scholarly journals ПРОБЛЕМИ ІСТОРИКО-МИСТЕЦТВОЗНАВЧИХ ДОСЛІДЖЕНЬ ПРОСТОРОВИХ І ТЕХНОЛОГІЧНИХ ЗАСОБІВ ТВОРЕННЯ СЦЕНІЧНОЇ ОБРАЗНОСТІ

2020 ◽  
Author(s):  
Admink Admink
Keyword(s):  
Cultural Studies ◽  
Performing Arts ◽  
Analytical Study ◽  
Cultural Research ◽  
The Creation ◽  
Systematic Selection ◽  
Technological Means ◽  
System Approaches

Мета статті – аналіз та структуризація історіографії основних історико-культурологічних досліджень, що вивчають просторово-образні та технологічні засоби виразності у сценічному мистецтві. Наукова новизна дослідження полягає у вперше здійсненому комплексному міждисциплінарному системному відборі та аналітичному опрацюванні джерел з проблем ролі просторових і технологічних засобів виразності у створенні сценічної образності. Шляхом застосування мультимодального та транссистемного підходів, авторка доходить висновку, що проблеми просторово-образних й технологічних засобів виразності у сценічному мистецтві фрагментарно і з різних ракурсів вивчали як науковці, так і практики театру. Однак на сьогоднівітчизняній науці бракує цілісного культурологічного дослідження з проблем створення сценічної образності просторовими та технологічними засобами виразності.Ключові слова: історіографія, сценічна образність, сценічний простір, технологічні засоби. The purpose of the article is to analyze and structure the historiography of the basic historical and cultural studies that study the spatial-figurative and technological means of expression in the performing arts. The scientific novelty of the research is the first complex interdisciplinary systematic selection and analytical study of sources on the role of spatial and technological means of expressiveness in the creation of stage imagery. Through the use ofmultimodal and trans-system approaches, the author concludes that the problems of space-visual and technological means of expressiveness in the performing arts have been fragmented and studied from different angles by both scholars and theater practitioners. Today, however, there is a lack of comprehensive cultural research on the problems of creating stage imagery by spatial and technological means of expression.Key words: historiography, stage imagery, stage space, technological means.

scholarly journals PROJETOS ARTÍSTICOS NO DOMÍNIO DAS ARTES DE RUA NA EUROPA

2019 ◽  
Vol 16 (2) ◽  
pp. 211
Author(s):  
Bruno Costa ◽  
Luis Miguel Lopes Teixeira
Keyword(s):  
Public Space ◽  
Performing Arts ◽  
The State ◽  
Artistic Creation ◽  
The Public ◽  
International Networks ◽  
The Creation ◽  
And Diffusion ◽  
State Of Art

A compreensão da atual realidade europeia no contexto da criação artística para o espaço público revela uma pertinência acrescida numa altura em que novos domínios da criação artística conquistam espaço na agenda europeia. Com o desenrolar deste estudo, pretendeu-se verificar e contextualizar uma nova realidade europeia no contexto da promoção e difusão de artistas e espetáculos, com impacto, ainda, ao nível da criação. As novas orientações rumo à perspetiva transnacional levam a uma tendência de criação de redes e parcerias, mas qual o papel das redes? Com recurso à compilação bibliográfica, pretendeu-se reunir as condições necessárias para a compressão do estado da arte e da criação artística para o espaço público.Palavras-chave: Artes de Rua. Artes Performativas. Redes Internacionais.ABSTRACTUnderstanding the current European reality in the field of artistic creation for the public space is becoming more pertinent at a time when new areas of artistic creation are gaining space in the European agenda. With the development of this study, it was intended to verify and contextualize a new European reality in the domains of promotion and diffusion of artists and performances, with impact, at the creation level. The new orientations towards the transnational perspective lead to a trend to create networks and partnerships, but what is the role of networks today? By bibliographical compilation, it was intended to gather the necessary information for the understanding of the state of art from artistic creation to public space.Keywords: Outdoor arts. Performing arts. International networks.

scholarly journals From Cultural Studies to Cultural Research: Engaged Scholarship in the Twenty-first Century

1970 ◽  
Vol 12 (2) ◽  
Author(s):  
Ien Ang
Keyword(s):  
Cultural Studies ◽  
Textual Analysis ◽  
First Century ◽  
Engaged Scholarship ◽  
Cultural Research ◽  
Twenty First Century

Is, or should cultural studies be, a discipline or not? What exactly is its object? Should cultural studies be focused on influencing policy or be an agent of critique? What is the role of theory? What kind of theory? Should textual analysis or ethnography predominate? The regular reiteration of such questions reveals an ongoing sense of crisis, a general apprehensiveness over the question whether cultural studies is able to live up to its own self-declared aspirations, both intellectually and politically.

