Campaign Expenditures in the United States, 1978-1990: Longitudinal Political Action Committee (PAC) Data

1994 ◽  
Author(s):  
2005 ◽  
Vol 51 (1) ◽  
pp. 40-61 ◽  
Author(s):  
Marick F. Masters ◽  
Robert S. Atkin

During the 1980s, unions in the United States significantly increased their political activity, partly as a strategic response to declining membership. An important aspect of this effort is contributing money to congressional and presidential candidates through political action committees (PACs). U.S. federal election campaign laws allow unions to raise PAC money from members on a strictly uoluntary basis. Elected local union officers may play an important part in union PAC fundraising, as they are a sizable cadre of potential donors and their donations may send powerful signais to rank-and-file to donate as well. This paper examines the PAC donations among a sample of elected local union officers of the United Steelworkers of America (USW). The descriptive results show significant variation in officers' PAC donations. Regression analyses show that union commitment is a significant predictor of PAC support as is location in a non-right-to-work state. The results have implications for promoting union PAC fundraising efforts, and hence the potential of U.S. unions to rely on political action as a strategy for resurgence.


Author(s):  
Benjamin Mangrum

This chapter argues that ongoing concerns about the rise of totalitarianism led writers and intellectuals in the United States to oppose social-democratic institutions after the Second World War. Familiar accounts about opposition to these institutions center on conservative politics. In contrast, this chapter argues that liberal thinkers invoked forms of aestheticism to combat what they perceived as the possible rise of totalitarianism in the United States. In order to document this under-explored trend in American political culture, this chapter establishes connections across writing by Lionel Trilling, Vladimir Nabokov, Hannah Arendt, Friedrich Hayek, the New Critics, and the American reception of Friedrich Nietzsche. These figures in postwar cultural life invoked aestheticism in the arenas of literature, philosophy, political action, and economics as a prophylactic to the perceived intrusions of an activist-managerial state.


Author(s):  
Mark Byers

This concluding chapter charts the continuing significance of the early postwar moment in Olson’s later work, particularly The Maximus Poems. The philosophical and political concerns of the American avant-garde between 1946 and 1951 play out across The Maximus Poems just as they inform later American art practices. The search of the early postwar American independent left for a source of political action rooted in the embodied individual is seen, on the one hand, to have been personified in the figure of Maximus. At the same time, Maximus’s radical ‘practice of the self’ charts a sophisticated alternative to the Enlightenment humanist subject widely critiqued in the United States in the immediate postwar period.


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