scholarly journals THE ROLE OF ZAKHAR PRILEPIN IN MODERN RUSSIAN LITERATURE

2019 ◽  
pp. 234-244
Author(s):  
Madinabonu AHMEDOVA
Keyword(s):  
General Public ◽  
Russian Literature ◽  
First Century ◽  
Human Values ◽  
Modern World ◽  
New Realism ◽  
Essential Components ◽  
Literary Process ◽  
Modern Russian

The article is devoted to the problem of the evolution of the literary hero and the types of heroes in modern Russian literature of the XXI century. The admiration of the person of the person being described and the desire to redirect this feeling to the reader make the style of the work of Zakhar Prilepin realistic through the prism of modernity (neorealism). The writer sets himself the task of telling about the fate of a modern person who faces many difficulties to squeeze in the modern world where human values have already changed, transformed beyond recognition than they were in the literature of the 19th and 20th centuries. Zakhar Prilepin is gradually moving to comprehending a more global problem: is it possible in the conditions where absolutely everyone is wearing a bit of hell in himself. The writer seeks to get an answer to this question on a truly epochal, historical scale.This article also discusses the role of Zakhar Prilepin in the context of modern Russian literature. He writes willingly and openly on topics of concern to the general public. One of the essential components of such statements is his reflections on classical and modern Russian literature, showing love or, on the contrary, dislike for the work of this or that author.The aim of the work is to determine the transformation of modern Russian prose on the example of the works of contemporary Russian writer Zakhar Prilepin. His views on the formation and development of the literary process in the twenty-first century, explores the peculiarities of the hero and the specifics of the writer's artistic world based on the work and literary analyzes. Types of heroes’ characteristic of the prose of this neorealist writer: the hero-provincial, the rebellious hero, the intellectual hero and others. The article attempts to analyze the main features of the imaginative system in the works of Z. Prilepin in the context of the traditions of the new realism (neorealism). Мақола адабий қаҳрамон эволюцияси муаммоси ва ХХI аср замонавий рус адабиётидаги қаҳрамонлар турларини ўрганишга бағишланган. Захар Прилепиндаги таърифлаётган шахснинг ҳайрати ва ички дунёсини ёритиб бериш истаги ва уни китобхонга етказиш учун қўллаган услуби асарларини замон (неореализм) призмаси орқали реализмга олиб ўтади. Ёзувчи ўз олдига ХIХ ва ХХ аср адабиётларидаги инсоният қадриятлари ХХI асрга келиб мутлақоўзгариб, таниб бўлмас даражага етганини замонавий одамнинг тақдири орқалий ёритиб бериш вазифасини қўяди. Захар Прилепин аста-секин янада глобал муаммони англашга интилмоқда: мутлақо ҳамма ўзини дўзах азобига солаётган шароитда бу мумкинми? Ёзувчи ушбу саволгзамон ва тарих миқёсида жавоб олишга интилади.Ушбу мақолада замонавий рус ёзувчиси Захар Прилепиннинг замонавий рус адабиётида тутган ўрни муҳокама қилинади. У кенг жамоатчиликни қизиқтирган мавзуларда очиқ ёзади. Бундай баёнотларнинг муҳим таркибий қисмлариданбири, бу –унинг классик ва замонавий рус адабиётига бўлган муҳаббатини акс эттириши ёки аксинча у ёки бу муаллифнинг ишини ёқтирмаслигидир.Ушбу мақоланинг мақсади замонавий рус ёзувчиси Захар Прилепиннинг ижоди мисолида замонавий рус насрнинг ўзгаришини аниқлашдир. Унинг ХХI аср адабий жараёнининг шаклланиши ва ривожланиши ҳақидаги фикрлари, қаҳрамонининг ўзига хос хусусиятлари ва ёзувчининг ижодий дунёсининг ўзига хос хусусиятларини кўрсатишдир. Бу неореализм оқимига мансуб ёзувчининг насрига хос қаҳрамонлар турлари: провинциал қаҳрамон (қишлоқ аҳолиси), исёнкор қаҳрамон, интеллектуал қаҳрамон ва бошқалар. Муаллиф З. Прилепин асарларидаги образлар тизимига хос хусусиятларни янги реализм (неореализм) анъаналари контекстида таҳлил қилган. Статья посвящена проблеме эволюции литературного героя и типов героев в современной русской литературе XXI века. Восхищение личностью описываемогочеловека и желание переадресовать это чувство читателю делают стилистику произведении Захара Прилепина реалистическими через призму современности (неореализма). Писатель ставит перед собой задачу рассказать о судьбе современной личности сталкивающегося с множеством затруднений чтобы выжать в современном мире где уже человеческие ценности изменились, трансформировались до неузнаваемости чем были в литературе XIXи ХХ веке. Захар Прилепин постепенно переходит к постижению более глобальной проблемы: возможно ли то же самое условиях, где частичку ада в себе носит абсолютно каждый. Ответ на этот вопрос писатель стремится получить в поистине эпохальном, историческом масштабе.А такжев данной статье рассматривается роль Захара Прилепина в контексте современной русской литературы. Он пишет охотно и открыто на темы, волнующие широкую общественность. Одной из существенных составляющих такого рода высказываний становятся его размышления о классической и современной русской литературе, проявляющие любовь или наоборот, неприязнь, к творчеству того или иного автора.Целью работы является определить трансформацию современной русской прозы на примере творчества современного писателя России – Захара Прилепина. Его взгляды на формирование и развитие литературного процесса вХХIвеке; исследуются особенности героя и специфика художественного мира писателяна основе произведении и литературных анализов. Типы героев; характерные для прозы этого писателя-нео реали зма : герой-провинциал; бунтующий герой; герой-интеллигент и другие.В статье осуществляется попытка анализа основных особенностей образной системы в творчестве З. Прилепинав контексте традиций нового реализма (неореализм).

