scholarly journals Stylistic Study of Gowijeh Qaleh’s Rock-Cut Tomb from Maragheh

2020 ◽  
Vol 7 (1) ◽  
pp. 113-122
Author(s):  
Saeid Sattarnejad ◽  
Samad Parvin ◽  
Maryam Mastalizadeh
Keyword(s):  
Water Storage ◽  
Cultural Factors ◽  
The Other ◽  
Ancient People ◽  
The World ◽  
Analytical Perspective ◽  
First Millennium ◽  
The One ◽  
The 19Th Century ◽  
The City

Rock architecture has a long history in Iran and all over the world, and many climatic, defensive, cultural factors have led to the emergence of architectural examples of this type. The chronology and usage of these works have always been discussed after the discovery of the rock works from Western Iran from the 19th century onwards. On the one hand, it can be said that the creators of these works have left a rather vague footprint of their time, making difficult the possibility of offering accurate and precise chronology and explaining usage for researchers and interested readers. On the other hand, due to the lack of knowledge and awareness of the beliefs of ancient people, some scholars have been mistaken in explaining the use and even the chronology of these works and sometimes, they presented different uses and chronologies for these works. Accordingly, such a mistake was made by a number of researchers in the city of Maragheh while explaining the use of Gowijeh Qaleh’s rock tomb by the use of water storage. For this purpose, this article examined Gowijeh Qaleh’s rock-cut tomb from an analytical perspective. Therefore, this work can be more confidently considered as a part of the first millennium BC, and it is referred to the culture of Urartu.

scholarly journals Presentation of the Dossier

Caminhando ◽  
2019 ◽  
Vol 24 (2) ◽  
pp. 19
Author(s):  
Matthias Grenzer - Translation of João Batista Ribeiro Santos
Keyword(s):  
Cultural Heritage ◽  
Theological Reflection ◽  
The Other ◽  
Ancient Israel ◽  
The World ◽  
History Of ◽  
First Millennium ◽  
The One ◽  
And Behavior ◽  
History Of Literature

The Pentateuch is a cultural heritage of Humanity. The world narrated in it belongs to the second millennium B.C., and the narratives, poems, and sets of laws contained therein were composed during the first six centuries of the first millennium B.C. On the one hand, by bringing together epic, lyrical, and legal poetry, the one hundred and eighty-seven chapters constitute, in the form of five books, a masterpiece in the history of literature. On the other hand, it is literature that proposes to cultivate memory, either in relation to the narrated world, or in view of the period of its composer, sometimes narrating, sometimes legislating, sometimes singing. Moreover, as literature aimed at history, the texts of the Pentateuch promote enormous theological reflection. The main goal seems to be to think God. Thus the first five books of the Jewish Bible and the Christian Bible, with their narrated models of faith and behavior, turned into poems and defined by legal formulations, became the foundational reference for the religion of ancient Israel, of which Judaism was born and, from the latter, Christianity. Also Jesus of Nazareth, in the four New Testament Gospels, is presented in relation to Abraham and Moses, and stands out as a unique teacher with regard to the laws contained in the Pentateuch.

Souster, Raymond (1921–2012)

2018 ◽  
Author(s):  
Conrad Scott
Keyword(s):  
Human Condition ◽  
The Other ◽  
Substantial Body ◽  
Founding Member ◽  
The World ◽  
The One ◽  
The City ◽  
Modern Era ◽  
The Human Condition

Raymond Holmes Souster has been described as a poet of place who invests Toronto, the city of his life-long residence, deeply into his writing. Having worked for some forty-five years at the downtown Canadian Imperial Bank of Commerce, Souster’s immersion in a particular place certainly informed his poetic output; however, Souster the poet also ponders the human condition. On the one hand, he writes from a basis of experience: the destruction of war and the changes imposed by the rise of the modern era. On the other, his work seeks out and highlights that which is still precious despite the weight of the world he feels. Moreover, he clearly values poetry as a salve to the cacophonous imposition of modernity, and continually encourages poetic development: in addition to his substantial body of work, he has supported Canadian poetry by editing several anthologies, and as a creator of Direction (editor 1943–6); a founder of Contact (editor 1952–4); an editor of Combustion (1957–60); and a founding member of the League of Canadian Poets (president 1967–71).

scholarly journals Eesti- ja Liivimaa libahundipärimus rahvapärase ontoloogia muutumise peegeldajana

Mäetagused ◽  
2021 ◽  
Vol 80 ◽  
pp. 71-88
Author(s):  
Merili Metsvahi ◽  
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Modern Society ◽  
17Th Century ◽  
Human Mind ◽  
The Other ◽  
Human Being ◽  
The World ◽  
The One ◽  
The 19Th Century

