scholarly journals ‘La vera Diversità’

Author(s):  
Christoph F. E. Holzhey

Before completing his uncharacteristically hopeful filmic vision of an African Oresteia, Pier Paolo Pasolini invented a theatrical continuation of Aeschylus’s trilogy. Pilade (1966/70) imagines what happens after Orestes, having being absolved by the Aeropagos in Athens, goes back to Argos. With its clear allusions to political developments in the last century – fascism, the Resistance, and Communist revolutions – the play reads as a mythical allegory for the situation of engaged intellectuals in the twentieth century.

2008 ◽  
Vol 41 (1) ◽  
pp. 203-209
Author(s):  
Yves Laberge

À propos des ouvrages suivants :Eric Hobsbawm. 2007. Franc-tireur. Autobiographie. Traduit de l'anglais par Dominique Peters et Yves Coleman. Paris : Hachette Littératures, collection Pluriel. [Édition anglaise parue en 2002 sous le titre Interesting times : a twentieth-century life]. 519 pages. ISBN 978-2-01-279368-2Jean-François Nadeau. 2007. Bourgault. Montréal : Lux Éditeur, collection Histoire politique. 606 pages. ISBN 978-2-89596-051-5Pier Paolo Pasolini. 2007. Entretiens avec Jean Duflot. Paris : Éditions Gutenberg. 257 pages. ISBN 978-2-35236-008-7


Tempo ◽  
1948 ◽  
pp. 25-28
Author(s):  
Andrzej Panufnik

It is ten years since KAROL SZYMANOWSKI died at fifty-four. He was the most prominent representative of the “radical progressive” group of early twentieth century composers, which we call “Young Poland.” In their manysided and pioneering efforts they prepared the fertile soil on which Poland's present day's music thrives.


2004 ◽  
Vol 171 (4S) ◽  
pp. 320-320
Author(s):  
Peter J. Stahl ◽  
E. Darracott Vaughan ◽  
Edward S. Belt ◽  
David A. Bloom ◽  
Ann Arbor

2009 ◽  
Author(s):  
Rajiva Wijesinha
Keyword(s):  

Author(s):  
Denis Choimet ◽  
Hervé Queffelec
Keyword(s):  

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