INTERPRETATION OF MUSICAL GENRE IN THE WORKS OF R. IGNATIEV AND K. BREITBURG

2021 ◽  
Vol 1 (2) ◽  
pp. 121-125
Author(s):  
Xia Tsihan ◽  

Theater in Russia has for a long time neither cultivated nor encouraged the pursuit of entertainment and commercial success. Perhaps that is why, the first attempts to integrate the musical into the Russian theater environment ended in failure. "My Fair Lady" by F. Loewe, staged at the Stanislavsky and Nemirovich-Danchenko Theatre, "Avtograd–1929", staged at the Satire Theater and the "Chicago" musical, after several performances, were removed from the repertoire or, like enterprise productions, ceased to exist. The purpose of this research is to determine the reasons for the growing popularity of the literary musical in Russia. The article examines the development of literary musical through the work of its outstanding representatives, composers R. Ignatiev and K. Breitburg. Scientific novelty of the work lies in the study of previously unpopular classical literature samples, which are the basis for the modern musical theatre genre.

2021 ◽  
Vol 15 (1) ◽  
pp. 25-40 ◽  
Author(s):  
Joy Brooke Fairfield ◽  
Krista Knight ◽  
Barry Brinegar

In the first autumn of the COVID-19 pandemic, long-time theatre collaborators in two different cities in the US South discuss the future of an art form that has currently gone dark. Influenced by punk culture, twenty-first-century internet aesthetics, social justice movements and their pets, this decade-strong creative team reflects in a multimedia format on their past work and enumerates their priorities for the future of musical theatre: cheap, remote, inexperienced, local, radical and full of women and sexual/gender minorities.


Ramus ◽  
1982 ◽  
Vol 11 (1) ◽  
pp. 48-56 ◽  
Author(s):  
J. G. MacQueen

Somebody mentioned your fate, Heraclitus, and he brought me to a tear; and I remembered how often we both made the sun sink in conversation. But you, my guest-friend from Halicarnassus, have, I suppose, been ashes for a very long time. But your nightingales are alive, on which Hades, plunderer of all things, will not lay his hand.This epigram of Callimachus is one of the best known poems in Classical literature, but it suffers more than most from the misfortune of having to live permanently in the shadow of its own translation. It may no longer be the case that every schoolboy knows ‘They told me, Heraclitus, they told me you were dead’, but it is certainly true that Cory's English version is much more widely known, and much more widely quoted, than Callimachus's Greek original. One result of this has been that a good deal of attention has often been given to comparing the two poems, but little time has been spent on examining the Callimachus as a poem in itself in an effort to see what its virtues are. One may occasionally find a few remarks on the restraint or simplicity of the Greek, as opposed to the English, or a note suggesting that Heraclitus of Halicarnassus, the poet to whom the verses are addressed, wrote a volume of verse the title of which was actuallyAēdones(‘Nightingales’) — hence the ‘nightingales’ of the second last line. Occasionally a commentator will go a little further. K. J. Mckay for instance remarks: ‘The high respect in which this epigram is held is fully justified. The way in which the thoughts spill over their barriers in the first four lines, the magic ofkatedusamen(suggestive of a communion of uncommon power), the skilful location of key thoughts (teon moron, katedusamen, aēdones), the pathos of an unknown grave and an abiding grief cannot but move us. Above all, the suggestion of unfathomable sorrow.’


Daedalus ◽  
2013 ◽  
Vol 142 (4) ◽  
pp. 109-119
Author(s):  
John H. McWhorter

Just before he died in 1943, Fats Waller wrote the music for a Broadway book musical with a mostly white cast, the first black composer to do so–and the only one ever to do it with commercial success. Yet “Early to Bed” is largely ignored by historians of musical theater, while jazz scholars describe the circumstances surrounding its composition rather than the work itself. Encouraging this neglect is the fact that no actual score survives. This essay, based on research that assembled all surviving evidence of the score and the show, gives a summary account of “Early to Bed” and what survives from it. The aim is to fill a gap in Waller scholarship, calling attention to some of his highest quality work, and possibly stimulating further reconstruction work that might result in a recording of the score.


2012 ◽  
Vol 699 ◽  
pp. 115-152 ◽  
Author(s):  
N. S. Barlow ◽  
S. J. Weinstein ◽  
B. T. Helenbrook

AbstractThe complete integral solution is found for the convectively unstable and oscillatory-forced linear Klein–Gordon equation as a function of spatial variable, $x$, and time, $t$. A comparison of the integral solution with series solutions of the Klein–Gordon equation elucidates salient features of both the transient and long-time spatially growing solutions. A rigorous method is developed for identifying the key $x/ t$ rays associated with saddle points that can be used to characterize the transition between transient temporally growing and long-term spatially growing waves. This method effectively combines the procedure given by Gordillo & Pérez-Saborid (Phys. Fluids, vol. 14, 2002, pp. 4329–4343) for determining the $x/ t$ ray at which the forced spatial growth response affects the observed waveform and competes with the transient response, with an established methodology for identifying the leading and trailing edge rays of an impulse response. The method is applied to a linearized system describing an oscillatory-forced liquid sheet and asymptotic predictions are obtained. Series solutions are used to validate these predictions. We establish that the portion of the solution responsible for spatial growth in the signalling problem is correctly identified by Gordillo & Pérez-Saborid (Phys. Fluids, vol. 14, 2002, pp. 4329–4343), and that this interpretation is in contrast with the classical literature. The approach provided here can be applied in multiple ways to study a convectively unstable oscillatory-forced medium. In cases where numerical or series solutions are readily available, the proposed method is used to extract key features of the solution. In cases where only the forced long time behaviour is needed, the dispersion relation is used to extract: (i) the time required to see the forced solution; (ii) the amplitude, phase and spatial growth of the forced solution; and (iii) the breadth of the transient.


