scholarly journals Politik dan Intertekstualiti dalam Juara

2016 ◽  
Vol 29 (2) ◽  
pp. 207-232
Author(s):  
Mawar Safei ◽  
◽  
Tuan Rusmawati Raja Hassan ◽  
Keyword(s):  
Short Story ◽  
Life Experience ◽  
Julia Kristeva ◽  
The Novel ◽  
Political Climate ◽  
The Relationship

Makalah ini menumpukan pemerhatian terhadap hubungan dan proses antara teks dalam penghasilan novel Melayu. Hubungan dan proses itu dikaitkan dengan intertekstualiti, iaitu fenomena wujudnya teks dalam sebuah teks atau apa yang dinamakan dialog antara teks. Kerangka kajian ini memanfaatkan gagasan oleh Julia Kristeva. Rumus intertekstual tersebut membentangkan hubungan antara hipoteks (cerpen) dengan hiperteks (novel) bagi melihat makna, proses yang diajukan dan kewajarannya dilakukan oleh pengarang. Kajian ini merujuk kepengarangan S. Othman Kelantan yang memperlihatkan kecenderungan dan ketekalan terhadap karya yang bersifat intertekstual. Novel yang menjadi mauduk kajian ini ialah Juara. Kajian ini menemukan bahawa dalam kerangka intertekstualiti, kepengarangan S. Othman Kelantan memperagakan kesetiaannya terhadap teks awal dalam genre cerpen yang kemudian dikembangkan menjadi novel. Hal ini berlaku terhadap Juara yang dikembangkan daripada cerpen “Pahlawan Lembu”. Langgam kepengarangan S. Othman Kelantan menunjukkan sensitifnya pengarang terhadap cuaca politik semasa; keyakinan dan ideologinya dibancuh sama secara metaforikal dalam Juara . Hubungan intertekstualiti dalam cerpen ke novel dalam Juara termasuklah tema dan plot yang dikerjakan pengarang melalui proses transformasi, eksistensi dan modifikasi. Proses yang dilakukan oleh pengarang ini akibat beberapa faktor antaranya persekitaran, latar peribadi dan pengalaman hidup Kata kunci: S. Othman Kelantan, novel Juara, cerpen “Pahlawan Lembu”, Julia Kristeva, intertekstualiti Abstract This article focuses on the interrelationship between texts in Malay novels, and the processes that take place related to intertextuality. For the framework of this study, the intertextuality theory of Julia Kristeva was used. This theory is concerned with the relationship between the hypotext (short story) and hypertext (novel) in order to study meaning, the process presented and the author’s rationale. This study focuses on the writings of S. Othman Kelantan, who appears to have a tendency towards producing intertextual works, focusing on his novel Juara . The study reveals that with reference to intertextuality, the writings of S. Othman Kelantan display a loyalty towards the prior text, as well as to the short story genre. Juara , which is an expansion from the short story “Pahlawan Lembu”, is an example of this. The style of S. Othman Kelantan’s writing reveal his sensitivity towards the contemporary political climate; his conviction and ideology is presented in metaphor in Juara . The intertextual relationship between the short story and the novel Juara is evident in both theme and plot. The writer employs transformation, extension and modification, influenced by several factors including environment, personal background and his own life experience. Keywords: S. Othman Kelantan, Juara , “Pahlawan Lembu”, Julia Kristeva, intertextuality

scholarly journals «Вечный муж» и традиция мениппеи

2021 ◽  
Vol 69 (7) ◽  
pp. 171-186
Author(s):  
Nina Segal-Rudnik
Keyword(s):  
Short Story ◽  
Russian Society ◽  
The Novel ◽  
Romantic Drama ◽  
Love Triangle ◽  
The Relationship ◽  
The Way

