scholarly journals Chek Lap Kok (Hong Kong Airport) 21.00 01.12.19

Screenworks ◽  
2020 ◽  
Vol 11 (1) ◽  

Chek Lap Kok (Hong Kong Airport) 21.00 01.12.19 is a short video by Stephen Connolly which documents a walk to Hong Kong Airport from the Expo centre on the airport island, by means of slow travel, under makeshift conditions, and without carbon expenditure. The video offers a brief exploration of the materialities and grounded infrastructures of aviation at a moment of pandemic-led change and invites us to look anew at the familiar and banal physical geography of the airport and how we move within it, drawing on Lefebvre’s Production of Space and theories of ‘Spatial Cinema’.

Screenworks ◽  
2020 ◽  
Vol 11 (1) ◽  

Chek Lap Kok (Hong Kong Airport) 21.00 01.12.19 is a short video by Stephen Connolly which documents a walk to Hong Kong Airport from the Expo centre on the airport island, by means of slow travel, under makeshift conditions, and without carbon expenditure. The video offers a brief exploration of the materialities and grounded infrastructures of aviation at a moment of pandemic-led change and invites us to look anew at the familiar and banal physical geography of the airport and how we move within it, drawing on Lefebvre’s Production of Space and theories of ‘Spatial Cinema’.


2017 ◽  
Vol 36 (1) ◽  
pp. 159-177 ◽  
Author(s):  
Junxi Qian ◽  
Lily Kong

This article re-theorises the relationships between secularity and religiosity in modernity. While geographers have recognised that the secular and the religious are mutually constituted, this article pushes this theorisation further, arguing that the religious and the secular are in fact hybrid constructs that embrace simultaneously the sacred and profane, the transcendent and the immanent. Albeit the significant advancement in disrupting enclosed epistemologies of secular modernity, relatively less work has sought to theorise the possibility of religion as a hybrid operating at the secular–religious interface. Focusing on the ways in which a non-Western religion, Buddhism, performs entangled relationships between religiosity and secularity, this article argues that religious organisations and actors may refashion and re-invent themselves by appropriating rationalities, values and logics normatively defined as ‘secular’. It presents a study of Po-Lin Monastery, a Buddhist monastery in Hong Kong that has adopted highly entrepreneurial, growth-oriented approaches in organisation and production of space.


2016 ◽  
Vol 1 (1) ◽  
pp. 35
Author(s):  
Darko Radović

<p>In 2011, at Keio University, Tokyo, we launched <em>Measuring the non-Measurable</em>, with academic and practitioners involved in production of space in ten cities of Asia (Tokyo, Bangkok, Beijing, Hong Kong, Singapore), Australia (Melbourne) and Europe (Barcelona, Belgrade, Copenhagen, Florence).<br />The intention of Mn’M was never to question the importance of quantifiable dimensions of life. One of its critical aims was to argue for an equally respectful treatment of other dimensions of knowing, as neither the quantifiable not the non-quantifiable alone can fully cover the key dimensions of the synthetic quality which we seek to live. The cities are always in and of a particular place, in and of a particular time. That double contextualisation makes their realities enormously dynamic and complex. The complexity itself and the groundedness in concrete, unique situations are the key aspects of being urban.</p>


1998 ◽  
Vol 13 (11-s4) ◽  
pp. S289-S293 ◽  
Author(s):  
SSY WONG ◽  
WC YAM ◽  
PHM LEUNG ◽  
PCY WOO ◽  
KY YUEN

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