scholarly journals The Wigner-Lohe model for quantum synchronization and its emergent dynamics

2017 ◽  
Vol 12 (3) ◽  
pp. 403-416 ◽  
Author(s):  
Paolo Antonelli ◽  
◽  
Seung-Yeal Ha ◽  
Dohyun Kim ◽  
Pierangelo Marcati ◽  
...  
Keyword(s):  
Quantum Synchronization ◽  
Lohe Model ◽  
Emergent Dynamics

Emergent Dynamics of a Generalized Lohe Model on Some Class of Lie Groups

2017 ◽  
Vol 168 (1) ◽  
pp. 171-207 ◽  
Author(s):  
Seung-Yeal Ha ◽  
Dongnam Ko ◽  
Sang Woo Ryoo
Keyword(s):  
Lie Groups ◽  
Lohe Model ◽  
Emergent Dynamics

scholarly journals Quantum synchronization in nanoscale heat engines

2020 ◽  
Vol 101 (2) ◽  
Author(s):  
Noufal Jaseem ◽  
Michal Hajdušek ◽  
Vlatko Vedral ◽  
Rosario Fazio ◽  
Leong-Chuan Kwek ◽  
...  
Keyword(s):  
Heat Engines ◽  
Quantum Synchronization

Active motion of multiphase oil droplets: emergent dynamics of squirmers with evolving internal structure

Soft Matter ◽  
2021 ◽  
Author(s):  
Xin Wang ◽  
Rui Zhang ◽  
Ali Mozaffari ◽  
Juan J. de Pablo ◽  
Nicholas L. Abbott
Keyword(s):  
Internal Structure ◽  
Oil Droplets ◽  
Active Motion ◽  
Over Time ◽  
Emergent Dynamics

Self-propelled motions of active droplets can be programmed by transforming their internal morphologies over time.

scholarly journals Emergent dynamics of the Lohe Hermitian sphere model with frustration

2021 ◽  
Vol 62 (5) ◽  
pp. 052701
Author(s):  
Seung-Yeal Ha ◽  
Myeongju Kang ◽  
Hansol Park
Keyword(s):  
Sphere Model ◽  
Emergent Dynamics

scholarly journals Measures of Quantum Synchronization in Continuous Variable Systems

2013 ◽  
Vol 111 (10) ◽  
Author(s):  
A. Mari ◽  
A. Farace ◽  
N. Didier ◽  
V. Giovannetti ◽  
R. Fazio
Keyword(s):  
Continuous Variable ◽  
Quantum Synchronization

scholarly journals From creator to data: the post-record music industry and the digital conglomerates

2018 ◽  
Vol 41 (3) ◽  
pp. 367-384 ◽  
Author(s):  
Keith Negus
Keyword(s):  
Economic Value ◽  
Music Industry ◽  
Moral Worth ◽  
Historical Change ◽  
Artistic Expression ◽  
Recorded Music ◽  
Commercial Form ◽  
Emergent Dynamics ◽  
Digital Recordings

This article contributes to research on the changing music industries by identifying three dynamics that underpin the shift towards a post-record music industry. First, it examines how musicians have found themselves redefined as content providers rather than creative producers; a historical change from recorded music as product to content. Second, it focuses on tensions between YouTube and recording artists as symptomatic of disputes about the changing artistic and economic value of recorded music. Third, it extends this debate about the market and moral worth of music by exploring how digital recordings have acquired value as data, rather than as a commercial form of artistic expression. The article explores how digital conglomerates have become ever-more significant in shaping the circulation of recordings and profiting from the work of musicians, and highlights emergent dynamics, structures and patterns of conflict shaping the recording sector specifically, and music industries more generally.

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