scholarly journals Menyirat Makna dalam Manisnya Rambutan Kampung dari Perspektif Kod Simbolik Roland Barthes

2020 ◽  
Vol 33 (2) ◽  
pp. 193-211
Author(s):  
Joyana Dilam Clement ◽  
Keyword(s):  
Qualitative Method ◽  
Literary Work ◽  
Literal Meaning ◽  
Roland Barthes ◽  
Symbolic Code ◽  
Implied Meaning ◽  
Semiotic Theory

This study aims to review the literal meaning of Zahari Affandi’s Manisnya Rambutan Kampung. The focus of this research is the interpretation of the literal meaning presented by the writer through the use of symbols. The objectives of this study are to identify the significance of the literal meaning to the community, to analyze the literal meanings in the text from the symbolic code perspective, as well as to evaluate the extent to which the literal meanings in the text conform to connotative properties from this perspective. This research was carried out using a simple qualitative method. The data collected was each illustration of events that employed signs or symbols. Therefore, the research was performed using the Semiotic Theory of Roland Barthes, which focuses on the use of symbols. The present research uses this theory to explore the meanings of signs in a more detailed way in all instances that contain elements of signifiers and signifieds in the literary work. This is due to the fact that the symbols used by the writer in the work have both a literal and implied meaning. Based on the research, we conclude that Zahari Affandi inserted several symbols with their own meaning in his work to convey certain messages.

scholarly journals The Denotative and Connotative Meaning in Sheila on 7 Song Lyrics “Film Favorit”

2020 ◽  
Vol 6 (1) ◽  
pp. 9
Author(s):  
Fadly Fauzan
Keyword(s):  
Qualitative Method ◽  
Roland Barthes ◽  
Language Games ◽  
Connotative Meaning ◽  
Interpretive Approach ◽  
Song Lyrics ◽  
The Common ◽  
Semiotic Theory

Song Lyrics is a person's expression about something that has been seen, heard or experienced. In expressing their experiences, the poet or composer of the song makes words and language games to create attraction and distinctiveness to the lyrics or poetry. This study aims to see the connotation, denotation, and mythology meaning contained in the object of research, namely the song ‘Film Favorit' from Sheila On 7. In this study the main theory used is the Roland Barthes semiotic theory. The method used in this study is a qualitative method with a descriptive interpretive approach. The results showed that the lyrics of the song under study contained connotation and denotation meaning in it. Likewise with the myth. This song carries the common myth of love. The myth that contains the value of love illustrates that love must be fought for and makes a commitment to make love secured. Contains about the main character's outpouring of his partner to his partner and how to express his feelings to those he loves. The author's choice of the word "Favorite Film" because at present, millennials are now very close to film. Songwriters hope that this song is easy to remember and be made into learning in our lives. 

scholarly journals The Meaning of Tanka in Novel Garden of Words

2020 ◽  
Vol 2 (1) ◽  
pp. 21
Author(s):  
Aditya Waskito Jati ◽  
Ely Triasih Rahayu ◽  
Hartati Hartati
Keyword(s):  
Data Collection ◽  
Qualitative Method ◽  
Roland Barthes ◽  
Literature Study ◽  
Main Method ◽  
Semiotic Approach ◽  
Semiotic Theory ◽  
Descriptive Qualitative

This research titled “Denotative, connotative and Myth meaning on tanka in Garden of Words novel by Makoto Shinkai (Roland Barthes Semiotic Approach)”. This research aims to interpret denotative, connotative and myth meaning of tanka through semiotic theory by Roland Barthes. The data used in this research are presented in form of tanka and tanka’s paraphrase that found in this novel. Descriptive Qualitative method is preferred as the main method to analyze meanings of the tanka. Technique of data collection in this research is through literature study.

scholarly journals ANALISIS SEMIOTIKA MAKNA KESENDIRIAN PADA LIRIK LAGU “RUANG SENDIRI” KARYA TULUS

2020 ◽  
Vol 19 (2) ◽  
pp. 41
Author(s):  
Axcell Nathaniel ◽  
Amelia Wisda Sannie
Keyword(s):  
Research Method ◽  
Qualitative Method ◽  
Roland Barthes ◽  
Semiotic Analysis ◽  
Know How ◽  
Love Relationship ◽  
Way Of Thinking ◽  
Semiotic Theory

This article explores the meaning of solitude in the lyrics of Tulus' song "Ruang Sendiri" using Roland Barthes' semiotic analysis. There are three expressed meanings namely  denotation, connotation, and myth. To explain all three meanings of solitude in the lyrics of the song are used Roland Barthes' semiotic theory. The research method used is interpretive qualitative method or inductive way of thinking, which is a way of thinking from special to general. To collect data are used study of document  by  searching and obtaining from various sources contained the required data. The results of a semiotic study of the lyrics to the song "Ruang Sendiri" are as follows. The denotation meaning  of the lyrics of the song "Ruang Sendiri " is the desire of the songwriter to feel alone, feel free, and without a lover. The connotation is  boredom to his partner,  not know how his feeling  to his lover. The meaning of the myth is the songwriter wants to convey that solitude, doing anything alone, not always together are something needed by everyone who builds a  love relationship. 