The article examines the motif structure of the main characters in Dostoevsky’s The Eternal Husband against the background of menippea and its various genres. The parodic transformations of the images and motifs of Dostoevsky's previous texts, especially the novel The Idiot, modify the traditional love triangle of the short story. The relationship between the protagonist and the antagonist reflects the ambivalence of the archetypal scheme “king vs jester” and the way it appears in Hugo’s romantic drama Le Roi s’amuse and Verdi’s opera Rigoletto. The plot of revenge and vindication of trampled dignity dates back to the genre of medieval mock mystery (R. Jakobson) and its narrative of the Easter resurrection, posing the problem of Christianity and its values in the Russian society of the time.

scholarly journals Ivanhoe by Walter Scott in the Creative Perception of Ivan Turgenev. Article One

2020 ◽  
pp. 5-15
Author(s):  
Ivan O. Volkov ◽  
◽  
Emma M. Zhilyakova ◽  
Keyword(s):  
Short Story ◽  
The Novel ◽  
Research Attention ◽  
Speech Characteristics ◽  
Walter Scott ◽  
Ordinary Person ◽  
The One ◽  
The Relationship ◽  
Universal Nature ◽  
Obvious Similarity

In the article, on the material of Ivan Turgenev’s library and his short story “The Jew”, the issue of reading and creative perception is examined. Turgenev’s perception of Ivanhoe by Walter Scott is in the focus. The research attention is developing from the interpretation of several Turgenev’s notes left in the English version of the novel to the analysis of the creative perception of the images of Isaac and Rebecca, which became the ideological and semantic basis of “The Jew”. The reading of Ivanhoe in the original in the early 1840s became for the writer a penetration into Scott’s individual writing system. Turgenev’s few notes indicate that he became acquainted with Scott’s creative manner: the ability to voluminously weave comic elements into the pathetic-heroic atmosphere of action, the combination of historical and artistic material, the boldness of the ironic tone, and the mastery of speech characteristics. The reader’s perception of Scott’s novel was soon replaced by its creative interpretation, as a result of which “The Jew” appeared. Following the example of the English novelist, the object of Turgenev’s artistic reflection is a Jewish father and his daughter, who find themselves in a socio-historical and moral-psychological crisis — the Patriotic War of 1812 and the Foreign Campaigns of the Russian Army. There is an obvious similarity between Scott’s Rebecca and Turgenev’s Sarah: from the elements of the external description and the details of the portrait to the moral and psychological characteristics. The two young girls are especially united by the sense of pride and the awareness of their dignity, which clearly manifest themselves in the moments of danger that threatens them. Besides, the relationship between the Jewish girl and the Russian officer in Turgenev’s story vaguely resembles the situation of Rebecca and Ivanhoe. But the love line in “The Jew” does not develop in full. Considering William Shakespeare’s and Gotthold Lessing’s experience, following Walter Scott, Turgenev reflects on the universal nature of the “humiliated tribe”. The Russian writer depicts the psychology of the experiences of the Jew Girshel, accused of spying for the French. In the tradition of objectivity and epic literature, inherited from Scott, Turgenev draws a tragic line related to the position of an ordinary person. But, unlike the English novelist, Turgenev brings the torment of the character to the highest limit – the death penalty. At the same time, the Russian writer explicates sharp contradictions in the image of his character that turns out to be a carrier of suffering, on the one hand, and a source of laughter, on the other. This shows Turgenev’s orientation on the features of Shakespeare’s image of a person, in which the tragic invariably coexists with the comic. Walter Scott sensitively learned the law of ambivalence from Shakespeare, too.

scholarly journals Od męki translacji do piekła logosu. O przekładzie w „Przekładzie” Pabla De Santisa

2019 ◽  
pp. 143-166
Author(s):  
Katarzyna Majdzik Papić
Keyword(s):  
Jacques Derrida ◽  
Research Problem ◽  
Julia Kristeva ◽  
The Novel ◽  
Important Research ◽  
Tower Of Babel ◽  
Crime Novel ◽  
The Relationship ◽  
Hans Georg Gadamer ◽  
Important Research Problem

