From the Narrative Structure of Folk Dance Works to Explore the Identity Function of the Role of the Masses

2020 ◽  
Keyword(s):  
Narrative Structure ◽  
Folk Dance ◽  
Identity Function ◽  
The Masses

A Culture in Crisis

2017 ◽  
Author(s):  
Erika Fischer-Lichte
Keyword(s):  
Twentieth Century ◽  
Body Ideal ◽  
The Masses ◽  
Of Greece ◽  
New Devices

Chapter 4 investigates the role of the new image of Greece in the first decades of the twentieth century. ‘A Culture in Crisis: Max Reinhardt’s Productions of Greek Tragedies (1903–1919)’ addresses two problems: first, the new body ideal and its liberation from the restraints imposed on it until then, and, second, the division within society of those who made a cult of their individuality and the rapidly growing masses of the proletariat. While in Reinhardt’s Electra (1903) Gertrud Eysoldt displayed her body as that of a maenad or a hysteric, a number of new devices were developed in Oedipus the King (1910) and the Oresteia (1911), both performed in a circus, which temporarily transformed the masses of actors and spectators into a—theatrical—community. The chapter also discusses Leopold Jessner’s production of Oedipus (1929) as a quest for a ‘philosophical theatre’ (Brecht).

The Alt-Right’s continuation of the ‘cultural war’ in Euro-American societies

Thesis Eleven ◽  
2021 ◽  
pp. 072551362110059
Author(s):  
Tamir Bar-On
Keyword(s):  
Carl Schmitt ◽  
New Right ◽  
Right Wing ◽  
Antonio Gramsci ◽  
Left Wing ◽  
Anti Semitism ◽  
The Usa ◽  
The Masses ◽  
Hearts And Minds

In this paper, I argue that the Alt-Right needs to be taken seriously by the liberal establishment, the general public, and leftist cultural elites for five main reasons: 1) its ‘right-wing Gramscianism’ borrows from the French New Right ( Nouvelle Droite – ND) and the French and pan-European Identitarian movement. This means that it is engaged in the continuation of a larger Euro-American metapolitical struggle to change hearts and minds on issues related to white nationalism, anti-Semitism, and racialism; 2) it is indebted to the metapolitical evolution of sectors of the violent neo-Nazi and earlier white nationalist movements in the USA; 3) this metapolitical orientation uses the mass media, the internet, and social media in general to reach and influence the masses of Americans; 4) the ‘cultural war’ means that the Alt-Right’s spokesman Richard Spencer, French ND leader Alain de Benoist, and other intellectuals see themselves as a type of Leninist vanguard on the radical right, which borrows from left-wing authors such as Antonio Gramsci and their positions in order to win the metapolitical struggle against ‘dominant’ liberal and left-wing political and cultural elites; and 5) this ‘cultural war’ is intellectually and philosophically sophisticated because it understands the crucial role of culture in destabilizing liberal society and makes use of important philosophers such as Friedrich Nietzsche, Carl Schmitt, Julius Evola and others in order to give credence to its revolutionary, racialist, and anti-liberal ideals.

scholarly journals Strategi Kodim 1703/Manokwari Dalam Penanganan Konflik Sosial di Provinsi Papua Barat

2021 ◽  
Vol 2 (1) ◽  
pp. 149-158
Author(s):  
Uchaimid Biridlo'i Robby ◽  
Dedi Akhiruddin
Keyword(s):  
Qualitative Method ◽  
Social Conflict ◽  
Social Conflicts ◽  
Conflict Situations ◽  
West Papua ◽  
Conflict Handling ◽  
The Republic ◽  
Papua Barat ◽  
The Masses

