World Experience and Lyric Poetry of the Late Silla and Early Goryeo Era

2021 ◽  
Vol 44 ◽  
pp. 5-32
Author(s):  
Bo-kyeong Kim
Keyword(s):  
Lyric Poetry

Der fliegende Pfeil

2010 ◽  
Vol 55 (1) ◽  
pp. 69-89
Author(s):  
Katharina Münchberg
Keyword(s):  
Lyric Poetry ◽  
Modern Art ◽  
Sensory Perception ◽  
Spatial Change ◽  
Modern Age ◽  
Time Space

Die Kunst der Moderne, insbesondere die Lyrik, entwickelt eine eigene ästhetische Konzeption der Bewegung, die mit der klassischen Vorstellung der Bewegung als räumlicher Veränderung eines Körpers in der Zeit bricht. Baudelaires À une Passante, Rimbauds Bateauivre und Paul Valérys Le Cimetière marin sind drei paradigmatische Texte der französischen Moderne, in denen Bewegung als zeiträumliches Kontinuum reflektiert und in der Dynamik der Sprache materialisiert wird. Die moderne Kunst, so erweist sich, ist selbst Bewegung und stiftet Bewegung. Sie wird zu einer Kunst des Werdens, nicht der Substanz, zu einer Kunst der reinen sinnlichen Wahrnehmung, nicht des Begriffes, zu einer Kunst der diskontinuierlichen Erlebnisse, nicht der Erfahrung.<br><br>The art of the modern age, particularly the lyric poetry, develops an own aesthetic conception of the movement which breaks with the classic idea of the movement as a spatial change of a body in time. Baudelaires À une Passante, Rimbauds Bateau ivre and Paul Valérys Le Cimetière Marin are three paradigmatic texts of the French modern age, in which movement is reflected as a time-space-continuum and materialized in the dynamic of language. Modern art is itself movement and causes movement. It becomes an art of the development, not sub- stance, an art of pure sensory perception, not concept, an art of discontinuous adventures, not experience.

Notes on How to Read the Song of Songs

2020 ◽  
Author(s):  
Я. Эйделькинд
Keyword(s):  
Old Testament ◽  
Gender Stereotypes ◽  
Cultural Context ◽  
Lyric Poetry ◽  
Song Of Songs ◽  
Widespread Belief ◽  
Female Voices ◽  
Speaking Voice

Эта статья содержит ряд соображений о том, как читать Песнь песней. Будучи сборником лирической поэзии, Песнь песней работает в первую очередь со звуком и не имеет сюжета. Важную роль играет принцип разнообразия и контраста. Серьёзный тон сменяется юмористическим, и наоборот. Гендерные стереотипы сохраняют свою силу в одних случаях, но подрываются в других. Сексуальная физиология, вопреки распространенному мнению, не находится на первом плане — гораздо важнее эмоции (факт, противоречащий как «духовным», так и «плотским» прочтениям). Отождествление читателя с лирическим голосом ведёт к субъективным интерпретациям. Последние вполне законны, пока не претендуют на то, чтобы быть единственно верными. Три контекста помогают понять Песнь песней: древний культурный контекст, более узкий контекст Ветхого Завета и контекст лирической традиции от древности до наших дней. This article is an attempt to formulate some principles of reading the Songs of Songs that would take into account its genre and poetic features. Being a collection of lyric poetry, the Song of Songs works primarily with sound and has no plot. An important role in its composition plays the principle of diversity and contrast. A serious tone gives place to a humorous one, and vice versa. Female voices alternate with male ones; gender stereotypes in some cases retain their power, but in others are subverted. Sexual physiology, contrary to a widespread belief, is not in the foreground — much more important are emotions. This fact belies both “spiritual” and “carnal” readings. The Song of Songs involves an identification of the reader with the lyrical speaking voice and provokes subjective interpretations. These are legitimate as long as they do not pretend to be the only true ones. Three contexts help to understand Song of Songs: ancient cultural context, a narrower Old Testament context and the context of the lyrical tradition from antiquity to the present day.