The role of affect in feelings of obligation

2020 ◽  
Vol 43 ◽  
Author(s):  
Stefen Beeler-Duden ◽  
Meltem Yucel ◽  
Amrisha Vaish
Keyword(s):  
Positive Emotions ◽  
The Creation ◽  
Sense Of Obligation

Abstract Tomasello offers a compelling account of the emergence of humans’ sense of obligation. We suggest that more needs to be said about the role of affect in the creation of obligations. We also argue that positive emotions such as gratitude evolved to encourage individuals to fulfill cooperative obligations without the negative quality that Tomasello proposes is inherent in obligations.

They think they find themselves: radical violence and narcissistic-identity suffering

2019 ◽  
Vol 1 (1) ◽  
pp. 21-31 ◽  
Author(s):  
Louis Brunet
Keyword(s):  
Lone Wolf ◽  
The Creation ◽  
Ideal Ego ◽  
Group Regression ◽  
The Ideal

This article proposes a model of individual violent radicalisation leading to acts of terrorism. After reviewing the role of group regression and the creation of group psychic apparatus, the article will examine how violent radicalisation, by the reversal of the importance of the superego and the ideal ego, serves to compensate the narcissistic identity suffering by “lone wolf” terrorists.

The Moving Cause of Artefacts: the role of techne in metaphysical explanation

2019 ◽  
Vol 1 (1) ◽  
pp. 64-83
Author(s):  
Margaret Cameron
Keyword(s):  
Alternative Theory ◽  
Metaphysical Explanation ◽  
Efficient Cause ◽  
The Creation

The essence of artefacts is typically taken to be their function: they are defined in terms of the goals or aims of the artisans that make them. In this paper, an alternative theory is proposed that emphasizes, via a reconstruction of Aristotle's various comments about the nature of artefacts, the role of the moving, or efficient, cause of artefacts. This account shifts the emphasis to the role played by the investment of expertise into the creation (and subsequent being) of artefacts. It turns out that expertise is prior in being and prior in explanation to the function of artefacts, and thus plays the most fundamental role in the explanation of the ontology of artefacts.

The Role of Evaluative Tools in the Creation of the Memorial Media Portrait of Jacques Chirac (1932—2019)

2020 ◽  
pp. 97-110
Author(s):  
E. N. Mikhailova ◽  
V. A. Telegina
Keyword(s):  
Print Media ◽  
Political Elite ◽  
Systematic Analysis ◽  
Research Material ◽  
Political Orientations ◽  
Different Types ◽  
The Media ◽  
The Creation ◽  
Entire Text

The article is devoted to the study of evaluative tools used in modern French media in order to form the media image of a representative of the political elite. The techniques used in the creation of a memorial media portrait of Jacques Chirac (1932—2019), President of France from 1995 to 2007 are considered. The research material was the most prestigious French print media of various political orientations, published in late September — early October 2019 in connection with the death of the ex-President of the French Republic. The relevance of the research topic is dictated by the close attention of modern linguistics to axiological phenomena, differently presented in different types of discursive practices. The novelty of the study is due to the appeal to the analysis of the complex of evaluation tools used in the French print media when characterizing the former leader of the state during the nation’s farewell period. The estimated potential of the title of the article and its influence on the formation of the estimated vector of the entire text of the publication are shown. A systematic analysis of the assessment expression means, reflected in the memorial media portrait of the politician, is given. The factors that influenced the peculiarities of their use in this type of media portrait are revealed.

‘Langen Katresnan’ Video Animasi dengan Tema Ramayana Episode Penculikan Shinta

2014 ◽  
Author(s):  
Ika Yulianti
Keyword(s):  
Performing Arts ◽  
New Work ◽  
Two Dimensional ◽  
The Public ◽  
The Creation

Ramayana story has been widely known in Indonesian society since centuries ago. This story has been disseminated from generation to generation. The story is familiar to the public in the form of this kakawin often staged in the form of performing arts, dramatari, puppet performances, as well as in the form of puppet or sculpture. Ramayana story has a lot of episodes, but in the creation of this animated video work taking Shinta kidnapping episode. This animated video works explored the form of characters and stories, as well as collaborate with dance, heater and musical arts. Kidnapping of Shinta’s story became the basis of the principal narrative in the creation of animated video with the theme of Ramayana episode kidnapping Shinta ‘Langen Katresnan’ which then developed in accordance with the ideas and concepts. It also supports the creation of new work that promotes originality of the work. This animated video works using two-dimensional techniques. This is actually a reference to that puppet animation that was first recognized by earlier ancestors.Keywords: puppet, Ramayana, animation

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