The level of pluralism of the Indonesian nation, which has a variety of religions, cultures, languages ​​and ethnicities, makes the Unitary State of the Republic of Indonesia a heterogeneous country, so it is common for friction to occur and cause social conflict by directing the masses to act irrationally. Conflict situations tend to be easily exploited by those who try to take advantage of them. Conflict parties have different understandings about the problems at hand. From this explanation explicitly, the importance of the involvement of Kodim 1703 / Manokwari of West Papua Province in dealing with social conflicts cannot only be borne by the handling of conflicts that have occurred but is an initial form of a persuasive approach to all elements of society. needed. This study aims to identify and analyze the strategy of Kodim 1703 / Manokwari of West Papua Province in handling social conflicts based on Law of the Republic of Indonesia Number 7 of 2012 in handling social conflicts in Indonesia, especially West Papua Province. The method used by the writer is descriptive qualitative method. The data obtained came from interviews with informants who were directly involved in the field during the handling of social conflicts in Manokwari. Based on the research results, it can be concluded as follows: (1) The role of Kodim 1703 / Manokwari in handling social conflicts in Manokwari City is limited by Law Number 7 of 2012 concerning Social Conflict Handling so that it is not optimal by involving all levels of society so that no one feels left out or ignored.   Keywords: Management Strategic and Social Conflict

scholarly journals Dance as a Remedy of Lifestyle Medicine, a Cultural-psychophysiological Approach

2021 ◽  
Vol 11 (22) ◽  
pp. 191-210
Author(s):  
Imre Lázár
Keyword(s):  
Psychological Health ◽  
Personal Development ◽  
Mental Health Problems ◽  
Folk Dance ◽  
Social Psychological ◽  
Active Muscle ◽  
Social Skill Development ◽  
Lifestyle Medicine ◽  
Physical And Psychological Health

Dance is a traditional element of cultural-psychophysiological homeostasis. The chapter approves the role of dance in maintaining mental and bodily health. As dance is deeply cultural by its nature, it is worth extending its framework of healing from social-psychophysiological towards the cultural. The chapter explores the cultural, social, psychological, and bodily benefits and homeostatic functions of dance in an age of sedentary lifestyle. Sedentarism proved to be a silent killer responsible for increased cardiovascular, oncological morbidity and mortality; therefore, one should explore the lifestyle medical gains of dance along the whole life course. We explore the PNI-related and neurological aspects of endocrine functions of active muscle and its role in the prevention of chronic diseases and ageing. Dance also proved to be beneficial in mental health problems. We pay special attention to Hungarian folk dance revival, the so-called Táncház (Dance House) movement, and its practical potential in physical and psychological health protection, social skill development, gender socialization, and personal development.

scholarly journals <i>La Commedia Scientifica</i> – Dante and the scientific virtues

2021 ◽  
Vol 4 (2) ◽  
pp. 129-145
Author(s):  
Anthea R. Lacchia ◽  
Stephen Webster
Keyword(s):  
Virtue Ethics ◽  
Scientific Misconduct ◽  
Code Of Conduct ◽  
Narrative Structure ◽  
Ethical Challenges ◽  
Narrative Device ◽  
Contemporary Science ◽  
The Divine Comedy ◽  
Moral Universe

Abstract. The ethical challenges facing contemporary science range from scientific misconduct to the rightful treatment of people, animals and the environment. In this work, we explore the role of virtue ethics, which concern the character of a person, in contemporary science. Through interviews with 13 scientists, eight of whom are geoscientists, we identify six virtues in science (honesty, humility, philia, innocence, generosity and reticence), paired with vices, and construct a narrative argument around them. Specifically, we employ the narrative structure of the late medieval poem The Divine Comedy, by Dante Alighieri, and draw on its moral universe to explore the scientific virtues. Using this narrative device, we make the case for virtue ethics being a reliable guide for all matters scientific. As such, this work lays out a modern code of conduct for science.

HISTORIOSOPHICAL PREREQUISITES FOR THE FORMATION OF THE CULT OF PERSONALITY IN THE BIOGRAPHIES OF V.I. LENIN 1924–1956

2021 ◽  
pp. 136-146
Author(s):  
Elena V. Barysheva ◽  
◽  
Dmitriy V. Morozov ◽  
Keyword(s):  
Historical Development ◽  
Historical Narrative ◽  
The Other ◽  
Historical Process ◽  
Formal Argument ◽  
Cult Of Personality ◽  
The One ◽  
The Masses ◽  
Plot Structure