The article gives a short overview of the Estonian werewolf tradition in the 16th and 17th centuries and a glimpse into the 19th–20th-century werewolf beliefs. The image of werewolf of the earlier and later periods is compared. The differences between the images of these two periods are explained with the help of the approaches of Tim Ingold and Philipp Descola, which ground the changes in the worldview taking place together with the shift from the pre-modern society into modernity. The mental world of the 16th–17th-century Estonian and Livonian peasant did not encompass the category of nature, and the borders between the human being and the animal on the one side and organism and environment on the other side were not so rigid as they are in today’s people’s comprehension of the world. The ability to change into a wolf was seen as an added possibility of acquiring new experiences and benefits. As the popular ontology had changed by the second half of the 19th century – the human mind was raised into the ultimate position and the animal was comprehended as being inferior – the transformation of a man into an animal, if it was seriously taken at all, seemed to be strange and unnatural.

scholarly journals Roman Virtues in the Christian Context of St Augustine’s De Civitate Dei

2020 ◽  
Vol 4 (3) ◽  
pp. 62-75
Author(s):  
I. N. Buzykina
Keyword(s):  
Middle Ages ◽  
World History ◽  
Saint Augustine ◽  
Great Book ◽  
The Other ◽  
New Approach ◽  
The World ◽  
Roman Culture ◽  
The One ◽  
The City

The topic of this paper is the continuity of major religious, moral and ethical concepts of Roman culture in following periods. These are the virtues of the citizen, namely virtus, fides and pietas — which distinguish the Roman citizen as a brave warrior, honest magistrate and pious pater familias. The central one was the duty to the City. Some traces of this tradition can be observed in the most influental sources of the Christian Patristic period, although the very intention of morals has changed: res publica, a common/communal duty, was replaced by the adoration of God. With the view to a representative research, De Civitate Dei by Saint Augustine, the most famous Christian treatise dealing with the state, civic rights, state religion, authority etc. was analyzed. On the one hand, this great book provides multiple suitable illustrations for almost every feature of the continuity between the Ancient pagan culture and Christian intellectual one. On the other hand, it isn’t just a plain comparison of loci classici in pagan and Christian context, one can find the origins of a completely new approach to the world history, which had had an influence on minds of further generations of Christian theologians in Middle Ages and later periods.

scholarly journals Le Corbusier and the “Lection of the gondola”

2015 ◽  
Author(s):  
Alioscia Mozzato
Keyword(s):  
Le Corbusier ◽  
The Other ◽  
Spiritual Needs ◽  
Artistic Creation ◽  
Palabras Clave ◽  
The World ◽  
The One ◽  
The City

Abstract: In light of the reflections developed by Le Corbusier through the “oeuvre plastique” and his intense relationship with the city of Venice, the gondola became the paradigm of an "artistic creation" which, while having to bow to the principles of "utility" linked to the tangible world of the "machinist era" on the one hand, on the other met the expressive requirements of "beauty" connected to the spiritual needs of modern man. The encounter with the gondola describes this "duality" which pervades all the works of Le Corbusier always in search of a synthesis between "measure" and "lyricism", representing a "plastic manifestation" that points to some theoretical principles and foundations of artistic "action", outlined through the concept of “Outil”, the expression and instrument of a necessary "harmony" between mankind and the world. Resumen: A la luz de las reflexiones desarrolladas por Le Corbusier a través de la “obra plástica” y su intensa relación con la ciudad de Venecia, la góndola se convirtió en el paradigma de una "creación artística" que, si bien tiene que someterse, por un lado, a los principios de "utilidad" vinculados al mundo tangible de la "era mecánica", por otro lado cumplía los requisitos característicos de "belleza" relacionados con las necesidades espirituales del hombre moderno. El encuentro con la góndola describe esta "dualidad" que impregna toda la obra de Le Corbusier, siempre en busca de una síntesis entre "medida" y "lirismo", lo que representa una "manifestación plástica" que apunta a algunos de los principios teóricos y fundamentos de la "acción" artística perfilados a través del concepto de “Outil”, la expresión e instrumento de una necesaria "armonía" entre la humanidad y el mundo.  Keywords: Le Corbusier; Gondola; Venice; Plastique acoustique; Outil; Oeuvre plastique; L'angle droit. Palabras clave: Le Corbusier; Gondola; Venecia; Plástica acústica; Outil; Obra plástica; El ángulo recto. DOI: http://dx.doi.org/10.4995/LC2015.2015.794

Między poczuciem wyższości cywilizacyjnej a autoidentyfikacją, między rasą a narodem. Polska i Chiny w drugiej połowie XIX wieku

2018 ◽  
Vol 62 (3 (462)) ◽  
pp. 115-126
Author(s):  
Anna Kołos
Keyword(s):  
19Th Century ◽  
Ethnic Diversity ◽  
The Other ◽  
Social Darwinism ◽  
Colonial Policy ◽  
The World ◽  
Three Stages ◽  
The One ◽  
The 19Th Century ◽  
European Civilization

The article discusses, on the one hand, three stages of developing views about race and superiority of European civilization reflected in the second half of the 19th century in aggressive social-Darwinism of positivists, and on the other it confronts racial generalizations with nation-centered thinking, which played an extremely important role in identity discourse of the Poles. On the example of China and the Siberian-Chinese borderland, it can be noticed that perception of geography and the ethnic diversity in the world through the prism of great historiosophical and racial constructions is manifested in quite widespread adaptation of orientalizing language of the hegemon speaking about backwardness, lack of maturity for modernization and definite supremacy of Europe, while resistance to the oppression of the partitioners, and more broadly to the colonial policy of the European powers allows in Poland, contemptuously called Halb-Asien, like in the case of Indians and Boers, creating a kind of auto-colonial identification with the seemingly “exotic” nation.