scholarly journals Matriarchal Society in The Secret Life of Bees by Sue Monk Kidd

2020 ◽  
Vol 1 (1) ◽  
pp. 28-33
Author(s):  
Teta Irama Setri ◽  
Dwi Budi Setiawan
Keyword(s):  
Women Characters ◽  
Qualitative Method ◽  
Economic Condition ◽  
Literary Work ◽  
Decision Making Process ◽  
The Novel ◽  
Historical Approach ◽  
The Past ◽  
Library Research ◽  
Feminine Divine

This research discusses a novel which written by Sue Monk Kidd entitled The Secret Life of Bees. The writers aims to describe the matriarchal society issue that is often regarded as the opposed of patriarchy. This research aims to answer the question how levels of matriarchal society described in the novel The Secret Life of Bees through women characters in the story. This study applies descriptive qualitative method and typically library research. This research applies socio-historical approach in order to look at the relation between literary work and society’s historical elements that happen in the past. At political level, August character shows as the matriarch or the leader in community with important role for overcoming conflict and decision making process. At economical level, it shows that matriarchal society common practice has right and same position in economic affair and giving gift each other to make the economic condition balance. Last, at spiritual and cultural level, it is described that women characters in The Secret Life of Bees believe in feminine divine which is the Black Mary and doing worship for her. In conclusion, The Secret Life of Bees novel clearly depicts matriarchal society based on the theory of Matriarchy by Heide Göettner-Abendroth.Keyword: The Secret Life of Bees, Matriarchy, Matriarchal Society, Levels of Matriarchal Society, Socio-historical Approach

scholarly journals THE MESSAGE OF DAKWAH IN THE NOVEL HATI SUHITA BY KHILMA ANIS AND THE NOVEL TWO BARISTA BY NAJHATI SHARMA

2021 ◽  
Vol 3 (2) ◽  
pp. 82-89
Author(s):  
Rif’atul Maula
Keyword(s):  
Qualitative Method ◽  
Boarding Schools ◽  
Literary Work ◽  
The Novel ◽  
Similarities And Differences ◽  
Descriptive Qualitative

Novel is a literary work which is also known as fiction. Therefore, the notion of fiction also applies to the novel, which is a result of dialogue, contemplation, and the author's reaction to the environment and life. Each writer has a message that is implied in each of his works, one of which is as a distributor of da'wah messages. In this study, the researcher chose the novel Hati Suhita by Khilma Anis compared to the novel Dua Barista by Najhati Sharma. Because these two novels are the work of writers who were born in Islamic boarding schools. This research uses descriptive qualitative method. The results of this study indicate that there are similarities and differences in the message of da'wah in the novel Hati Suhita by Khilma Anis and the novel Dua Barista by Najhati Sharma.

scholarly journals Pesan Dakwah Akhlak dalam Animasi Serial Nusa dan Rara Pada Episode Toleransi di Media Youtube; Analisa Simiotik Roland Barthes

2020 ◽  
Vol 3 (01) ◽  
pp. 28-36
Author(s):  
Defa Ristianto ◽  
Amalia Rosyadi Putri ◽  
Tenika Illananingtyas
Keyword(s):  
Data Collection ◽  
Qualitative Analysis ◽  
Roland Barthes ◽  
Moral Teaching ◽  
Semiotic Theory ◽  
Good Deeds

Nussa animation is an animation which is categorized as a medium for preaching. Because the messages conveyed were thick with Islamic teachings. However, not all viewers can understand what messages are contained in the animation. Due to this reason, the study aims to determine the messages of moral da'wah that can be seen directly or indirectly with Ronald Barthes' semiotic theory. The method used in this research is qualitative analysis, with data in the form of documents. Data collection using observation and documentation. The theory that is used as the basis is Roland Barthes' semiotic theory which focuses on denotative and connotative meanings. The results of the study are the denotative meaning of dakwah morals, (1) Have an attitude of help. (2) Always say thank you for a help. (3) Always have a sincere nature when helping. (4) Doing rejection well. (5) Providing opportunities for children to do good (6) giving love to children. (7) always say "Astafirullah" when hit / hear a disaster and say "Alhamdulillah as a form of gratitude. Meanwhile, the meaning of the message of moral teaching is connotative, (1) It shows that Islam is a soft religion, rahmatan lil alamin, helpful and tolerant (2) Want to break the paradigm under the religion of Islam having followers who are very rigid and do not want to interact with other people. (3) Providing education to children to do good deeds with anyone regardless of status and religion.

scholarly journals Facing Anxiety through Ego Defense Mechanisms on The Walking Dead: Michonne Movie Game