The authors make an attempt to analyse on the basis of Hayden White’s theory of historical narrative historiosophical prerequisites for the formation of the cult of personality in the soviet biographies of V.I. Lenin published in 1924–1956. The basis of texts is a plot structure, implying, on the one hand, the existence of immutable laws of historical development, which humanity is forced to obey, and, on the other, a person who is able to learn them through the bitterness of defeats and put them at his service. The explanation of the facts of the historical narrative takes place by using two types of formal argument: Mechanism, which emphasizes the laws of historical development and the role of the masses in the historical process, and organicism, which gives high priority to V.I. Lenin himself and the party he created. The authors conclude that the articulation of the plot structure and types of formal argument embodied in the biographies becomes a prerequisite for the formation of the cult of personality. The latter implies the construction of an image of a person capable of transforming the reality, according to the concept of historical development that dominates in the party political historiography

Towards a Journey Narrative Syntax

2018 ◽  
pp. 41-62
Author(s):  
Christopher Holliday
Keyword(s):  
Narrative Structure ◽  
Narrative Form ◽  
First Line ◽  
Hollywood Cinema ◽  
Short Films ◽  
Animated Films ◽  
Film Series ◽  
Virtual Experiences ◽  
Narrative Syntax

This chapter moves forward by unpacking the generic identity of computer-animated films and examines the journey narrative structure as their prevailing syntax and first line of action. In this chapter, two forms of narrative are established that are widely operational within the genre. The first of these are the “flushed away” narratives that rely upon on abrupt geographical disjuncture, and which often requires the protagonist to negotiate and quickly adapt to a foreign milieu. The second journey narrative form advanced in this chapter is the “over the hedge” narrative, which are voyages signalled as altogether more prepared or expected. This chapter explores in detail how computer-animated films deploy these two forms of journey narrative structure to interrogate ideas of mobility, location, destination and tourism through the virtual experiences they offer of travelled space. Chapter Two concludes by positioning the journey narrative within the context of film franchising and the “sequelled” narrative. Computer-animated films rarely exists in isolation, but are supported by a range of sequels, spin-offs and short films. This chapter identifies how narrative structure can be productively entwined with the wider role of film series and cycles that continues to define the franchise mentality of post-millennial Hollywood cinema.

“How Nice That I Could Love Someone”: Science Fiction Film as a Virtual Laboratory

2020 ◽  
Author(s):  
Frederieke Y. Jansen
Keyword(s):  
Science Fiction ◽  
Narrative Structure ◽  
Virtual Laboratory ◽  
Virtual Laboratories ◽  
Meaningful Relationship ◽  
Pros And Cons ◽  
The Way

While we already know that clearly utopian or dystopian depictions of human-machine relationships in science fiction film can be effective rhetorical models that shape our ideas of HRI, this paper argues that sci-fi films, like Marjorie Prime (2017) and Be Right Back (2013), can also function as more neutral virtual laboratories that allow viewers to actively explore the pros and cons of those relationships in more detail. This paper specifically explores both Marjorie Prime and Be Right Back for the way they evoke questions or ideas about what it means to be human, what it means to interact with AI, and what a meaningful relationship between these two can bring. By following a neoformalist analysis, I will show how these cases continuously present us with devices that force us to reassess the role of robots in our lives. They do this by using deceptive, reflective, and confrontational strategies within characters, cinematography, narrative structure and setting.

scholarly journals Moving The Masses: Emotion Work In The Chinese Revolution

2002 ◽  
Vol 7 (2) ◽  
pp. 111-128 ◽  
Author(s):  
Elizabeth Perry
Keyword(s):  
Political Culture ◽  
Social Structure ◽  
Emotion Work ◽  
Mass Mobilization ◽  
Chinese Revolution ◽  
Republic Of China ◽  
Communist Revolution ◽  
Emotional Dimensions ◽  
The Masses

Previous explanations of the Chinese Communist revolution have highlighted (variously) the role of ideology, organization, and/or social structure. While acknowledging the importance of all these factors, this article draws attention to a largely neglected feature of the revolutionary process: the mass mobilization of emotions. Building upon pre-existing traditions of popular protest and political culture, the Communists systematized "emotion work" as part of a conscious strategy of psychological engineering. Attention to the emotional dimensions of mass mobilization was a key ingredient in the Communists' revolutionary victory, distinguishing their approach from that of their Guomindang rivals. Moreover, patterns of emotion work developed during the wartime years lived on in the People's Republic of China, shaping a succession of state-sponsored mass campaigns under Mao. Even in post-Mao China, this legacy continues to exert a powerful influence over the attitudes and actions of state authorities and ordinary citizens alike.

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