scholarly journals Essay Two: MASHUP AT THE VANCOUVER ART GALLERY: REVIEWING AND RIFFIN'

2016 ◽  
Keyword(s):  
Art Gallery ◽  
Popular Discourse ◽  
New Materialisms ◽  
Technological Platforms

ABSTRACT: [onto]Riffology, a “plug in and play” method of inquiry that riffs across technological platforms and with all manner of material, finds easy resonance in mashup and remix. We turn our riffological sights to the Vancouver Art Gallery, which hosted MashUp from February 20th through June 12th, 2016. Creative and combinatorial, mashup is identifiable in popular discourse as fundamentally humanist and epistemological in nature; however, as an interdisciplinary, ontological practise of repurposing and reconstituting, acts of mashup also exist in geological activity, far outside of humanity, and here we apply ontological focus through riffological measures. We are interested not in seeing merely what is being exhibited, but deterritorializing what is being curated. Our emergent senses of new materialisms inform our riffology here as we ceaselessly (re)encounter the exhibition; experienced as a riff arcade of dream like experience that one mayn’t exit; like the arcades of Benjamin’s mammoth project of 1927 to 1940.

scholarly journals MashUp at the Vancouver Art Gallery: “In Review” [onto]Riffologically

2017 ◽  
Vol 2 (1) ◽  
pp. 166
Author(s):  
Richard Wainwright ◽  
Shannon Stevens
Keyword(s):  
Font Size ◽  
Art Gallery ◽  
Popular Discourse ◽  
New Materialisms ◽  
Technological Platforms

@font-face { font-family: "Arial"; }@font-face { font-family: "Arial"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; line-height: 115%; font-size: 11pt; font-family: Arial; color: black; }p.normal, li.normal, div.normal { margin: 0cm 0cm 0.0001pt; line-height: 115%; font-size: 11pt; font-family: Arial; color: black; }.MsoChpDefault { font-size: 11pt; font-family: Arial; color: black; }.MsoPapDefault { line-height: 115%; }div.WordSection1 { }Abstract: [onto]Riffology, a “plug in and play” method of inquiry that riffs across technological platforms and with all manner of material, finds easy resonance in mashup and remix, and we turn our riffological sights to the Vancouver Art Gallery which hosted MashUp[1] from February 20th through June 12th, 2016.  Creative and combinatorial, mashup is identifiable in popular discourse as fundamentally humanist and epistemological in nature; however, as an interdisciplinary, ontological practise of repurposing and reconstituting, acts of mashup also exist in geological activity, far outside of humanity, and here we apply ontological focus through riffological measures. We are interested not in seeing merely what is being exhibited, but deterritorializing what is being curated. Our emergent senses of new materialisms inform our riffology here as we ceaselessly (re)encounter the exhibition; experienced as a riff arcade of dream like experience that one mayn’t exit; like the arcades of Benjamin’s mammoth project of 1927 to 1940.[1] "Vancouver Art Gallery: The Making Of Mashup", YouTube,  accessed February 8, 2017, https://www.youtube.com/watch?v=DjFPesKTa5Q&t=2s.

Active Coeliac: Disassembling Gluten and Coeliac Disease

Somatechnics ◽  
2019 ◽  
Vol 9 (2-3) ◽  
pp. 188-205
Author(s):  
Sofia Varino
Keyword(s):  
Coeliac Disease ◽  
Knowledge Production ◽  
Food Additive ◽  
Gluten Free ◽  
Biomedical Knowledge ◽  
Dietary Practices ◽  
Object A ◽  
Scientific Knowledge Production ◽  
New Materialisms

This article follows the trajectories of gluten in the context of Coeliac disease as a gastrointestinal condition managed by lifelong adherence to a gluten-free diet. Oriented by the concept of gluten as an actant (Latour), I engage in an analysis of gluten as a participant in volatile relations of consumption, contact, and contamination across coeliac eating. I ask questions about biomedical knowledge production in the context of everyday dietary practices alongside two current scientific research projects developing gluten-degrading enzymes and gluten-free wheat crops. Following the new materialisms of theorists like Elizabeth A. Wilson, Jane Bennett, Donna Haraway and Bruno Latour, I approach gluten as an alloy, an impure object, a hybrid assemblage with self-organizing and disorganizing capacity, not entirely peptide chain nor food additive, not only allergen but also the chewy, sticky substance that gives pizza dough its elastic, malleable consistency. Tracing the trajectories of gluten, this article is a case study of the tricky, slippery capacity of matter to participate in processes of scientific knowledge production.

Advancing the Therapeutic Efficacy of Bioactive Molecules by Delivery Vehicle Platforms.

2020 ◽  
Vol 27 ◽  
Author(s):  
Antonis D. Tsiailanis ◽  
Andreas G. Tzakos ◽  
Thomas Mavromoustakos
Keyword(s):  
Gold Nanoparticles ◽  
Angiotensin Ii ◽  
Therapeutic Index ◽  
Bioactive Molecules ◽  
Host Molecule ◽  
Delivery Vehicle ◽  
Metabolic Products ◽  
Activity Enhancement ◽  
Technological Platforms ◽  
Low Solubility

: Drugs have to overcome numerous barriers to reach their desired therapeutic targets. In several cases drugs, especially the highly lipophilic molecules, suffer from low solubility and bioavailability and therefore their desired targeting is hampered. In addition, undesired metabolic products might be produced or off-targets could be recognized. Along these lines, nanopharmacology has provided new technological platforms, to overcome these boundaries. Specifically, numerous vehicle platforms such as cyclodextrins and calixarenes have been widely utilized to host lipophilic drugs such as antagonists of the angiotensin II AT1 receptor (AT1R), as well as quercetin and silibinin. The encapsulation of these drugs in supramolecules or other systems refines their solubility and metabolic stability, increases their selectivity and therefore decreases their effective dose and improves the therapeutic index. In this minireview we report on the formulations of Silibinin and AT1R antagonist candesartan in a 2-HP-β-cyclodextrin host molecule, which displayed enhanced cytotoxicity and increased silibinin’s and candesartan’s stability, respectively. Moreover we describe the encapsulation of quercetin in gold nanoparticles bearing a calixarene supramolecular host. Also the encapsulation of temozolomide in a calixarene nanocapsule has been described. Finally, we report on the activity enhancement that has been achieved upon using these formulations as well as the analytical and computational methods we used to characterize these formulations and explore the molecular interactions between the host and quest molecules.

How Far Are We from a Hot Bath?

2018 ◽  
Author(s):  
Lilah Grace Canevaro
Keyword(s):  
New Materialism ◽  
Gender Theory ◽  
Thing Theory ◽  
New Materialisms ◽  
The Status ◽  
Hot Bath

Chapter 1 places this book against a backdrop of New Materialisms, using the framework of Thing Theory in its various manifestations to unpack seemingly innocuous but in reality surprisingly loaded terms like ‘object’ and ‘agent’, and raising the question of boundaries: to what extent does the Materialist slogan ‘Things are us!’ apply to Homer? It explores the issue of representation and the substantial difference it makes to the status of objects and the location of agency, and tackles the productive tension between this book’s core approaches: Gender Theory and New Materialism. The historical and social ramifications of the book are addressed, and some initial dichotomies and categories begin to be drawn out, with a particular focus on memory.

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