scholarly journals Novedades sobre la construcción del foro de Libisosa: noticia preliminar de las últimas intervenciones arqueológicas

2021 ◽  
Vol 66 ◽  
pp. 207-246
Author(s):  
Héctor Uroz Rodríguez
Keyword(s):  

The following paper offers a small preview of the results of the archaeological studies carried out in the 2019 and 2020 campaigns in the Northern sector of the Roman forum of Libisosa (Lezuza, Albacete, Spain), a coordinated effort aiming at its consolidation

2014 ◽  
Author(s):  
Gilbert J. Gorski ◽  
James E. Packer
Keyword(s):  

2010 ◽  
Vol 29 (25-26) ◽  
pp. 3630-3643 ◽  
Author(s):  
Arjen P. Stroeven ◽  
Derek Fabel ◽  
Alexandru T. Codilean ◽  
Johan Kleman ◽  
John J. Clague ◽  
...  

2010 ◽  
Vol 69 (1) ◽  
pp. 12-37 ◽  
Author(s):  
Diane Favro ◽  
Christopher Johanson

Scientifically accurate, three-dimensional digital representations of historical environments allow architectural historians to explore viewsheds, movement, sequencing, and other factors. Using real-time interactive simulations of the Roman Forum during the mid-Republic and the early third century CE, Diane Favro and Christopher Johanson examine the visual and sequential interrelationships among audience, actors, and monuments during funeral rituals. Death in Motion: Funeral Processions in the Roman Forum presents a hypothetical reconstruction of the funeral of the Cornelii family in the early second century BCE and argues that the conventional understanding of the staging of the funeral oration may be incorrect. It then reviews the imperial funerals of the emperors Pertinax and Septimius Severus to compare the ways that later building in the Roman Forum altered the ritual experience, controlled participant motion, and compelled the audience to submit to an imperial program of viewing.


Archaeologia ◽  
1890 ◽  
Vol 52 (1) ◽  
pp. 183-194 ◽  
Author(s):  
F.M. Nichols

It may be of interest to the Society if I submit to its notice some observations made last year, which render it necessary to re-write the history of one of the best known monuments of Rome.The monument, which for fifty-six years has been called the Column of Phocas, was formerly, when nothing but the pillar itself was seen above ground, the subject of much curiosity and speculation among the visitors of the Forum. The “nameless column with the buried base” was thought by some to be the sole relic of a great temple or other public building. By others it had been conjectured to be part of the famous bridge by which Caligula united his palace on the Palatine with the temple of Capitoline Jupiter. In the early years of the century, among other works of the same kind, it was resolved to clear away the soil and débris from the substructure of this column; and on the 13th of March, 1813, the inscription of its pedestal, which had remained for centuries a few feet below the level of the ground, was uncovered, and revealed the fact that it had supported a statue dedicated by the exarch Smaragdus to the honour of a Caesar, whose name had been erased, but who, by other indications, could be no other than Phocas, an emperor of evil reputation, but to whom Rome and the world owe some gratitude for having been instrumental in dedicating the Pantheon to Christian worship, and so preserving from ruin one of the noblest and most original architectural works of antiquity.


Author(s):  
P. Clini ◽  
L. Ruggeri ◽  
R. Angeloni ◽  
M. Sasso

Thanks to their playful and educational approach Virtual Museum systems are very effective for the communication of Cultural Heritage. Among the latest technologies Immersive Virtual Reality is probably the most appealing and potentially effective to serve this purpose; nevertheless, due to a poor user-system interaction, caused by an incomplete maturity of a specific technology for museum applications, it is still quite uncommon to find immersive installations in museums.<br> This paper explore the possibilities offered by this technology and presents a workflow that, starting from digital documentation, makes possible an interaction with archaeological finds or any other cultural heritage inside different kinds of immersive virtual reality spaces.<br> Two different cases studies are presented: the National Archaeological Museum of Marche in Ancona and the 3D reconstruction of the Roman Forum of Fanum Fortunae. Two different approaches not only conceptually but also in contents; while the Archaeological Museum is represented in the application simply using spherical panoramas to give the perception of the third dimension, the Roman Forum is a 3D model that allows visitors to move in the virtual space as in the real one.<br> In both cases, the acquisition phase of the artefacts is central; artefacts are digitized with the photogrammetric technique Structure for Motion then they are integrated inside the immersive virtual space using a PC with a HTC Vive system that allows the user to interact with the 3D models turning the manipulation of objects into a fun and exciting experience.<br> The challenge, taking advantage of the latest opportunities made available by photogrammetry and ICT, is to enrich visitors’ experience in Real Museum making possible the interaction with perishable, damaged or lost objects and the public access to inaccessible or no longer existing places promoting in this way the preservation of fragile sites.