Noos precedes phren in Greek Lyric Poetry

1977 ◽  
Vol 46 (1) ◽  
pp. 41-51
Author(s):  
Shirley M. Darcus
Keyword(s):  
Lyric Poetry

Horace's Odes

2020 ◽  
Author(s):  
Richard Tarrant
Keyword(s):  
Subject Matter ◽  
Lyric Poetry ◽  
Latin Literature ◽  
Poetic Tradition ◽  
Roman World ◽  
Universal Themes

Horace’s body of lyric poetry, the Odes, is one of the greatest achievements of Latin literature and a foundational text for the Western poetic tradition. These 103 exquisitely crafted poems speak in a distinctive voice—usually detached, often ironic, always humane—reflecting on the changing Roman world that Horace lived in and also on more universal themes of friendship, love, and mortality. This book introduces readers to the Odes by situating them in the context of Horace’s career as a poet and by defining their relationship to earlier literature, Greek and Roman. Several poems have been freshly translated by the author; others appear in versions by Horace’s best modern translators. A number of poems are analyzed in detail, illustrating Horace’s range of subject matter and his characteristic techniques of form and structure. A substantial final chapter traces the reception of the Odes from Horace’s own time to the present. Readers of this book will gain an appreciation for the artistry of one of the finest lyric poets of all time.

Dandies and Decadents

2017 ◽  
Author(s):  
Catherine Maxwell
Keyword(s):  
Sexual Identity ◽  
Oscar Wilde ◽  
Lyric Poetry ◽  
Literary Texts ◽  
Dorian Gray ◽  
With Memory

This chapter examines the decadent olfactif as represented by Oscar Wilde and the poet and critic Arthur Symons, who understood how perfume helped shape their identities as dandies and sophisticated men about town, with both of them alluding to new synthetic scents. Wilde’s use of perfume as a sign of decadent sexual identity, explored in Dorian Gray, is rudely interrupted by his imprisonment in 1895, but the idea of perfume abides with him during his incarceration as an important ideal and consolation. In Symons’s poetry and prose strong or recognizable perfumes of the period are evoked for scrutiny or contemplation or permeate the memory, calling attention to themselves as markers of decadent modernity. For Symons, perfume identified with memory does not fade, an idea borne out by his critical appreciation of the perfume of particular literary texts, lyric poetry especially, and celebrated in his own verse.

Materialities of Political Commitment?

2018 ◽  
Author(s):  
David Fearn
Keyword(s):  
Material Culture ◽  
Lyric Poetry ◽  
Political Engagement ◽  
The Political ◽  
Political Commitment ◽  
Cultural Significance ◽  
Time And Space ◽  
Theoretical Perspectives

Eschewing historicist certainties, this chapter reassesses the political salience of Alcaeus’ lyric poetry by investigating his literary contribution to sympotic culture. Placing Alcaeus’ politically engaged voices within recent theoretical perspectives on deixis, ecphrasis, and the distinctiveness of lyric as a literary mode, the chapter argues that Alcaeus makes a systematic issue of the question of the accessibility of the contexts gestured towards, and in so doing opens up as an alluring prospect the idea of political engagement through literature. The literary and cultural significance of proverbial statements in Alcaeus is also discussed. Alcaeus’ lyric claims are felt across time and space via their special foregrounding of both material culture and political engagement, through performance and reception.

Introduction to Part Two

2018 ◽  
Author(s):  
Henry Spelman
Keyword(s):  
Literary History ◽  
Lyric Poetry ◽  
Present Understanding

This introduction announces the theme of the next three chapters: Pindar’s sense of literary history and specifically his use of other lyric poetry. Pindar capitalizes on his audiences’ familiarity with other lyric to an extent that has perhaps not yet been adequately recognized. His poems use related poetry to tell stories about themselves and their place in life. By examining different sorts of references and allusions across the corpus, one can discern a coherent view of the poetic world, both past and present. Understanding Pindar entails understanding an immanent literary history that reaches into and shapes his present. Methodological and historical questions of early Greek intertextuality are addressed.

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