scholarly journals A psychophysical study of the perception of consonance and dissonance

1981 ◽  
Vol 17 (2) ◽  
pp. 89-92
Author(s):  
Stephen Metz ◽  
Anne D. Pick ◽  
Marsha G. Unze
Keyword(s):  
Psychophysical Study ◽  
Consonance And Dissonance

Change of color appearance due to extremely high light level: corresponding colors under 100 and 3000 cd/m2

2019 ◽  
Vol 2019 (1) ◽  
pp. 320-325 ◽  
Author(s):  
Wenyu Bao ◽  
Minchen Wei
Keyword(s):  
Light Level ◽  
Limited Range ◽  
High Light ◽  
Color Preference ◽  
Color Appearance ◽  
Appearance Model ◽  
Color Matching ◽  
Light Levels ◽  
Appearance Models ◽  
Psychophysical Study

Great efforts have been made to develop color appearance models to predict color appearance of stimuli under various viewing conditions. CIECAM02, the most widely used color appearance model, and many other color appearance models were all developed based on corresponding color datasets, including LUTCHI data. Though the effect of adapting light level on color appearance, which is known as "Hunt Effect", is well known, most of the corresponding color datasets were collected within a limited range of light levels (i.e., below 700 cd/m2), which was much lower than that under daylight. A recent study investigating color preference of an artwork under various light levels from 20 to 15000 lx suggested that the existing color appearance models may not accurately characterize the color appearance of stimuli under extremely high light levels, based on the assumption that the same preference judgements were due to the same color appearance. This article reports a psychophysical study, which was designed to directly collect corresponding colors under two light levels— 100 and 3000 cd/m2 (i.e., ≈ 314 and 9420 lx). Human observers completed haploscopic color matching for four color stimuli (i.e., red, green, blue, and yellow) under the two light levels at 2700 or 6500 K. Though the Hunt Effect was supported by the results, CIECAM02 was found to have large errors under the extremely high light levels, especially when the CCT was low.

A PSYCHOPHYSICAL STUDY OF "CUTENESS"

1960 ◽  
Vol 11 (6) ◽  
pp. 205 ◽  
Author(s):  
VIRGINIA BROOKS
Keyword(s):  
Psychophysical Study

scholarly journals The perception of consonance and dissonance.

1918 ◽  
Vol 25 (2) ◽  
pp. 93-133 ◽  
Author(s):  
Constantine Frithiof Malmberg
Keyword(s):  
Consonance And Dissonance

scholarly journals Impact of Audio-Visual Asynchrony on Lip-Reading Effects -Neuromagnetic and Psychophysical Study-

PLoS ONE ◽  
2016 ◽  
Vol 11 (12) ◽  
pp. e0168740 ◽  
Author(s):  
Tetsuaki Kawase ◽  
Izumi Yahata ◽  
Akitake Kanno ◽  
Shuichi Sakamoto ◽  
Yoshitaka Takanashi ◽  
...  
Keyword(s):  
Lip Reading ◽  
Psychophysical Study

scholarly journals Exposure impacts the pleasantness of consonance/dissonance but not its perceived tension

2019 ◽  
Author(s):  
Imre Lahdelma ◽  
Tuomas Eerola
Keyword(s):  
Empirical Studies ◽  
Pronounced Effect ◽  
Musical Expertise ◽  
Musical Context ◽  
Vital Factor ◽  
Consonance And Dissonance

The contrast between consonance and dissonance is a vital factor in making music emotionally meaningful. Consonance typically denotes perceived agreeableness and stability, while dissonance in turn disagreeableness and a need of resolution. The current research addresses the perception of consonance/dissonance in intervals and chords isolated from musical context. Experiment 1 explored the correlations between the seven most used concepts denoting consonance/dissonance across all the available (60) empirical studies published since 1883. The stimuli consisted of a representative continuum of consonance/dissonance. The results show that the concepts exhibit high correlations, albeit these are somewhat lower for non-musicians compared to musicians. In Experiment 2 the stimuli's cultural familiarity was divided into three levels, and the correlations between the pivotal concepts of Consonance, Tension, Harmoniousness, Pleasantness, and Preference were further examined. Familiarity affected the correlations drastically across both musicians and non-musicians, but in different ways. Tension maintained relatively high correlations with Consonance across musical expertise and familiarity levels. On the basis of the results a rigorous control for familiarity and musical expertise is recommended for all studies investigating the perception of consonance/dissonance. The findings help pinpoint how familiarity affects the perception of consonance/dissonance and demonstrates the pronounced effect of musical expertise on this.

Hypnotic Deafness: A Psychophysical Study of Responses to Tone Intensity as Modified by Hypnosis

1979 ◽  
Vol 92 (2) ◽  
pp. 193 ◽  
Author(s):  
Helen J. Crawford ◽  
Hugh Macdonald ◽  
Ernest R. Hilgard
Keyword(s):  
Tone Intensity ◽  
Psychophysical Study
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