Author(s):  
René Garreaud ◽  
Camila Alvarez-Garreton ◽  
Jonathan Barichivich ◽  
Juan Pablo Boisier ◽  
Duncan Christie ◽  
...  

Abstract. Since 2010 an uninterrupted sequence of dry years, with annual rainfall deficits ranging from 25 to 45 %, has prevailed in Central Chile (western South America, 30–38° S). Although intense 1- or 2-year droughts are recurrent in this Mediterranean-like region, the ongoing event stands out because of its longevity and large spatial extent. The extraordinary character of the so-called Central Chile Mega Drought (MD) was established against century long historical records and a millennial tree-ring reconstruction of regional precipitation. The largest MD-averaged rainfall relative anomalies occurred in the northern, semi-arid sector of central Chile but the event was unprecedented to the south of 35° S. ENSO neutral conditions have prevailed since 2011 (but for the strong El Niño 2015) contrasting with La Niña conditions that often accompanied past droughts. The precipitation deficit diminished the Andean snowpack and resulted in amplified declines (up to 90 %) of river flow, reservoir volumes and groundwater levels along central Chile and westernmost Argentina. In some semiarid basins we also found a conspicuous decrease in the runoff-to-rainfall coefficient. A substantial decrease in vegetation productivity occurred in the shrubland-dominated, northern sector, but a mix of greening and browning patches occurred farther south where irrigated croplands and exotic forest plantations dominate. The ongoing warming in central Chile, making the MD one of the warmest 6-year period on record, may have also contributed to such complex vegetation changes by increasing potential evapotranspiration. The understanding of the nature and biophysical impacts of the MD contributes to preparedness efforts to face a dry, warm future regional climate scenario.


2020 ◽  
Vol 22 (1) ◽  
pp. 87-97
Author(s):  
Alexandru BERBECARIU ◽  
Alfred VESPREMEANU-STROE

Casimcea Plateau is an uplifted (exhumated) peneplain cut in Proterozoic green–schists and one of the oldest tec­tonic units around the Black Sea. Despite its overall monotonous physiognomy, the plateau is crossed by Casimcea Valley and presents a seaward façade to the east which preserves (sub)horizontal surfaces as testimonies of the paleoenvironmental changes (sea level and climate). This research aims to identify the marine and fluvio–marine terraces and to define their vertical distribution based on the morphometric analysis of two study sites (north – Ceamurlia; south – Tașaul Lake) using EU-DEM. 6 levels were identified as possible marine terraces within the 2–50 m altitude range and also some inferences were made concerning the age of the lower three levels. Also, the present work highlights a differential (stronger) uplift of the northern sector between Peceneaga – Camena and Ostrov – Sinoe faults reflected by both the elevation difference of 5–6 m between the terraces staircases identified at the two sites and by the elevation gaps analysed on an array of cross-fault transects carried on over Ostrov – Sinoe fault.  


1976 ◽  
Vol 69 (3-4) ◽  
pp. 259-267 ◽  
Author(s):  
Gary B. Miles ◽  
Garry Trompf

The account of Paul's sea journey from Caesarea to Rome, and of the shipwreck off Malta, is probably the “dramatic center” of Acts. It is the moving bridge between the mysterious scene of Christian origins and the awesome power of the Roman forum, and it is an adventure recounted with much more than Luke's usual amount of detail. The task of commenting on the passages in question (27:1-28:16) presents certain difficulties, since it is hard to decide whether Luke is being more litterateur than historian, or whether he is virtually reproducing a document rather than relating the events in his own way. Some scholars contend that the journey narrative has all the ingredients of a Hellenistic romance, while others hold that both the realism and the presence of “we passages” confirm its essential historicity. To complicate matters, there remains the possibility that Luke appropriated a travel story which was originally not about Paul at all, but about someone else who voyaged in the same direction. While these difficulties have encouraged a swell of critical exegesis, however, another problem has had the quite opposite effect.


The Hard Slog ◽  
2014 ◽  
pp. 113-153
Author(s):  
Karl James
Keyword(s):  

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