scholarly journals Caracterización del estado de compactación de un suelo bajo siembra directa utilizando herramientas de geoestadística

Author(s):  
Javier Alejandro Grosso ◽  
Juan Manuel Ressia ◽  
Carlos Vicente Bongiorno ◽  
Gustavo Oscar Mendivil
Keyword(s):  

Caracterizar el grado de compactación de los suelos a partir del análisis de variables como densidad aparente y resistencia a la penetración permite detectar condiciones que podrían estar afectando el crecimiento de los cultivos. La geoestadística es una herramienta que ayuda a la interpretación de los datos obtenidos para ambas variables, utilizando modelos con los cuales se pueden realizar interpolaciones y confeccionar mapas zonificados a partir de puntos muestreados a campo. El objetivo del trabajo fue validar una metodología para identificar y delimitar zonas de diferente nivel de compactación del suelo en un lote agrícola, como herramienta para realizar un manejo diferencial del mismo. El lote bajo estudio se encuentra ubicado en el centro de la provincia de Buenos Aires y está destinado a agricultura continua bajo siembra directa. Las variables muestreadas para la caracterización fueron: resistencia a la penetración y densidad aparente, hasta una profundidad de 450 mm. Los mapas obtenidos por interpolación a través del método Kriging, muestran distintos estados de compactación del lote en estudio, con valores de resistencia a la penetración cercanos a 1,5 MPa y superiores en zonas de cabeceras, a partir de los 100 mm de profundidad. Por otra parte, a la misma profundidad, los valores de densidad aparente son superiores a 1,20g cm-3, alcanzando valores máximos de 1,41gcm-3, entre los 300-450 mm de profundidad. Ambas variables describen un riesgo por compactación para el crecimiento normal de las raíces, destacándose en los mapas de resistencia a la penetración zonas de cabeceras, fundamentalmente afectadas por el exceso de tráfico. La metodología utilizada permitió identificar zonas del lote con posible respuesta de los cultivos a la descompactación mecánica, brindando la posibilidad de realizar una labor zonificada.

1982 ◽  
Vol 99 ◽  
pp. 605-613
Author(s):  
P. S. Conti

Conti: One of the main conclusions of the Wolf-Rayet symposium in Buenos Aires was that Wolf-Rayet stars are evolutionary products of massive objects. Some questions:–Do hot helium-rich stars, that are not Wolf-Rayet stars, exist?–What about the stability of helium rich stars of large mass? We know a helium rich star of ∼40 MO. Has the stability something to do with the wind?–Ring nebulae and bubbles : this seems to be a much more common phenomenon than we thought of some years age.–What is the origin of the subtypes? This is important to find a possible matching of scenarios to subtypes.


1998 ◽  
Vol 26 (152) ◽  
pp. 576
Author(s):  
Oscar H. del Brutto Perrone ◽  
José Antonio Bueri ◽  
Antonio Culebras ◽  
Jordi Matías-Guiu Guía ◽  
Marco Tulio Medina Hernández ◽  
...  
Keyword(s):  

2018 ◽  
Vol 36 (2) ◽  
pp. 173-197
Author(s):  
Juliet McMains

This paper interrogates the history of same-sex dancing among women in Buenos Aires' tango scene, focusing on its increasing visibility since 2005. Two overlapping communities of women are invoked. Queer tangueras are queer-identified female tango dancers and their allies who dance tango in a way that attempts to de-link tango's two roles from gender. Rebellious wallflowers are women who practice, teach, perform, and dance with other women in predominantly straight environments. It is argued that the growing acceptance of same-sex dancing in Argentina is due to the confluence of four developments: 1) the rise of tango commerce, 2) innovations of tango nuevo, 3) changing laws and social norms around lesbian, gay, bisexual, and transgender rights, and 4) synergy between queer tango dancers and heterosexual women who are frustrated by the limits of tango's gender matrix. The author advocates for increased alliances between rebellious wallflowers and queer tangueras, who are often segregated from each other in Buenos Aires' commercial tango industry.


2017 ◽  
Vol 12 (2) ◽  
pp. 198-225
Author(s):  
Patricia Novillo-Corvalán

This article positions Pablo Neruda's poetry collection Residence on Earth I (written between 1925–1931 and published in 1933) as a ‘text in transit’ that allows us to trace the development of transnational modernist networks through the text's protracted physical journey from British colonial Ceylon (now Sri Lanka) to Madrid, and from José Ortega y Gasset's Revista de Occidente (The Western Review) to T. S. Eliot's The Criterion. By mapping the text's diasporic movement, I seek to reinterpret its complex composition process as part of an anti-imperialist commitment that proposes a form of aesthetic solidarity with artistic modernism in Ceylon, on the one hand, and as a vehicle through which to interrogate the reception and categorisation of Latin American writers and their cultural institutions in a British periodical such as The Criterion, on the other. I conclude with an examination of Neruda's idiosyncratic Spanish translation of Joyce's Chamber Music, which was published in the Buenos Aires little magazine Poesía in 1933, positing that this translation exercise takes to further lengths his decolonising views by giving new momentum to the long-standing question of Hiberno-Latin American relations.


Moreana ◽  
2005 ◽  
Vol 42 (Number 164) (4) ◽  
pp. 187-206
Author(s):  
Clare M. Murphy

The Thomas More Society of Buenos Aires begins or ends almost all its events by reciting in both English and Spanish a prayer written by More in the margins of his Book of Hours probably while he was a prisoner in the Tower of London. After a short history of what is called Thomas More’s Prayer Book, the author studies the prayer as a poem written in the form of a psalm according to the structure of Hebrew poetry, and looks at the poem’s content as a psalm of lament.


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