scholarly journals Człowiek współczesny w obłędnym tańcu emocji życia codziennego („Dziewięć opowiadań z obłędem w tle”)

2021 ◽  
pp. 178-195
Author(s):  
Katarzyna Duda
Keyword(s):  
Mental Illness ◽  
Russian Literature ◽  
Modern World ◽  
Human Beings ◽  
Life Choices ◽  
Soviet Space ◽  
Collapse Of Communism ◽  
Post Soviet Space ◽  
Modern Russian

This article focuses on the changes which occurred in modern Russian literature after the collapse of communism. There is no more Soviet censorship banning a lot of topics such as human beings, individual’s problems, life choices and decisions. The authors of the anthology titled Nine Stories with Madness in the Background write about individuality and difficulties connected with insecurity in the chaos of the modern world. Mental illness and disorders usually play the role of metaphors referring to the obstacles in understanding and behaviour in the new post-soviet space.

scholarly journals METAFICTIONAL STRATEGIES IN MODERN PROSE

2020 ◽  
Vol 12 (2) ◽  
pp. 130-138
Author(s):  
Maria A. Chernyak ◽  
◽  
Marine A. Sargsyan ◽  
Keyword(s):  
Russian Literature ◽  
Modern World ◽  
Point Of No Return ◽  
Mass Literature ◽  
History Of ◽  
New Type ◽  
Changing Role ◽  
Modern Russian