The article presents how the novel The Translation by Pablo De Santis reffers to the most important concepts of theory and philosophy of translation. Among these concepts the most significant are those which consider the boundaries and mechanisms of interpretation in the act of translation. These ideas are metaphorically expressed by the myth of the fall of the Tower of Babel. The interpretative context for the novel by De Santis is determined by the works of Jacques Derrida, Julia Kristeva and Hans-Georg Gadamer. An important research problem is also the relationship between the category of translation and the hybrid genre of the crime novel by De Santis.

scholarly journals Analisis Intertekstual antara Prosa Lirik Calon Arang: Kisah Perempuan Korban Patriarki dan Novel Janda dari Jirah

HUMANIS ◽  
2019 ◽  
pp. 81
Author(s):  
Lu’lu’il Mawaddah ◽  
I Wayan Cika ◽  
I Ketut Sudewa
Keyword(s):  
Descriptive Analysis ◽  
Literary Work ◽  
Julia Kristeva ◽  
The Novel ◽  
Literature Study ◽  
Relationship Of ◽  
The Relationship ◽  
Lyric Prose ◽  
Data Analysis Result ◽  
Descriptive Method

The title of the research of “Intertextual Analysis between Lyric Prose Calon Arang: Kisah Perempuan Korban Patriarki and Novel Janda dari Jirah”. This research purpose are to know the structure and the intertextual relationship between lyric prose Calon Arang: Kisah Perempuan Korban Patriarki and novel Janda dari Jirah. There are two theories used in this research, which are structural theory by A. Teeuw and intertextual theory by Julia Kristeva. The metod use in data collection are literature study method which completed by technique note. Then, continue using formal methods and descriptive analysis methods to analyze the data. Furthermore, in the presentation of data analysis result used descriptive method using Indonesian scientific variety, quantitative method, and informal method. There are some revelation obtained based on the analysis against these two work of literature. Firstly, in structural analysis which cover element of plot in lyric prose that is conventional and plot on a complex novel, background on lyric prose and novel is Kadiri, characterization consisting of antagonists and protagonists, and the theme on lyric prose is grudge and anger and theme dissatisfaction on novel show that these two works of liteterature has a relationship. Secondly, the relationship of the second theme of the literary work show that between lyrical prose and novel there is a relationship. This relationship is called an intertextual relationship. This intertextual relationship shows that lyric prose Calon Arang: Kisah Perempuan Korban Patriarki is a previously published work, while the novel Janda dari Jirah is a response or the next work who has expansion, modification, conversion, and ekserp.

scholarly journals Персонажная система и мотивная структура повести Г. Башкуева «Убить время»

2021 ◽  
Vol 14 (2) ◽  
pp. 384-392
Author(s):  
Olga V. Khandarova ◽  
Keyword(s):  
Short Story ◽  
The Novel ◽  
Recent Past ◽  
Childhood Memories ◽  
Short Story Cycle ◽  
Self Reflection ◽  
Character System ◽  
Plot Structure ◽  
The Relationship ◽  
The City

Introduction. Gennady Bashkuev’s works attempt to comprehend the late Soviet and post-Soviet eras, and To Kill Time proves a most significant prose work of the writer. Goals. The article seeks to identify and analyze the relationship between the system of characters in the novel and its motif structure, which helps clarify the underlying idea of the work, eclectic in structure and close in form to a short story cycle. Methods. The study rests on the theses about a relationship between semantics of motif and character, predicativity of motif, and on the concept of motif complexes and leitmotif construction of the narrative. Results. The main character of the novel is the narrator, the narrative proper divided into childhood memories and those of recent past. The characters of childhood can be clustered into three groups: family, friends, adults —motifs of happiness, celebration, romantic dreams and that of loss are associated with them. The characters of adulthood are women and childhood friends who are associated with motifs of marginal life, betrayal, guilt, and that of romance. The motifs of ‘childhood’ and ‘adulthood’ memories are intertwined, and it is the motif structure that ensures the integrity of the narrative. The key role in the novel is played by the binary image — the saleswoman Inga and the city madwoman — that combines two main themes for the narrator’s self-reflection: childhood and women. The plot structure partly fits into the universal mythological scheme: a series of trials — sketches-events from the life of the autobiographical narrator — is built into somewhat a ‘mythological journey’ to finally end with the acquisition of ‘elixir’ — catharsis and spiritual liberation. Conclusions. The image of the protagonist, the narrator, is explicated in the text and is revealed in the system of motifs associated with characters of his memories. Analysis of the character system proves instrumental in revealing key ideas of the novel and interpreting its title: those are reflections about time that become a focus of the author’s viewpoint uniting the seemingly disparate stories.

