scholarly journals Il patrimonio fotografico dell’Archivio Storico delle Gallerie Fiorentine: ragioni e provenienza di alcune fotografie dello stabilimento Brogi

2020 ◽  
Vol 5 (10) ◽  
pp. 36-58
Author(s):  
Chiara Naldi
Keyword(s):  
Public Education ◽  
19Th Century ◽  
Fine Arts ◽  
Historical Archive ◽  
The Creation ◽  
The 19Th Century ◽  
Selection Of

This essay considers a selection of painting reproductions made by Brogi in the 1870s, as part of a larger study on the historical archive of the Florentine Galleries held by the Superintendence of Archaeology, Fine Arts and Landscape in Florence. Cross-referencing these photographs with written documents in the same archive and the commercial catalogs published by Brogi between 1863 and 1901, it is possible to determine that they were originally delivered in compliance with legal deposit regulations established by the new Ministry of Public Education in 1867. At the same time, this case study sheds new light on the connections between commercial photographers and art institutions in Italy in the second half of the 19th century, especially regarding the creation of public photographic archives and the role played by Corrado Ricci, the director of the Uffizi Galleries between 1903 and 1906.

scholarly journals Wystawa "100 lat realizmu w sztuce polskiej" w Akademii Sztuk Pięknych ZSRR w Moskwie (1952) w kontekście polsko-radzieckich stosunków kulturalnych w latach 1949-1955

Porta Aurea ◽  
2018 ◽  
pp. 162-178
Author(s):  
Irina Gavrash
Keyword(s):  
19Th Century ◽  
Cultural Policy ◽  
Fine Arts ◽  
Socialist Realism ◽  
Turn Of The Century ◽  
The Political ◽  
Political Dominance ◽  
Polish Art ◽  
The 19Th Century ◽  
Selection Of

The article analyses the exhibition named „100 lat realizmu w sztuce polskiej” [100 Years of Realism in Polish Art] at the Academy of Fine Arts in Moscow in 1952 and its reception in the artistic environment of USSR in the context of Polish-Soviet artistic relations in 1949–1955. The exposition, prepared by the Committee of the International Cultural Cooperation with and the Ministry of Culture and Art, consisted of the Polish art of the 19th century and the art of a few previous years. It was supposed to present to the Soviet party the progress of the implementation of Socialist Realism in Poland on the basis of the Soviet example and Polish tradition of realistic art. However, the implementation of the scheme deviated from the official declarations due to both including in the exhibition the turn of the century, as well as presenting the issues of modernism and the selection of modern pieces, resulting from the specific emphases in the cultural policy of the time. The contemporary department was composed of pieces of artists from the ‘Sopot School’, combining in its art the Socialist Realism doctrine with elements of colourism. Opening the method onto elements of the Impressionism tradition was dictated by a need to break the deadlock which the Polish art found itself in soon after the 1st OWP. The exhibition caused a reaction in the environment of Soviet critics and artists, exposing differences in attitude towards art in the two countries, which, in the conditions of the political dominance of USSR, had been deepened further with time, impinging on the artistic relations dynamics.

CAPRICCIOʼS GENRE IN MANDOLIN MUSIC AT THE END OF THE 19th – THE EARLY OF THE 20th CENTURIES (for example of the concert pieces by С. Munier)

2019 ◽  
pp. 60-71
Author(s):  
N. V. Bashmakova ◽  
K. V. Kravchenko
Keyword(s):  
19Th Century ◽  
Analytical Methods ◽  
17Th Century ◽  
Point Of View ◽  
Historical Approach ◽  
The Creation ◽  
Characteristic Features ◽  
Concert Works ◽  
In The Beginning ◽  
The 19Th Century

The purpose of this article is process of analyzing in reference to concert capriccio by C. Munier for mandolin with piano («Bizzarria», op. 201, Spanish сapriccio, op. 276) from the point of view of their genre specificity. Methodology. The research is based on the historical approach, which determines the specifics of the genre of Capriccio in the music of the late 19th and early 20th centuries and in the work of C. Munier; the computational and analytical methods used to identify the peculiarities of the formulation and the performing interpretation of the original concert pianos for mandolins with piano that, according to the genre orientation (according to the composerʼs remarks), are defined as capriccio. Scientific novelty. The creation of Florentine composer,61mandolinist-vertuoso and pedagog C. Munier, which made about 300 compositions, is exponential for represented scientific vector. Concert works by C. Munier for mandolin and piano, created in the capriccio genre, were not yet considered in the art of the outdoors, as the creativity and composer’s style of the famous mandolinist. Conclusions. Thus, appealing to capriccio by С. Munier, which created only two works, embodied in them virtually all the evolutionary stages of the development of genre. In his opus of this genre there are a vocal, inherent in capriccio of the 17th century solo presentation, virtuosity, originality, which were embodied in the works of 17th – 18th centuries and the national color of the 19th century is clearly expressed. Thus, the Spanish capriccio is a kind of «musical encyclopedia» of national dance, which features are characteristic features of bolero, tarantella, habanera, and so forth. The originality of opus number 201 – «Bizzarria», is embodied in the parameters of shaping (expanded cadence of the soloist in the beginning) and emphasized virtuosity, which is realized in a wide register range, a variety of technical elements.

