scholarly journals Cognitive Control, Visual Perception, Auditory Perception, Language and the Brain, Time Perception, Visual Processing, Taste Perception

2009 ◽  
Vol 71 (8) ◽  
pp. 1679-1681
2020 ◽  
Author(s):  
Amandine Lassalle ◽  
Michael X Cohen ◽  
Laura Dekkers ◽  
Elizabeth Milne ◽  
Rasa Gulbinaite ◽  
...  

Background: People with an Autism Spectrum Condition diagnosis (ASD) are hypothesized to show atypical neural dynamics, reflecting differences in neural structure and function. However, previous results regarding neural dynamics in autistic individuals have not converged on a single pattern of differences. It is possible that the differences are cognitive-set-specific, and we therefore measured EEG in autistic individuals and matched controls during three different cognitive states: resting, visual perception, and cognitive control.Methods: Young adults with and without an ASD (N=17 in each group) matched on age (range 20 to 30 years), sex, and estimated Intelligence Quotient (IQ) were recruited. We measured their behavior and their EEG during rest, a task requiring low-level visual perception of gratings of varying spatial frequency, and the “Simon task” to elicit activity in the executive control network. We computed EEG power and Inter-Site Phase Clustering (ISPC; a measure of connectivity) in various frequency bands.Results: During rest, there were no ASD vs. controls differences in EEG power, suggesting typical oscillation power at baseline. During visual processing, without pre-baseline normalization, we found decreased broadband EEG power in ASD vs. controls, but this was not the case during the cognitive control task. Furthermore, the behavioral results of the cognitive control task suggest that autistic adults were better able to ignore irrelevant stimuli.Conclusions: Together, our results defy a simple explanation of overall differences between ASD and controls, and instead suggest a more nuanced pattern of altered neural dynamics that depend on which neural networks are engaged.


Author(s):  
Martin V. Butz ◽  
Esther F. Kutter

This chapter addresses primary visual perception, detailing how visual information comes about and, as a consequence, which visual properties provide particularly useful information about the environment. The brain extracts this information systematically, and also separates redundant and complementary visual information aspects to improve the effectiveness of visual processing. Computationally, image smoothing, edge detectors, and motion detectors must be at work. These need to be applied in a convolutional manner over the fixated area, which are computations that are predestined to be solved by means of cortical columnar structures in the brain. On the next level, the extracted information needs to be integrated to be able to segment and detect object structures. The brain solves this highly challenging problem by incorporating top-down expectations and by integrating complementary visual information aspects, such as light reflections, texture information, line convergence information, shadows, and depth information. In conclusion, the need for integrating top-down visual expectations to form complete and stable perceptions is made explicit.


2019 ◽  
Vol 9 (1) ◽  
Author(s):  
Thérèse Collins

AbstractVisual perception is systematically biased towards input from the recent past: perceived orientation, numerosity, and face identity are pulled towards previously seen stimuli. To better understand the brain level at which serial dependence occurs, the present study examined its spatial tuning. In three experiments, serial dependence occurred between stimuli occupying the same retinal position. Serial dependence between stimuli at distant retinal locations was smaller, even when the stimuli occupied the same location in external space. The spatial window over which serial dependence occurs is thus retinotopic, but wide, suggesting that serial dependence occurs at late stages of visual processing.


2019 ◽  
Vol 16 (4) ◽  
pp. 1104-1120
Author(s):  
Seda Eden Ünlü ◽  
Ahmet Serkan Ece