With the advent and development of the theory of metafiction, the range of works that can be referred to this phenomenon is constantly expanding, with the deepest origins of metafiction being found in the history of novel as a genre. Modern Russian metafiction, developing in the context of literary centrism rebooting and new practices being created, is widely represented in different strata of modern Russian literature: in elite literature (Pushkin House by A. Bitov, t by V. Pelevin, Blue Fat by V. Sorokin, etc.), in fiction (Happiness Is Possible by O. Zayonchkovsky, Quality of Life by A. Slapovsky, Medvedki by M. Galina, Self- Taught by A. Utkin, etc.), in mass literature (Stylist by A. Marinina, Boys and Girls by E. Kolina, Point of No Return by P. Dashkova, etc.). The article analyzes different metafictional strategies in modern prose. The process of creating literary text is found to be one of the crosscutting subjects of modern metafiction. This is primarily connected with the writers’ desire to capture and reflect the complex and contradictory strategies of writing in the 21st century. The article considers different manifestations of metafictional strategy, such as: ‘triple literary matryoshka’ (Literary Slave: Weekdays and Holidays by N. Sokolovskaya), the theme of translation and mystification (Interlinear Translation by E. Chizhov and Stylist by A. Marinina), the author’s reflection (Adaptor by A. Slapovsky), ‘novel about a writer’ (Happiness is Possible by O. Zayonchkovsky), text created in collaboration with the new type of the reader (Arbeit. The Wide Canvas by E. Popova). All the analyzed texts raise questions about the changing role of the writer and the reader in the modern world and about the new relations between the writer and the publisher.

scholarly journals ACTUAL DISCOURE ABOUT TIPES FND DEVELOPMENT TENDENCIES NATIONAL STATE

2013 ◽  
pp. 195-203
Author(s):  
E. G. Ponomareva
Keyword(s):  
Political Process ◽  
World Politics ◽  
The State ◽  
First Century ◽  
Modern World ◽  
Nation State ◽  
Social Communities ◽  
Nation States ◽  
International Systems

The processes of globalization have determined significant changes in the prerogatives of nation states. In the twenty-first century the state no longer acts as a sole subject having a monopoly of integrating the interests of large social communities and representing them on the world stage. An ever increasing role in the global political process is played by transnational and supranational participants. However, despite the uncertainty and ambiguity of the ways of the development of the modern world, it can be argued that in the foreseeable future it is the states that will maintain the role of the main actors in world politics and bear the responsibility for global security and development. All this naturally makes urgent the issues related to the search for optimal models of nation state development. The article analyzes approaches to understanding patterns, problems and prospects of the development of this institution existing in modern political science. These include the concept of "dimensionality" based on the parameters of scale (the size of the territory) of the states and their functions in the international systems, as well as the "political order". In the latter case the paper analyzes four models: the nation-state, statenation, consociation, quasi-state. The author's position consists in the substantiation of the close dependence of the success of a model of the state on its inner nature, i.e. statehood. On the basis of the elaborated approach the author understands statehood as "the result of historical, economic, political and foreign policy activity of a particular society in order to create a relatively rigid political framework that provides spatial, institutional and functional unity, that is, the condition of the society’s own state, national political system." Thus statehood acts as a qualitative feature of the state.

Situation Hopeless, Not Terminal: the Playwright in the Twenty-First Century

1988 ◽  
Vol 4 (15) ◽  
pp. 226-231
Author(s):  
James L. Rosenberg
Keyword(s):  
Collective Responsibility ◽  
First Century ◽  
Full Time ◽  
Williams College ◽  
Economic Deprivation ◽  
The West ◽  
New Realism ◽  
Film And Television ◽  
Loss Of Autonomy

Playwrights in the West remain under threat not only from the ever-increasing dominance of the director and the loss of autonomy carried over from film and television, but from sheer economic deprivation – which makes playwriting impossible as a full-time profession for most of its members. Is the best way to remedy this the assertion of collective responsibility and power advocated in this country by the Theatre Writers Union, or by a frank acceptance that artistic strength is seldom likely to be matched by economic or ‘political’ power – as James L. Rosenberg now argues? NTQ does not necessarily endorse the viewpoint here expressed, but feels that it is a forceful statement of a ‘new realism’ about the role of the playwright in the likely western future – in this respect also making an illuminating contrast to the foregoing article by Zygmunt Hübner. The author, James L. Rosenberg, is a widely-performed American dramatist, who has also translated numerous plays from the German, and is presently Visiting Professor of Theatre at Williams College. Williamstown, Massachusetts.

