Lola Arias’ Campo minado/ Minefield (2016): Exploring Dramatherapy in Documentary Theatre

2020 ◽  
Vol 97 (10) ◽  
pp. 1031-1046
Author(s):  
ERIKA TEICHERT
Keyword(s):  
Affective Experience ◽  
Documentary Theatre ◽  
Emotional Dimension ◽  
Falklands War ◽  
Theatre Theory ◽  
Material Evidence

Campo minado/ Minefield (2016) by Lola Arias brings to the stage three British and three Argentine veterans from the Malvinas/ Falklands War (1982), performing as themselves. Their re-enactments of the war and their lives thereafter trigger questions about the affective experience of their bodies on stage. While documentary theatre theory foregrounds a material understanding of the performing body - a mediating technology for documentary authenticity - this article explores how dramatherapy theory might provide additional vocabulary to conceptualize the emotional dimension of the veterans’ performance. In doing so, this analysis puts forward an understanding of authenticity as dependent on affective transformations rather than material evidence.

A glimpse from the ancient world: What a gold necklace from Tillya-tepe reveals about opium in Afghanistan

Afghanistan ◽  
2020 ◽  
Vol 3 (2) ◽  
pp. 135-173
Author(s):  
Sara Peterson
Keyword(s):  
Opium Poppy ◽  
Ancient World ◽  
Cultural Importance ◽  
Large Seed ◽  
Potent Drug ◽  
Material Evidence ◽  
Societal Role

Among the six excavated burials at Tillya-tepe, in northern Afghanistan, was one occupied by an elite woman wearing a substantial necklace consisting of large gold beads shaped as seed-heads. The scale and fine workmanship of this necklace suggest that it was one of her most important possessions. It can be demonstrated that these large seed-heads are representations of poppy capsules, whose significance lies in the fact that they are the source of the potent drug opium. This necklace is the most outstanding object within a group of items decorated with poppy imagery, all of which were discovered in female burials. The opium poppy has long been a culturally important plant, and the implication of this identification is investigated in several contexts. Firstly, the proliferation of poppy imagery in the female burials at Tillya-tepe is examined, and then there is a discussion of material evidence for opium among relevant peoples along the Eurasian steppes. The particular cultural importance of opium is reviewed, leading finally to a proposal for the societal role of these women.

Race and Affect: Pleasurable Mixing in Ben Jonson's The Masque of Blackness

2019 ◽  
Vol 26 (1) ◽  
pp. 1-20
Author(s):  
Carol Mejia Laperle
Keyword(s):  
Great Britain ◽  
Critical Field ◽  
Political Authority ◽  
Political Agenda ◽  
Affective Experience ◽  
Undue Influence ◽  
Racial Identities ◽  
Racial Impersonation ◽  
Blackface Performance ◽  
Performance Text

The critical field of The Masque of Blackness often annotates Queen Anne and her ladies’ blackface performance with a courtier's eye-witness comment that the “lean cheeked moors” were “loathsome” and “ugly.” Yet Ben Jonson's performance text, when read beside Dudley Carleton's correspondences, resists the undue influence of the aristocrat's anecdotal disparagement. This project refuses to take Carleton's denigration as fact. Instead, it investigates the masque's representation of Niger's daughters to develop the affective experience of pleasurable mixing across racial identities and to show how the opulence, innovation, and beauty afforded by blackface are the means to underwrite arguments of political authority. Rather than a deviation from the performance's magnificent appeal, racial impersonation is constitutive of the masque's demonstration of beauty and invention of pleasure. As such, the allegory of King James I's power hinges on a fiction of idealized incorporation that is ideologically powerful precisely because it is primarily an aestheticized, affective experience. Beyond the ostensible trope of racial transformation, Jonson presents the pleasure of mixing across racial identities as the precondition for Britannia's absorption of migrant bodies. Blackness is a visual reminder of an indelible difference that can be absorbed, incorporated, indeed “salved,” by the monarch's faculties of conversion. The affective experience afforded by blackface is thus an argument for the sovereign's power of unification, underwriting what was a largely unfulfilled and controversial political agenda: the coalition of realms under the aegis of Great Britain.

Costumes and Choreography from Bodenwieser's Trunk: The Coat as Affective Memory

2019 ◽  
Vol 37 (1) ◽  
pp. 89-110
Author(s):  
Rachel Fensham
Keyword(s):  
Modern Dance ◽  
Human Condition ◽  
Personal Life ◽  
Creative Thought ◽  
Cain And Abel ◽  
Embodied Research ◽  
The Many ◽  
The One ◽  
Material Evidence ◽  
Selection Of

The Viennese modern choreographer Gertrud Bodenwieser's black coat leads to an analysis of her choreography in four main phases – the early European career; the rise of Nazism; war's brutality; and postwar attempts at reconciliation. Utilising archival and embodied research, the article focuses on a selection of Bodenwieser costumes that survived her journey from Vienna, or were remade in Australia, and their role in the dramaturgy of works such as Swinging Bells (1926), The Masks of Lucifer (1936, 1944), Cain and Abel (1940) and The One and the Many (1946). In addition to dance history, costume studies provides a distinctive way to engage with the question of what remains of performance, and what survives of the historical conditions and experience of modern dance-drama. Throughout, Hannah Arendt's book The Human Condition (1958) provides a critical guide to the acts of reconstruction undertaken by Bodenwieser as an émigré choreographer in the practice of her craft, and its ‘materializing reification’ of creative thought. As a study in affective memory, information regarding Bodenwieser's personal life becomes interwoven with the author's response to the material evidence of costumes, oral histories and documents located in various Australian archives. By resurrecting the ‘dead letters’ of this choreography, the article therefore considers how dance costumes offer the trace of an artistic resistance to totalitarianism.

Being envied: An ambivalent affective experience

2018 ◽  
Vol 26 (1) ◽  
pp. 118
Author(s):  
LIU Dege ◽  
HUANG Xiaozhi ◽  
CHEN Wenjing ◽  
LI Wendong
Keyword(s):  
Affective Experience

Reign of Arrows

2020 ◽  
Author(s):  
Nikolaus Leo Overtoom
Keyword(s):  
Middle East ◽  
International Relations ◽  
Ancient World ◽  
World State ◽  
State Security ◽  
Central Asian ◽  
International Environment ◽  
Hellenistic World ◽  
Material Evidence ◽  
Comprehensive Study

From minor nomadic tribe to major world empire, the story of the Parthians’ success in the ancient world is nothing short of remarkable. In their early history, the Parthians benefited from strong leadership, a flexible and accommodating cultural identity, and innovative military characteristics that allowed them to compete against and indeed eventually overcome Greek, Persian, Central Asian, and eventually Roman rivals who were often more powerful. Reign of Arrows provides the first comprehensive study dedicated entirely to early Parthian history within the Hellenistic world prior to contact with Rome and the first comprehensive effort since 1938 to evaluate early Parthian political history. It is a major effort to synthesize a wide array of especially recent scholarship across numerous fields of study in order to present the reader with the most cogent, well-rounded, and up-to-date account of the intersections of Hellenistic and Parthian history possible. It draws on a wide variety of sources to explain the political and military encounters that shaped the international environment of the Hellenistic Middle East from the middle third to the early first centuries BCE. This study treats broader issues of international relations in the ancient world, state decision-making, royal identity and ideology, evolving spatial perspectives and power relations, and state security concerns. It combines traditional historical approaches, such as source criticism and the integration of material evidence, with the incorporation of modern international relations theory to better examine the rise of the Parthians to dominance over the ancient Middle East.

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