scholarly journals Der Wienerwald. Die Großstadt und ihre Komplementärlandschaft

2021 ◽  
pp. 543-569
Author(s):  
Sándor Békési ◽  
Elke Doppler
Keyword(s):  
Political Institutions ◽  
The Other ◽  
Big City ◽  
The Alps ◽  
Collective Process ◽  
The Aesthetic ◽  
The One ◽  
The 19Th Century ◽  
Private Associations ◽  
The City

The Vienna Woods. The Big City and its Complementary Landscape. The Vienna Woods are on the one hand a region in the geographical sense, as the eastern foothills of the Alps, while on the other hand they are an imagined space, an ideal construct in interaction with the city of Vienna. In this paper, we examine under which conditions and in which way the Vienna Woods emerged as a landscape, as a culturally transformed and symbolically charged space. This shows that the aesthetic revaluation of the Vienna Woods area began around 1800, and that several symbolic connotations that have survived to this day were already established in the Biedermeier period. But the term “Wienerwald” did not establish itself until the middle of the 19th century, and underwent further political ideologization around 1900. Tourism, art and literature play a central role in this collective process of appropriation, as do political institutions and private associations. Overall, a complementary relationship between the region and the metropolis can be assumed.

Indonesian Literature’s Position in World Literature

TEKNOSASTIK ◽  
2018 ◽  
Vol 14 (2) ◽  
pp. 1
Author(s):  
Dina Amelia
Keyword(s):  
World Literature ◽  
The Other ◽  
National Literature ◽  
Western World ◽  
The World ◽  
The One ◽  
The Voice

There are two most inevitable issues on national literature, in this case Indonesian literature. First is the translation and the second is the standard of world literature. Can one speak for the other as a representative? Why is this representation matter? Does translation embody the voice of the represented? Without translation Indonesian literature cannot gain its recognition in world literature, yet, translation conveys the voice of other. In the case of production, publication, or distribution of Indonesian Literature to the world, translation works can be very beneficial. The position of Indonesian literature is as a part of world literature. The concept that the Western world should be the one who represent the subaltern can be overcome as long as the subaltern performs as the active speaker. If the subaltern remains silent then it means it allows the “representation” by the Western.

STUDY OF ORNAMENTS IN HUNTO SULTAN AMAY MOSQUE GORONTALO

ARTic ◽  
2019 ◽  
Vol 4 ◽  
pp. 167-176
Author(s):  
Risti Puspita Sari Hunowu
Keyword(s):  
Qualitative Method ◽  
The Other ◽  
Visual Form ◽  
Research Material ◽  
Other Hand ◽  
The World ◽  
Existing Form ◽  
The City ◽  
Dutch Colonial

This research is aimed at studying the Hunto Sultan Amay Mosque located in Gorontalo City. Hunto Sultan Amay Mosque is the oldest mosque in the city of Gorontalo The Hunto Sultan Amay Mosque was built as proof of Sultan Amay's love for a daughter and is a representation of Islam in Gorontalo. Researchers will investigate the visual form of the Hunto Sultan Amay Mosque which was originally like an ancient mosque in the archipelago. can be seen from the shape of the roof which initially used an overlapping roof and then converted into a dome as well as mosques in the world, we can be sure the Hunto Sultan Amay Mosque uses a dome roof after the arrival of Dutch Colonial. The researcher used a qualitative method by observing the existing form in detail from the building of the mosque with an aesthetic approach, reviewing objects and selecting the selected ornament giving a classification of the shapes, so that the section became a reference for the author as research material. Based on the analysis of this thesis, the form  of the Hunto Sultan Amay mosque as well as the mosques located in the archipelago and the existence of ornaments in the Hunto Sultan Amay Mosque as a decorative structure support the grandeur of a mosque. On the other hand, Hunto Mosque ornaments reveal a teaching. The form of a teaching is manifested in the form of motives and does not depict living beings in a realist or naturalist manner. the decorative forms of the Hunto Sultan Sultan Mosque in general tend to lead to a form of flora, geometric ornaments, and ornament of calligraphy dominated by the distinctive colors of Islam, namely gold, white, red, yellow and green.

On the nature of chemistry

2018 ◽  
Vol 10 (2) ◽  
pp. 74 ◽  
Author(s):  
Eric R. Scerri
Keyword(s):  
19Th Century ◽  
The Other ◽  
Recent History ◽  
History Of Chemistry ◽  
History Of ◽  
The One ◽  
Fundamental Unity ◽  
The 19Th Century

<span>The very nature of chemistry presents us with a tension. A tension between the exhilaration of diversity of substances and forms on the one hand and the safety of fundamental unity on the other. Even just the recent history of chemistry has been al1 about this tension, from the debates about Prout's hypothesis as to whether there is a primary matter in the 19th century to the more recent speculations as to whether computers will enable us to virtually dispense with experimental chemistry.</span>

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