scholarly journals Nature Images in Russian Odic Poetry of the 18th – Early 19th Centuries: Functional Role and Influence on the Further Literary Process

2021 ◽  
Vol 3 (2) ◽  
pp. 40-61
Author(s):  
Alexey V. Svyatoslavsky
Keyword(s):  
Functional Role ◽  
Lyric Poetry ◽  
Russian Literature ◽  
Historical Events ◽  
Organic Part ◽  
Civic Consciousness ◽  
Literary Process ◽  
History Of ◽  
The Subject

The article is devoted to the functional role of nature images in the formation of the imaginary structure of Russian odic poetry of the 18th – early 19th centuries. Examples are taken from the odic poetry of Mikhail Lomonosov, Vasily Trediakovsky, Alexander Sumarokov, Mikhail Kheraskov, Gavrila Derzhavin, Dmitry Khvostov. An attempt was undertaken to answer two questions: the place nature images occupied in odic poetry in the era of its pride and, secondly, the possibility to find in the poetry of classicism, despite the condescending attitude towards it that developed later in the history of Russian literature, something that constituted an organic part of the Russian classics of the 19th and 20th centuries. The functional role of nature images in the odic genre is shown, which, as it seemed, by definition is alien to natural themes, being organically connected with the pathos of civic consciousness and the appeal to the themes of heroism, great personalities, and historical events. However, as it turns out in a number of cases, the very objects of nature evoke the poet's admiration as an impressive work of the Creator, in others, nature is a background that in a certain way enhances the impression of the very historical events that constitute the subject of odic poetry. The conclusion is made about a certain continuity in the depiction of nature – from odic poetry to Russian lyric poetry and prose of the 19th and 20th centuries.

Furor Liturgicus: The Religious Concerns of Russian Poetry

2020 ◽  
pp. 395-411
Author(s):  
Martha M. F. Kelly
Keyword(s):  
Eighteenth Century ◽  
Human Life ◽  
Literary Tradition ◽  
Russian Literature ◽  
The Body ◽  
Poetic Tradition ◽  
The World ◽  
Russian Poetry ◽  
Modern Russian

In a now classic 1994 article Victor Zhivov counters the idea that the eighteenth-century quest to create a modern Russian literature represented a wholesale rejection of Russia’s previous literary tradition. He shows instead how poets appropriated elements of Orthodox liturgical tradition in a bid to adapt the classical notion of ‘furor poeticus’, marking it by the eruption of Church Slavonic norms into modern poetics. This chapter demonstrates how, as Zhivov contends, elements of Orthodox liturgical culture have continued to shape the modern Russian poetic tradition from the eighteenth century into the present. In particular, Russian poets have long presented poetry as uniquely able to transform the world by drawing on Orthodox imagery of theosis or divinization—the transfiguration of human life and thus the world, by the divine light and being. The liturgically inflected religious concerns of Russian poetry that sections address include prophecy, human co-creation with God, the problem of the body, and the role of silence.

Conclusion and Epilogue

2020 ◽  
Author(s):  
Ulrike Strasser
Keyword(s):  
Early Modern ◽  
Identity Formation ◽  
First Century ◽  
Modern World ◽  
Women's Agency ◽  
Men And Women ◽  
The World ◽  
Twenty First Century ◽  
A Site

The conclusion summarizes the main findings of this book’s exploration of the transgenerational and transregional Jesuit chain of influence in the early modern world. It stresses the simultaneously mimetic and individualistic manifestations of missionary masculinity and the role of media in reproducing it. While Jesuit masculinity left traces on societies around the world, the men and women whom the missionaries believed to have converted in turn also reformed European Catholicism. An epilogue takes the story to today’s US-controlled Guam where Chamorro Catholicism provides a site for anti-imperial critique and identity-formation, reflecting a process that began with the events narrated in this book. Notably, twenty-first-century Chamorro death customs still show vestiges of early modern matrilineal traditions and indigenous women’s agency.