2018 ◽  
Vol 4 (4) ◽  
pp. 67
Author(s):  
Fan Chushu

As elite talents of the 21st century should not only be experts in certain aspects, more importantly, they must have good aesthetic abilities. Aesthetic sense is not a skill that is useful for a moment, but a way of thinking that can be penetrated in all aspects of life, and benefit for life long time. Nevertheless, how to cultivate children with good aesthetic sense in school? Through classical literature is an excellent method. As educational space plays a magnificent role in any schools for children. In this article, we will look at how texts of classical Chinese literature can help to create an educational space based on the five human senses theory.


Author(s):  
Berta Joncus

Between 1728 and 1760 ballad opera transformed London’s theatre by making English song the key to commercial success for stage works. By generating the first modern popular singers, it became a prototype for present-day British and American musical theatre. The jaw-dropping success of John Gay’s Beggar’s Opera established a new genre, of which three types developed, according to venue. Licensed theatres staged sentimental, putatively native ‘operas’ tailored around star sopranos such as Kitty Clive. Non-licensed theatres accommodated ballad operas with political intent, or those of particular local interest. Finally, ballad operas written for publication, not staging, deployed song to expose court scandal or protest against the government. The appeal of ballad opera depended on its songs, which pretended to instruct by appealing to popular prejudice, particularly against women. Although the Licensing Act of 1737 discouraged new works, staples of ballad opera still flourished on the London stage throughout the century.


Author(s):  
M. Iwatsuki ◽  
Y. Kokubo ◽  
Y. Harada ◽  
J. Lehman

In recent years, the electron microscope has been significantly improved in resolution and we can obtain routinely atomic-level high resolution images without any special skill. With this improvement, the structure analysis of organic materials has become one of the interesting targets in the biological and polymer crystal fields.Up to now, X-ray structure analysis has been mainly used for such materials. With this method, however, great effort and a long time are required for specimen preparation because of the need for larger crystals. This method can analyze average crystal structure but is insufficient for interpreting it on the atomic or molecular level. The electron microscopic method for organic materials has not only the advantage of specimen preparation but also the capability of providing various information from extremely small specimen regions, using strong interactions between electrons and the substance. On the other hand, however, this strong interaction has a big disadvantage in high radiation damage.


Author(s):  
YIQUN MA

For a long time, the development of dynamical theory for HEER has been stagnated for several reasons. Although the Bloch wave method is powerful for the understanding of physical insights of electron diffraction, particularly electron transmission diffraction, it is not readily available for the simulation of various surface imperfection in electron reflection diffraction since it is basically a method for bulk materials and perfect surface. When the multislice method due to Cowley & Moodie is used for electron reflection, the “edge effects” stand firmly in the way of reaching a stationary solution for HEER. The multislice method due to Maksym & Beeby is valid only for an 2-D periodic surface.Now, a method for solving stationary solution of HEER for an arbitrary surface is available, which is called the Edge Patching method in Multislice-Only mode (the EPMO method). The analytical basis for this method can be attributed to two important characters of HEER: 1) 2-D dependence of the wave fields and 2) the Picard iteractionlike character of multislice calculation due to Cowley and Moodie in the Bragg case.


Author(s):  
Yimei Zhu ◽  
J. Tafto

The electron holes confined to the CuO2-plane are the charge carriers in high-temperature superconductors, and thus, the distribution of charge plays a key role in determining their superconducting properties. While it has been known for a long time that in principle, electron diffraction at low angles is very sensitive to charge transfer, we, for the first time, show that under a proper TEM imaging condition, it is possible to directly image charge in crystals with a large unit cell. We apply this new way of studying charge distribution to the technologically important Bi2Sr2Ca1Cu2O8+δ superconductors.Charged particles interact with the electrostatic potential, and thus, for small scattering angles, the incident particle sees a nuclei that is screened by the electron cloud. Hence, the scattering amplitude mainly is determined by the net charge of the ion. Comparing with the high Z neutral Bi atom, we note that the scattering amplitude of the hole or an electron is larger at small scattering angles. This is in stark contrast to the displacements which contribute negligibly to the electron diffraction pattern at small angles because of the short g-vectors.


Author(s):  
M. G. Burke ◽  
M. N. Gungor ◽  
M. A. Burke

Intermetallic matrix composites are candidates for ultrahigh temperature service when light weight and high temperature strength and stiffness are required. Recent efforts to produce intermetallic matrix composites have focused on the titanium aluminide (TiAl) system with various ceramic reinforcements. In order to optimize the composition and processing of these composites it is necessary to evaluate the range of structures that can be produced in these materials and to identify the characteristics of the optimum structures. Normally, TiAl materials are difficult to process and, thus, examination of a suitable range of structures would not be feasible. However, plasma processing offers a novel method for producing composites from difficult to process component materials. By melting one or more of the component materials in a plasma and controlling deposition onto a cooled substrate, a range of structures can be produced and the method is highly suited to examining experimental composite systems. Moreover, because plasma processing involves rapid melting and very rapid cooling can be induced in the deposited composite, it is expected that processing method can avoid some of the problems, such as interfacial degradation, that are associated with the relatively long time, high temperature exposures that are induced by conventional processing methods.


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