Based on the idea that Gestalt psychology is ‘more than all the components that make up it’, the emphasis is on the similarities of the brain's functioning during perception, as in reading text. Just as the brain perceives similar letters as holistic rather than one by one, it can be predicted that this happens during the musician's reading score. Parallel to Gestalt auditory perception research, musicians are thought to benefit from Gestalt perception principles, without consciousness, in the first reading (sight-reading) of notes and later in practice. However, conscious perception of these principles by musicians may be considered to contribute positively during and after their sight-reading. The aim of this study is to explain various Gestalt perception principles which are supposed to be related to music and to reveal examples of these principles on notation reading. The data obtained from the qualitative research methods through literature review were explained with six basic laws, “Figure–Ground”, “Proximity”, “Similarity”, “Symmetry”, “Simplicity” and “Continuity”. In the creation of the samples, the principles of visual perception and the motif, sentence period structures and analyzes, tonic - dominant sentence expressions, tempo and nuance terms that are also included in the auditory perception in music have been related, and it has been attached importance to its concretization with visual perception. ​Extended English summary is in the end of Full Text PDF (TURKISH) file.   Özet Gestalt psikolojinin, ‘bütün, kendisini oluşturan parçaların bir araya gelmesinden daha fazlasıdır’ düşüncesi ile yola çıkarak, tıpkı metin okumada olduğu gibi, nota okumada da beynin algılama esnasındaki işleyişlerinin benzerliklerine vurgu yapılmaktadır. Nasıl ki, beyin birbirine benzer harfleri tek tek okumak yerine bütüncül olarak algılamaktaysa, söz konusu bu durumun müzisyenlerin nota okuma sırasında da gerçekleşmekte olduğu öngörülebilir. Gestalt işitsel algı araştırmalarına paralel olarak, müzisyenlerin nota ilk okuma (deşifre) ve daha sonraki pratiklerinde, Gestalt algı ilkelerinden, bilincinde olmaksızın, faydalandıkları düşünülmektedir. Bununla birlikte müzisyenler tarafından bu ilkelerin bilinçli olarak algılanması, onların deşifre yapmaları sırasında ve sonraki performanslarında, olumlu yönde katkı sağlayabileceği düşünülebilir. Bu araştırma, müzik ile ilişkili olabileceği varsayılan çeşitli Gestalt algı ilkelerini açıklayarak, bu ilkelerin notasyon okuma üzerindeki örneklerini ortaya koyma amacını taşımaktadır. Nitel araştırma yöntemlerinden literatür taraması yoluyla elde edilen veriler Gestalt algı ilkelerinden “Şekil–Zemin”, “Yakınlık”, “Benzerlik”, “Simetri” “Basitlik” ve “Süreklilik” olmak üzere altı temel yasa ile açıklanmış, notasyon üzerinde örneklendirilmiştir. Örneklerin oluşturulmasında, görsel algı ilkeleri ile müzikteki işitsel algıda da yer alan motif, cümle dönem yapıları ve analizleri, tonik – dominant cümle ifadeleri, tempo ve nüans terimleri ilişkilendirilmiş, görsel algı ile somutlaştırılmasına önem verilmiştir.


2021 ◽  
Vol 11 (1) ◽  
Author(s):  
Florian Bitsch ◽  
Philipp Berger ◽  
Andreas Fink ◽  
Arne Nagels ◽  
Benjamin Straube ◽  
...  

AbstractThe ability to generate humor gives rise to positive emotions and thus facilitate the successful resolution of adversity. Although there is consensus that inhibitory processes might be related to broaden the way of thinking, the neural underpinnings of these mechanisms are largely unknown. Here, we use functional Magnetic Resonance Imaging, a humorous alternative uses task and a stroop task, to investigate the brain mechanisms underlying the emergence of humorous ideas in 24 subjects. Neuroimaging results indicate that greater cognitive control abilities are associated with increased activation in the amygdala, the hippocampus and the superior and medial frontal gyrus during the generation of humorous ideas. Examining the neural mechanisms more closely shows that the hypoactivation of frontal brain regions is associated with an hyperactivation in the amygdala and vice versa. This antagonistic connectivity is concurrently linked with an increased number of humorous ideas and enhanced amygdala responses during the task. Our data therefore suggests that a neural antagonism previously related to the emergence and regulation of negative affective responses, is linked with the generation of emotionally positive ideas and may represent an important neural pathway supporting mental health.