2021 ◽  
Vol 21 (2) ◽  
pp. 307-317
Author(s):  
Fery Setiawan ◽  
I Gusti Agung Sri Rwa Jayantini ◽  
Ida Bagus Gde Nova Winarta ◽  
Ni Komang Arie Suwastini
Keyword(s):  
Sigmund Freud ◽  
Defense Mechanisms ◽  
Qualitative Method ◽  
Literary Work ◽  
Psychological Perspective ◽  
The Walking Dead ◽  
Ego Defense Mechanisms ◽  
Ego Defense ◽  
Walking Dead

With the advancement of technology, a newly adopted form of literary work was found, known as a movie game. It is one of the game genres that resembles real movies that provide choices to the players who can actively determine the story, ending, and characters' action. In literary work, a character is one of the intrinsic elements that can be interestingly analyzed from the psychological perspective, including Ego Defense Mechanisms. This study focuses on how the protagonist in a movie game entitled The Walking Dead: Michonne faced her anxiety through her ego defense mechanisms. It aims to identify the types of ego defense mechanisms and how they can help the protagonist cope with her anxiety. The discussion was based on psychoanalysis theory, namely Ego Defense Mechanisms proposed by Sigmund Freud. This study elaborated the description of the protagonist's actions when she faced anxiety through a qualitative method. The analysis revealed that the protagonist adopted the four types of Ego Defense Mechanisms: repression, sublimation, rationalization, and aggression. It was found that aggression was the most frequently adopted mechanism, followed by sublimation, rationalization, and the least was repression. This finding indicated that the protagonist chose aggression to release resentment or dissatisfaction, especially when facing objects or other characters that create anxiety or frustration. It implies that the persistence of aggression, sublimation, rationalization, and repression could reflect the presence of continual threats in the environment from which people should survive. 

Barthes and ‘Subtle Forms of Living’

2020 ◽  
pp. 154-164
Author(s):  
Marielle Macé
Keyword(s):  
Everyday Life ◽  
Literary Work ◽  
Roland Barthes ◽  
Daily Routines ◽  
Ethical Complexity

A life cannot be dissociated from its forms (its ways, regimes, spaces, and rhythms) for these forms are also ideas of what life should be. This question is keenly felt today, especially in our ways of experiencing politics: we need ‘other sorts of life’, ‘other ways of living’, other rhythms and connections. Yet these phrases are often emptied of their meaning: they are the stock-in-trade of advertising, which allows us to dream of passing from one lifestyle to another without regard for the ethical complexity of what Pavese called ‘the business of living’. Roland Barthes helps us here. Right from his sanatorium years, and all that it cost him to become aware, so young, of the life made for us by daily routines, food, the weather, our ways of relating to others, and through to La Préparation du roman (which reflected on how everyday life must be organised to lead to a literary work), Barthes was always conscious of the seriousness of what the forms of living entail, in all their precision and detail. This chapter tracks the constancy of this conviction in Barthes’s trajectory, from the early sanatorium correspondence to Comment vivre ensemble and Journal de deuil.

scholarly journals Translating Illocutionary Acts Implied in the Verb "know" (يَعْلَمُونَ) /yAAlamoon/ in the Translation of Meaning of the Glorious Quran

2020 ◽  
Vol 6 (1) ◽  
pp. 12
Author(s):  
Mhmoud Abdelrahman Mustafa Abdelrahman
Keyword(s):  
Qualitative Method ◽  
Illocutionary Acts ◽  
Implied Meaning

The current study aims at investigating the verb "know" (يَعْلَمُونَ) /yAAlamoon/ in the translation of meaning of the Glorious Quran by Yusuf Ali, and exploring types and functions of illocutionary acts implied in the verb. The study claims that Quran translators face difficulties in rendering the implied meaning of the verb "know" (يَعْلَمُونَ) /yAAlamoon/. The qualitative method has been adopted to analyze the content of the investigated verses. The results and discussion revealed the types and functions as well as the difficulties face translators when they translate the implied meaning of illocutionary acts.

Death

2020 ◽  
pp. 102-116
Author(s):  
Benoît Peeters
Keyword(s):  
World Literature ◽  
Literary Work ◽  
Roland Barthes ◽  
Genre Conventions ◽  
Death Of The Author

Roland Barthes’s 1967 essay ‘The Death of the Author’ looms large over any attempt to argue for the renewed necessity of incorporating considerations of authorship into the study of world literature. Less than a decade after the publication of ‘Death of the Author’, however, Barthes followed up on it with an autobiography, albeit a deeply unorthodox one. In tracing the fortunes of this autobiography through subsequent editions and translations, the graphic novelist, biographer, and comics expert Benoît Peeters demonstrates how our image of an author, just like our understanding of a literary work according to Barthes’s structuralist understanding, is conditioned by unconscious and even impersonal forces. The simple decision by an editor unfamiliar with the contents of Roland Barthes by Roland Barthes to exchange a cover illustration in order to make the book more closely conform to genre conventions can have devastating consequences.

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