The singular effect of brevity: Why Katherine Mansfield’s ‘The Fly’ could not have been a novel

2020 ◽  
Vol 10 (2) ◽  
pp. 149-159 ◽  
Author(s):  
Lisa Feklistova
Keyword(s):  
Short Story ◽  
Edgar Allan Poe ◽  
Literary Form ◽  
Symbolic Meaning ◽  
The Novel ◽  
Prose Fiction ◽  
Emotional Effect ◽  
The Relationship

It is noteworthy that critics who come to very different conclusions about the symbolic meaning of Katherine Mansfield’s 1922 short story ‘The Fly’ respond to the text in much the same way emotionally. In examining why exactly ‘The Fly’ is so disturbing, this article interrogates the relationship between feeling and literary form, arguing that the emotional effect of any work of prose fiction is decisively influenced by narrative length. Drawing upon the ideas of Edgar Allan Poe and Frank O’Connor, the article examines how the effect of elaborate description differs from the effect of summary and deliberate omission. Katherine Mansfield’s ‘The Fly’ typifies how, due to its brevity, the short story as a literary form can present one single, minor incident as major, to great emotional effect and without recourse to symbolism, which is something that the longer prose form of the novel cannot do.

Genre versus Prize: The Short Story Form and African Oral Traditions

2021 ◽  
Vol 47 (3) ◽  
pp. 37-54
Author(s):  
Doseline Kiguru
Keyword(s):  
Short Story ◽  
Significant Role ◽  
Publishing Industry ◽  
General Assumption ◽  
Oral Traditions ◽  
The Novel ◽  
Nadine Gordimer ◽  
Digital Space ◽  
The Relationship

In “The Short Story in Africa,” Nadine Gordimer writes that the genre is more malleable and open to experimentation with style, language and form than the novel, which means that it is more easily accommodated within a variety of media spaces. Gordimer adds that the short story is “a fragmented and restless form, a matter of hit or miss, and it is perhaps for this reason that it suits modern consciousness” (170–71). Taking its cue from Gordimer’s remarks, this article attempts to examine the genre of the short story through the lens of the literary prize industry in Africa. In most parts of the continent the development of the short story, like that of the novel and other genres,  has been slow, facing a number of challenges such as a historically impoverished publishing industry. The rise in popularity of the local and global literary prize for the short story has however played a significant role in the promotion of the genre and literature generally on the continent. The article examines the short story’s increased presence in the digital space and interrogates the general assumption on the part of many of the prize-awarding bodies that the short story can be linked to African oral traditions. The aim of the article is to explore the relationship between the genre and the rising popularity of the literary prize on the continent, focusing on the various ways in which the prize is (re)shaping the contemporary African short story. Keywords: Orality, literary prize, publishing, exoticism, literary fracture, disconnectivity

scholarly journals THE PROBLEM OF THE CORRELATION BETWEEN SPIRIT AND REALITY IN T. MANN’S NOVEL “TRISTAN”

2021 ◽  
pp. 25-30
Author(s):  
T. KONIEVA
Keyword(s):  
Short Stories ◽  
Short Story ◽  
The Novel ◽  
Personal Attitude ◽  
Scientific Investigations ◽  
Review Analysis ◽  
Literary Process ◽  
The Relationship ◽  
Cutting Problem