2008 ◽  
Vol 364 (1516) ◽  
pp. 463-470 ◽  
Author(s):  
Devi Stuart-Fox ◽  
Adnan Moussalli

Organisms capable of rapid physiological colour change have become model taxa in the study of camouflage because they are able to respond dynamically to the changes in their visual environment. Here, we briefly review the ways in which studies of colour changing organisms have contributed to our understanding of camouflage and highlight some unique opportunities they present. First, from a proximate perspective, comparison of visual cues triggering camouflage responses and the visual perception mechanisms involved can provide insight into general visual processing rules. Second, colour changing animals can potentially tailor their camouflage response not only to different backgrounds but also to multiple predators with different visual capabilities. We present new data showing that such facultative crypsis may be widespread in at least one group, the dwarf chameleons. From an ultimate perspective, we argue that colour changing organisms are ideally suited to experimental and comparative studies of evolutionary interactions between the three primary functions of animal colour patterns: camouflage; communication; and thermoregulation.


2012 ◽  
Vol 55 (2) ◽  
pp. 25-26
Author(s):  
J. Wiedemann ◽  
Tim Gard ◽  
Britta K. Hölzel ◽  
Alexander T. Sack ◽  
Hannes Hempel ◽  
...  

2021 ◽  
pp. 1-12
Author(s):  
Joonkoo Park ◽  
Sonia Godbole ◽  
Marty G. Woldorff ◽  
Elizabeth M. Brannon

Abstract Whether and how the brain encodes discrete numerical magnitude differently from continuous nonnumerical magnitude is hotly debated. In a previous set of studies, we orthogonally varied numerical (numerosity) and nonnumerical (size and spacing) dimensions of dot arrays and demonstrated a strong modulation of early visual evoked potentials (VEPs) by numerosity and not by nonnumerical dimensions. Although very little is known about the brain's response to systematic changes in continuous dimensions of a dot array, some authors intuit that the visual processing stream must be more sensitive to continuous magnitude information than to numerosity. To address this possibility, we measured VEPs of participants viewing dot arrays that changed exclusively in one nonnumerical magnitude dimension at a time (size or spacing) while holding numerosity constant and compared this to a condition where numerosity was changed while holding size and spacing constant. We found reliable but small neural sensitivity to exclusive changes in size and spacing; however, changing numerosity elicited a much more robust modulation of the VEPs. Together with previous work, these findings suggest that sensitivity to magnitude dimensions in early visual cortex is context dependent: The brain is moderately sensitive to changes in size and spacing when numerosity is held constant, but sensitivity to these continuous variables diminishes to a negligible level when numerosity is allowed to vary at the same time. Neurophysiological explanations for the encoding and context dependency of numerical and nonnumerical magnitudes are proposed within the framework of neuronal normalization.


Author(s):  
Josef P. Rauschecker

When one talks about hearing, some may first imagine the auricle (or external ear), which is the only visible part of the auditory system in humans and other mammals. Its shape and size vary among people, but it does not tell us much about a person’s abilities to hear (except perhaps their ability to localize sounds in space, where the shape of the auricle plays a certain role). Most of what is used for hearing is inside the head, particularly in the brain. The inner ear transforms mechanical vibrations into electrical signals; then the auditory nerve sends these signals into the brainstem, where intricate preprocessing occurs. Although auditory brainstem mechanisms are an important part of central auditory processing, it is the processing taking place in the cerebral cortex (with the thalamus as the mediator), which enables auditory perception and cognition. Human speech and the appreciation of music can hardly be imagined without a complex cortical network of specialized regions, each contributing different aspects of auditory cognitive abilities. During the evolution of these abilities in higher vertebrates, especially birds and mammals, the cortex played a crucial role, so a great deal of what is referred to as central auditory processing happens there. Whether it is the recognition of one’s mother’s voice, listening to Pavarotti singing or Yo-Yo Ma playing the cello, hearing or reading Shakespeare’s sonnets, it will evoke electrical vibrations in the auditory cortex, but it does not end there. Large parts of frontal and parietal cortex receive auditory signals originating in auditory cortex, forming processing streams for auditory object recognition and auditory-motor control, before being channeled into other parts of the brain for comprehension and enjoyment.


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