Friedrich Nietzsche, Poèmes complets, texte et traduction nouvelle intégrale, introduction et annotation de Guillaume Métayer, Paris, Les Belles Lettres, coll. « Bibliothèque allemande », 2019, 473 p., 45 euro.

2021 ◽  
Vol Tome 146 (4) ◽  
pp. 547-547
Author(s):  
Blaise Benoit
Keyword(s):  
Friedrich Nietzsche ◽  
Belles Lettres

scholarly journals Forrer, Thomas (ed.): Friedrich Nietzsche. Sämtliche Gedichte. Stuttgart: Kröner (Kröners Taschenausgabe 175) 2019. 527 pp.

2021 ◽  
Vol 29 ◽  
pp. 164-166
Author(s):  
Arno Gimber
Keyword(s):  
Friedrich Nietzsche ◽  
Belles Lettres

Reseña de la obra de Forrer, Thomas (ed.): Friedrich Nietzsche. Sämtliche Gedichte. Stuttgart: Kröner (Kröners Taschenausgabe 175) 2019. 527 pp.; y de Métayer, Guillaume (ed.): Poèmes complets de Friedrich Nietzsche. Édition bilingüe. París: Les Belles Lettres (Bibliothèque allemande) 2019. 968 pp.

Introduction: Plato’s Nightmare

2018 ◽  
Author(s):  
John Marmysz
Keyword(s):  
Immanuel Kant ◽  
Martin Heidegger ◽  
Friedrich Nietzsche ◽  
Objective Reality

This introductory chapter examines the “problem” of nihilism, beginning with its philosophical origins in the ideas of Plato, Immanuel Kant, Friedrich Nietzsche and Martin Heidegger. It is argued that film is an inherently nihilistic medium involving the evocation of illusory worlds cut loose from objective reality. This nihilism of film is distinguished from nihilism in film; the nihilistic content also present in some (but not all) movies. Criticisms of media nihilism by authors such as Thomas Hibbs and Darren Ambrose are examined. It is then argued, contrary to such critics, that cinematic nihilism is not necessarily degrading or destructive. Because the nihilism of film encourages audiences to linger in the presence of nihilism in film, cinematic nihilism potentially trains audiences to learn the positive lessons of nihilism while remaining safely detached from the sorts of dangers depicted on screen.

Friedrich Nietzsche

2018 ◽  
Author(s):  
Vanessa Lemm
Keyword(s):  
Friedrich Nietzsche ◽  
Michel Foucault ◽  
Gilles Deleuze ◽  
Georges Bataille ◽  
Giorgio Agamben ◽  
Eternal Recurrence ◽  
German Philosopher ◽  
Point Of Reference

Readers of Giorgio Agamben would agree that the German philosopher Friedrich Nietzsche (1844–1900) is not one of his primary interlocutors. As such, Agamben’s engagement with Nietzsche is different from the French reception of Nietzsche’s philosophy in Michel Foucault, Gilles Deleuze and Georges Bataille, as well as in his contemporary Italian colleague Roberto Esposito, for whom Nietzsche’s philosophy is a key point of reference in their thinking of politics beyond sovereignty. Agamben’s stance towards the thought of Nietzsche may seem ambiguous to some readers, in particular with regard to his shifting position on Nietzsche’s much-debated vision of the eternal recurrence of the same.

The Taste to Come

2010 ◽  
Vol 3 (2-3) ◽  
pp. 238-262
Author(s):  
Virgil W. Brower
Keyword(s):  
Friedrich Nietzsche ◽  
Jacques Derrida ◽  
Walter Benjamin ◽  
Martin Luther ◽  
The Body ◽  
Helene Cixous ◽  
Specific Kind ◽  
To Come

This article exploits a core defect in the phenomenology of sensation and self. Although phenomenology has made great strides in redeeming the body from cognitive solipsisms that often follow short-sighted readings of Descartes and Kant, it has not grappled with the specific kind of corporeal self-reflexivity that emerges in the oral sense of taste with the thoroughness it deserves. This path is illuminated by the works of Martin Luther, Jean-Luc Marion, and Jacques Derrida as they attempt to think through the specific phenomena accessible through the lips, tongue, and mouth. Their attempts are, in turn, supplemented with detours through Walter Benjamin, Hélène Cixous, and Friedrich Nietzsche. The paper draws attention to the German distinction between Geschmack and Kosten as well as the role taste may play in relation to faith, the call to love, justice, and messianism. The messiah of love and justice will have been that one who proclaims: taste the flesh.

Hispano-Hebrew strophic poetry

1981 ◽  
Vol 3 (2) ◽  
pp. 36-46
Author(s):  
Ulf Haxen
Keyword(s):  
Cultural Revolution ◽  
Jewish Population ◽  
Natural Sciences ◽  
European History ◽  
The Past ◽  
Belles Lettres ◽  
The Cultural Revolution

The conquest of Spain by the Arabs, allegedly prompted by leaders of the Jewish population after the fall of the Visigothic regime, 711, opened up an era in Medieval European history which stands unmatched as far as cultural enlightenment is concerned. Philosophy, belles lettres and the natural sciences flourished in the academies established by the Arab savants in the main urban centres. In the wake of the cultural revolution, a new branch of scholarship came into being – Hebrew philology. From the midst of this syncretistic, Mozarabic, milieu a remarkable poetic genre emerged. The study of Mozarabic (from Arabic, musta’riba, to become Arabicized) poetry has proved as one of the most fertile and controversial fields of research for Semitist and Romanist scholars during the past decades.

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