Short stories are an integral part of T. Mann’s creative heritage, which are distinguished by ideological, thematic and artistic richness, they give an idea of the evolution of the creative method and style of the writer. And although nowadays there is already a number of scientific investigations devoted to the review analysis of T. Mann’s creative path, there is a need to study the problem of culture “end of time” (in T. Mann’s terminology) in the novelistic work of the writer who went to political and social activities through art. The purpose of the article is to reveal the nuances of the relationship between spirit and reality in T. Mann’s short story “Tristan”.The article proves that within the cross-cutting problem of the relationship between art and life, which never ceased to bother the German writer, also the novel “Tristan” clearly distinguishes the related ones: art and beauty, art and morality, aesthetics and life, beauty and death, decadence and a disease of the spirit, the artist and reality, which allowed to clarify both the ideological concepts of creative individuality and the essence of its art. At the same time, the divergence between the views of the hero of the novel and T. Mann’s personal attitude to reality and art is shown. Enough attention is paid to identifying the role of the comic and the means of its formation in the novel. “Tristan” is interpreted in the context of the development of T. Mann’s work and the European literary process at the turn of the XIX - early XX centuries.The article identifies the place of the short story “Tristan” in the work of the German master of the word and outlines the ways of its further analysis.

The role and relationship of mindreading and social attunement in HRI – position statements of interdisciplinary researchers. Workshop HRI'20

2020 ◽  
Author(s):  
Agnieszka Wykowska ◽  
Jairo Pérez-Osorio ◽  
Stefan Kopp
Keyword(s):  
Mental States ◽  
Human Robot Interaction ◽  
Human Interaction ◽  
Artificial Agents ◽  
The Novel ◽  
Robot Interaction ◽  
Novel Coronavirus ◽  
Relationship Of ◽  
The Relationship

This booklet is a collection of the position statements accepted for the HRI’20 conference workshop “Social Cognition for HRI: Exploring the relationship between mindreading and social attunement in human-robot interaction” (Wykowska, Perez-Osorio & Kopp, 2020). Unfortunately, due to the rapid unfolding of the novel coronavirus at the beginning of the present year, the conference and consequently our workshop, were canceled. On the light of these events, we decided to put together the positions statements accepted for the workshop. The contributions collected in these pages highlight the role of attribution of mental states to artificial agents in human-robot interaction, and precisely the quality and presence of social attunement mechanisms that are known to make human interaction smooth, efficient, and robust. These papers also accentuate the importance of the multidisciplinary approach to advance the understanding of the factors and the consequences of social interactions with artificial agents.

Oleanolic Acid Derived from Plants: Synthesis and Pharmacological Properties of A-ring Modified Derivatives

2020 ◽  
Vol 17 (9) ◽  
pp. 1084-1101
Author(s):  
Tingjuan Wu ◽  
Xu Yao ◽  
Guan Wang ◽  
Xiaohe Liu ◽  
Hongfei Chen ◽  
...  
Keyword(s):  
Drug Design ◽  
Oleanolic Acid ◽  
Water Solubility ◽  
Future Application ◽  
The Novel ◽  
Pharmacological Effects ◽  
Framework Structure ◽  
Design And Synthesis ◽  
The Past ◽  
The Relationship

Background: Oleanolic Acid (OA) is a ubiquitous product of triterpenoid compounds. Due to its inexpensive availability, unique bioactivities, pharmacological effects and non-toxic properties, OA has attracted tremendous interest in the field of drug design and synthesis. Furthermore, many OA derivatives have been developed for ameliorating the poor water solubility and bioavailability. Objective: Over the past few decades, various modifications of the OA framework structure have led to the observation of enhancement in bioactivity. Herein, we focused on the synthesis and medicinal performance of OA derivatives modified on A-ring. Moreover, we clarified the relationship between structures and activities of OA derivatives with different functional groups in A-ring. The future application of OA in the field of drug design and development also was discussed and inferred. Conclusion: This review concluded the novel achievements that could add paramount information to the further study of OA-based drugs.

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