scholarly journals Diversity and selection of the continuous-flowering gene, RoKSN, in rose

2021 ◽  
Vol 8 (1) ◽  
Author(s):  
Vanessa Soufflet-Freslon ◽  
Emilie Araou ◽  
Julien Jeauffre ◽  
Tatiana Thouroude ◽  
Annie Chastellier ◽  
...  
Keyword(s):  
19Th Century ◽  
Ornamental Plants ◽  
Repressor Gene ◽  
Important Trait ◽  
Floral Repressor ◽  
The 19Th Century ◽  
Selection Of

AbstractBlooming seasonality is an important trait in ornamental plants and was selected by humans. Wild roses flower only in spring whereas most cultivated modern roses can flower continuously. This trait is explained by a mutation of a floral repressor gene, RoKSN, a TFL1 homologue. In this work, we studied the origin, the diversity and the selection of the RoKSN gene. We analyzed 270 accessions, including wild and old cultivated Asian and European roses as well as modern roses. By sequencing the RoKSN gene, we proposed that the allele responsible for continuous-flowering, RoKSNcopia, originated from Chinese wild roses (Indicae section), with a recent insertion of the copia element. Old cultivated Asian roses with the RoKSNcopia allele were introduced in Europe, and the RoKSNcopia allele was progressively selected during the 19th and 20th centuries, leading to continuous-flowering modern roses. Furthermore, we detected a new allele, RoKSNA181, leading to a weak reblooming. This allele encodes a functional floral repressor and is responsible for a moderate accumulation of RoKSN transcripts. A transient selection of this RoKSNA181 allele was observed during the 19th century. Our work highlights the selection of different alleles at the RoKSN locus for recurrent blooming in rose.

The Short Story: A Very Short Introduction

2021 ◽  
Author(s):  
Andrew Kahn
Keyword(s):  
19Th Century ◽  
Short Story ◽  
Popular Fiction ◽  
The Novel ◽  
Short Introduction ◽  
The Press ◽  
Character Study ◽  
The Creation ◽  
The 19Th Century ◽  
Plot Design

The Short Story: A Very Short Introduction charts the rise of the short story from its original appearance in magazines and newspapers. For much of the 19th century, tales were written for the press, and the form’s history is marked by engagement with popular fiction. The short story then earned a reputation for its skilful use of plot design and character study distinct from the novel. This VSI considers the continuity and variation in key structures and techniques such as the beginning, the creation of voice, the ironic turn or plot twist, and how writers manage endings. Throughout, it draws on examples from an international and flourishing corpus of work.

Kazania dla młodzieży żydowskiej w Galicji

2021 ◽  
Author(s):  
Alicja Maślak-Maciejewska
Keyword(s):  
Secondary Schools ◽  
Religious Education ◽  
20Th Century ◽  
19Th Century ◽  
Jewish Students ◽  
Jewish Youth ◽  
The 19Th Century ◽  
Selection Of

The book contains a selection of eighty eight sermons (so-called exhortations) for the Jewish youth, which were written in Galicia at the end of the 19th century and in the first decades of the 20th century. They constituted part of religious education of Jewish students who attended secular primary and secondary schools. The authors of the sermons were teachers such as Natan Szyper, Arnold Friedman or Samuel Wolf Guttman who was the preacher of the progressive synagogue in Lviv.

scholarly journals EDUCATION AND SELECTION OF ASTRONOMICAL ALMANAC OFFICIALS IN THE 19th CENTURY

2015 ◽  
Vol 30 (3) ◽  
pp. 789-800
Author(s):  
GOEUN CHOI ◽  
BYEONG-HEE MIHN ◽  
YONG SAM LEE
Keyword(s):  
19Th Century ◽  
The 19Th Century ◽  
Selection Of

scholarly journals Akademickie periodyki narodowe. Z dziejów prasy Narodowej Demokracji (do 1939 roku

2021 ◽  
pp. 262-279
Author(s):  
Aneta Dawidowicz
Keyword(s):  
19Th Century ◽  
Political Thought ◽  
Democratic Movement ◽  
Creation Process ◽  
The Press ◽  
The World ◽  
The Creation ◽  
The 19Th Century

The community periodicals had accompanied the creation process of the press system in the Polish territory since the end of the 19th century. The community dimension of the press relates to both its spatial scope and the concreteness of the publishing profile. The National Democracy press was a collection of periodicals characterised by their typological diversity, in which the world presented equalled reality of the readers. From its beginnings, the National Democracy treated press in a purely utilitarian manner, as a form of dissemination of political thought and the tool which supported the achievement of political goals. The press took a multifaceted part in the development of national democratic movement.

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