female propriety and restraint.

2021 ◽  
pp. 38-48
Author(s):  
Pamela Hutchinson

In Shoes (1916), Lois Weber re-examines the relationship between shoes and social mobility. Far from guiding the working-class protagonist’s progress, a pair of worn boots trap her into a moral compromise, which destroys her hope of future advancement, either romantically or socially. Weber’s investigation into wage inequality, the rights of women and the influence of consumer culture via footwear continues in The Blot (1921), which revisits the same plot in a lower middle-class milieu and expands on the theme. Here, shoes are again a danger to women, but also an indicator of genteel distress and a cheap, impractical commodity, good only for profiteering rather than practicality.


1970 ◽  
Vol 6 (2) ◽  
pp. 231-252 ◽  
Author(s):  
J. C. Wells

1. Dialectologists in England have concentrated on the speech of small and relatively isolated rural communities (see, for example, Orton and Dieth, 1962: Introduction, 14). Other linguists and phoneticians concerned with the English of England have almost without exception described Standard English and the form of pronunciation they call, using an established but less than happy term, ‘Received Pronunciation’ (Jones, 1967:xvii). Yet the English of most English (and English-speaking Welsh) people is neither RP Standard English nor a rural dialect. The vast mass of urban working-class and lower-middle-class speakers use a pronunciation nearer to RP, and lexical and grammatical forms much nearer to Standard English, than the archaic rural dialects recorded by the dialectologists. Yet their speech diverges in many ways from what is described as standard. The purpose of this article, which must be regarded as preliminary and tentative, is to sketch the principal phonetic variables among such local, mainly urban, forms of English.1 It is the task of anyone concerned with the description of these ‘accents’ of English to investigate whatever phonetic variables can be identified and to establish their correlation with the non-linguistic variables of age, social standing and education, and geographical provenance. (For discussion of some of the problems of urban dialectology, see particularly Wright, 1966.)


1995 ◽  
Vol 11 (43) ◽  
pp. 225-229
Author(s):  
Dagmar Kift

The history of the music hall has for the most part been written as the history of the London halls. In Dagmar Kift's book, The Victorian Music Hall and Working-Class Culture (the German edition of which was reviewed in NTQ 35, and which is due to appear in English from Cambridge University Press), she attempts to redress the balance by setting music-hall history within a national perspective. Arguing that between the 1840s and the 1890s the halls catered to a predominantly working-class and lower middle-class audience of both sexes and all ages, she views them as instrumental in giving these classes a strong and self-confident identity. The sustaining by the halls of such a distinct class-awareness was one of their greatest strengths – but was also at the root of many of the controversies which surrounded them. The music-hall image of the working class – with its sexual and alcohol-oriented hedonism, its ridicule of marriage, and its acceptance of women and young people as partners in work as in leisure – was in marked contrast to most so-called Victorian values. The following case study from Glasgow documents the shift of music-hall opposition in the 1870s away from teetotallers of all classes attacking alcohol consumption towards middle-class social reformers objecting to the entertainment itself. Dagmar Kift, who earlier published an essay on the composition of music-hall audiences in Music Hall: the Business of Pleasure (Open University Press), is curator of the Westphalian Industrial Museum in Dortmund.


Author(s):  
Peter Scott

New furniture was the first consumer durable to be successfully diffused to a mass (middle- and working-class) market in Britain. This chapter charts how a small number of furniture retailers pioneered many of the techniques used to create British mass markets for consumer durables. The key innovator was Benjamin Drage, who devised a successful formula to sell suites of new furniture, and the consumer credit used to purchase them, to ‘Mr Everyman’, using a revolutionary national advertising campaign. Drage’s spectacular early success is shown to have inspired emulation and adaption not just by furniture retailers, but by suppliers of other consumer durables. This chapter shows how furniture retailers managed to convince millions of working-and lower-middle-class families that buying their furniture new and furnishing out of income was not only practicable but constituted the cornerstone of modern aspirational lifestyles.


Author(s):  
John B. Jentz ◽  
Richard Schneirov

This chapter examines Chicago's immigrant working class and the rise of urban populism. In January 1872—three months after the Great Fire—Anton Hesing, Chicago's German political boss, organized a protest against the city government's effort to ban new wooden housing in the city as a fire control measure. For Hesing, the fight against the “fire limits” was a battle against the proletarianization of Chicago's workers, whose distinctive independent status was based on the ownership of real property and a house. He fought to preserve a particular kind of working class independent of large-scale capital, and free of alien radicalism, particularly socialism. In leading the movement against the fire limits, Hesing then became the chief architect of urban populism in the city. With labor reform marginalized, urban populism helped politicize the city's immigrant skilled workers and lower middle class.


2021 ◽  
pp. 75-90
Author(s):  
Charles Devellennes

This chapter deals with democracy and Rousseau's participative polity. The demands of positive freedom are also those of the political body, constituted of citizens, to organize itself. The chapter explores this ever-important notion. No freedom can be complete without a fully democratized state — and this includes the subjection of the economy to public rule. The national dimension of the movement is clearly established. Although it is largely working class, it has involved many other segments of society and can best be described as a movement of the small-middle stratum of citizens — either lower-middle class or upper-working class — what is described as 'the small-mean class'. It has been foreshadowed by police tactics against the banlieues; it has involved the most modest parts of French society directly, who have largely contributed to the movement, the middle classes, who have been commenting on it and trying to portray it as a jacquerie, or peasant revolt, and the upper classes, who have seen their iconic boulevards closed off and vandalized.


2021 ◽  
pp. 000169932110520
Author(s):  
Anne Lise Ellingsæter ◽  
Ragni Hege Kitterød ◽  
Marianne Nordli Hansen

Time intensive parenting has spread in Western countries. This study contributes to the literature on parental time use, aiming to deepen our understanding of the relationship between parental childcare time and social class. Based on time-diary data (2010–2011) from Norway, and a concept of social class that links parents’ amount and composition of economic and cultural capital, we examine the time spent by parents on childcare activities. The analysis shows that class and gender intersect: intensive motherhood, as measured by time spent on active childcare, including developmental childcare activities thought to stimulate children's skills, is practised by all mothers. A small group of mothers in the economic upper-middle class fraction spend even more time on childcare than the other mothers. The time fathers spend on active childcare is less than mothers’, and intra-class divisions are notable. Not only lower-middle class fathers, but also cultural/balanced upper-middle class fathers spend the most time on intensive fathering. Economic upper-middle and working-class fathers spend the least time on childcare. This new insight into class patterns in parents’ childcare time challenges the widespread notion of different cultural childcare logics in the middle class, compared to the working class.


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