scholarly journals SKILL OF CREATING A SIMPLE SYSTEM IN MODERN LITERATURE (ON THE EXAMPLE OF THE NOVEL “HARDENED FEELINGS” A.A. GANIEVA)

2019 ◽  
pp. 223-230
Author(s):  
Amina FATTAKHOVA
Keyword(s):  
World Literature ◽  
Russian Literature ◽  
Special Period ◽  
The Novel ◽  
Literary Process ◽  
Classical Traditions ◽  
Complex Relationships ◽  
Young Writer ◽  
Historical Movement ◽  
Modern Russian

Contemporary Russian literature develops on the basis of Russian classical traditions, while at the same time creatively rethinking the problems and themes, principles and techniques of the artistic work of classic writers. Today, different artistic systems coexist at the same time, realism is developing in a complex interweaving with naturalism, modernism, sentimentalism, etc. All this makes up the general picture of modern Russian literature. Hence the understanding of the last decades of the 20th - beginning of the 21st centuries as a special period in the general development of Russian literature. Before you start talking about the modern literary process, you need to remember what the concept of “literary process” means. As we know, the literary process is a historical movement of national and world literature, which developed in complex relationships and interactions. Also, the literary process is the story of the accumulation of aesthetic and spiritual moral values. Today, there are several concepts of the modern literary process, which are very diverse and contradictory in content. Modern young writers and their work gain their circle of lovers and connoisseurs of Russian literature, which, at times, inspires with its number and scope. The author of the article focuses on the problem of the existence of realism, its place and role in modern Russian literature. For a more detailed analysis, the works of a young Russian writer, prose writer, critic and journalist - Alice Arkadyevna Ganieva are taken. The study revealed the main features of the image system in the work of this, still young, writer.

scholarly journals GENRE SPECIFICITY OF MIKHAIL ALBOV’S DILOGY “OF PEOPLE «IN SEARCH OF THE CITY»”

2020 ◽  
pp. 145-150
Author(s):  
Galina I. Romanova ◽  
Kristina V Rizayeva
Keyword(s):  
19Th Century ◽  
Life Stories ◽  
Russian Literature ◽  
Late 19Th Century ◽  
Russian Literary ◽  
Literary Process ◽  
Static Character ◽  
The 19Th Century ◽  
The City

Genre specifi cs of the stories «Lyol’ka’s Upbringing» and «A Day in the Vastness of Nature» by Mikhail Albov is considered. Historical-typological analysis of both works is given. Chronotope, type of plots, features of speech organisation in both stories, which are considered as a dilogy, are analysed. The overview characteristic of the existence of the genre of story in the Russian literary process is given, the exclusive affi liation of story genre to Russian literature is noted. Literary trends of the late 19th century are marked, the signifi cant role of the story genre in Russian literature in the 2nd half of the 19th century is indicated. Two traditions in determining the specifi cs of the story genre – by formal features and by meaningful characteristics - are noted. Mikhail Albov’s works general specifi city - the static character of heroes when repeatedly using the same names and life stories of characters in different works of the writer – is presented. The story «Lyol’ka’s Upbringing» by Mikhail Albov is characterised as storytelling traditional one for literature about suffering children, a conclusion about the writer’s creative perception of Fyodor Dostoevsky’s works is made. The story «A Day in the Vastness of Nature» by Mikhail Albov is defi ned as one unrelated to the story «Lyol’ka’s Upbringing» by plot. The article proves that the stories constitute a dilogy. Prevalence of psychology in portraying heroines of both stories is noted; the genre invariant of a story, characteristic of belles lettres of the last third of the 19th century, is identified.

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