scholarly journals THE ARTISTIC FUNCTION OF NARRATIVES IN THE SACRED BOOKS AND RELIGIOUS-HISTORICAL EVENTS IN MODERN PERSIAN NOVELS

Author(s):  
Sotiboldieva Sarvinoz Ruzievna

Every nation has its own way of life, culture, spiritual and religious values. These values are also reflected in the fiction, which is the product of the artistic thinking of that nation. Since the creation of the Holy Qur'an, the Bible, the Torah, and the Psalms, they have played an important role in the lives of people who believe in a particular religion. One of the main reasons for this is the existence in the holy books of stories didactic in spirit about life and death, good and evil. The writers make effective use of these stories, as well as the exemplary lives of the prophets and religious historical events, in shaping the plot of their works, and in increasing the effectiveness of the ideas they put forward. Considered one of the hearts of ancient civilization, Iran is famous for its heroic spirit and epic traditions that glorify kings. But the twentieth century went down in history as the century in which modern-type novelism flourished in Iran. It was a new century for Iranian novelists to be recognized not only domestically but also globally. The purpose of the study is to shed light on the impact of religious narratives on the art of the work, their ideological and artistic function. The study found that sacred narratives given in the sacred books and the new interpretation of religious-historical figures in the modern Persian novels has significantly impacted on the styles of writers. KEYWORDS: Qur'an, Torah, Bible, Modern Persian Romanism, Style, Abel and Cain, Archetype, Motive, Life of Prophets, Religious Story.

2008 ◽  
Vol 1 (1) ◽  
pp. 33-53
Author(s):  
Christopher Darius Stonebanks ◽  
Kathleen Wootton

In his 1972 court appearance, (James Bay Cree vs. James Bay Energy Corporation), François Mianscum was asked to swear on the Bible to “tell the truth”. The Cree hunter had been summoned to account for his “way of life” and speak about the impact of massive development on his traditional hunting ground by the construction of hydroelectric dams. After contemplation and deliberation of a seemingly routine court request his translator responded, “He does not know whether he can tell the truth. He can only tell what he knows.” (Richardson, 1975, P. 46) Cited widely through Clifford's (1986) inclusion of “the story” for its importance, how can his words guide researchers' approach to “honesty” in qualitative inquiry? This paper turns to the significant members of Mianscum's life to ask how they interpret his statement and what messages can be gained from it while carrying out research in both the indigenous and non-indigenous context.


2012 ◽  
Vol 220 (1) ◽  
pp. 3-9 ◽  
Author(s):  
Sandra Sülzenbrück

For the effective use of modern tools, the inherent visuo-motor transformation needs to be mastered. The successful adjustment to and learning of these transformations crucially depends on practice conditions, particularly on the type of visual feedback during practice. Here, a review about empirical research exploring the influence of continuous and terminal visual feedback during practice on the mastery of visuo-motor transformations is provided. Two studies investigating the impact of the type of visual feedback on either direction-dependent visuo-motor gains or the complex visuo-motor transformation of a virtual two-sided lever are presented in more detail. The findings of these studies indicate that the continuous availability of visual feedback supports performance when closed-loop control is possible, but impairs performance when visual input is no longer available. Different approaches to explain these performance differences due to the type of visual feedback during practice are considered. For example, these differences could reflect a process of re-optimization of motor planning in a novel environment or represent effects of the specificity of practice. Furthermore, differences in the allocation of attention during movements with terminal and continuous visual feedback could account for the observed differences.


2004 ◽  
Vol 6 (2) ◽  
pp. 170-183
Author(s):  
Hassan al-Shafīe

The present study discusses the cultural and intellectual movement, now on the point of prevalence in the contemporary Islamic world, which adopts the Western ‘hermeneutical method’ and applies it to the Qur'an in particular, and Islamic religious texts in general. The author shows this movement's complete disregard for the established principles of tafsīr, the traditional Arab-Islamic rules of Qur'anic interpretation and the related Prophetic aḥādīth as preserved in the authenticated Sunna. The author argues that the ‘hermeneutical method’ starts from the preconceived notion that the Islamic heritage is male-centred and biased against women, both theoretically and practically, and, on this basis, proposes that the time has come for an intellectual break with this premise and the re-interpretation of the Qur'an and faith in the light of Western Christian hermeneutics. This paper proposes that this method fails to take historical events and the civilisational Islamic experience into account.


Author(s):  
John J. Collins
Keyword(s):  

Judaism is often understood as the way of life defined by the Torah of Moses, but it was not always so. This book identifies key moments in the rise of the Torah, beginning with the formation of Deuteronomy, advancing through the reform of Ezra, the impact of the suppression of the Torah by Antiochus Epiphanes and the consequent Maccabean revolt, and the rise of Jewish sectarianism. It also discusses variant forms of Judaism, some of which are not Torah-centered and others which construe the Torah through the lenses of Hellenistic culture or through higher, apocalyptic, revelation. It concludes with the critique of the Torah in the writings of Paul.


1998 ◽  
Vol 25 (2) ◽  
pp. 63-80 ◽  
Author(s):  
Manuel L. Jose ◽  
Charles K. Moore

This paper traces the development of five taxation types in the Bible — income taxes, property taxes, special assessment taxes, poll taxes (all direct taxes), and indirect taxes. The development of these taxes is discussed within the context of Israel's historical development. The impact of counting, measurement, and computation on the development of taxation is also considered.


Author(s):  
Roniger Luis

This book has explored how the transformed cultural domains of Argentina, Chile, Paraguay, and Uruguay have been affected by postexilic relocations and transnational migrant displacements. By analyzing the role, work, public standing, and institutional insertion of those intellectuals, cultural, and political actors, and by incorporating their direct testimonial statements, the book drew attention to the relevance of studying postauthoritarian developments through the lens of individual and collective participation in public life. It empirically documented the impact of many intellectuals, academics, artists, and political and social activists who left primarily due to political circumstances and the different trajectories they followed. The analysis also stressed the development of the new diasporas as bridges, reflecting the irreversibility of historical events that opened these societies, at varying degrees, to global forces and networks to an extent unknown in the not-too-distant past.


Author(s):  
K. K. Yeo

This chapter challenges the ‘received’ view that traces the expansion of the dominant theologies of the European and North American colonial powers and their missionaries into the Majority World. When they arrived, these Westerners found ancient Christian traditions and pre-existing spiritualities, linguistic and cultural forms, which questioned their Eurocentric presumptions, and energized new approaches to interpreting the sacred texts of Christianity. The emergence of ‘creative tensions’ in global encounters are a mechanism for expressing (D)issent against attempts to close down or normalize local Bible-reading traditions. This chapter points to the elements which establish a creative tension between indigenizing Majority World approaches to the Bible and those described in the ‘orthodox’ narrative, including: self-theologizing and communal readings; concepts of the Spirit world and human flourishing; the impact of multiple contexts, vernacular languages, sociopolitical and ethno-national identities, and power/marginalization structures; and ‘framing’ public and ecological issues.


Author(s):  
Nurit Yaari

This chapter focuses on the comedy Lysistrata by Aristophanes. Lysistrata is the most commonly staged of Aristophanes’ comedies in Israel; to date seven productions of that play have been staged in Israel. This is not surprising, given that it is a lurid anti-war comedy, with a plot that combines sex and war, and raises weighty issues concerning state management, war fatigue, and the desire for peace, in a fantasy where women take over control of the city. Through an analysis of four productions of that play that have been staged in Israel between 1958 and 2002, the chapter discusses the impact of historical events on the reading of the play and its performance, and shows how each production steered in the narrow range between entertainment, criticism, and protest.


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