scholarly journals National Integration and Language Nativization in Edward Brathwaite’s The Arrivants: A New World Trilogy

2019 ◽  
Vol 2 (3) ◽  
pp. 30-36
Author(s):  
Effumbe Kachua

Language as a means of communication, culturally denotes a vehicle for achieving ontological wholeness - a sense of connectedness and seamless relationship amongst individuals in a community; a means towards the creation of an essence in a people. Even though the Caribbean society is inherently culturally and politically disparate, cultural sociologist and linguists have sought to create the basis for unity through the medium of language. Despite the colonialist's seperatist policies in the Caribbean, language remains the most significant feature of ethnic identity. Edward (later called Kamau) Brathwaite's novel concept of 'Nation Language' is a linguistic initiative towards the achievement of the sense of cultural and political wholeness in a people. This study identifies and establishes the socio-cultural link that exemplifies the import of language as an indispensable tool of National integration.

Author(s):  
Keeley Wilson

In the late 1990s, after Nokia developed the first smartphone (the “Communicator”), executives became increasingly sensitive to the importance of operating systems, data communications, and multimedia. It was also becoming clear that more complex business models would be needed to tap in to new opportunities. This chapter describes and analyzes how Nokia managed this transformation. It describes the development of the Communicator smartphone, the establishment of the Symbian OS, and the creation of an innovative camera phone. As the nature of the industry was changing and becoming more complex, it also looks at how Nokia responded by engaging with a wider ecosystem to develop the visual radio concept. These examples highlight the challenges that the new world of software platforms and application ecosystems raised for Nokia.


Author(s):  
Bonnie Effros

The excavation of Merovingian-period cemeteries in France began in earnest in the 1830s spurred by industrialization, the creation of many new antiquarian societies across the country, and French nationalism. However, the professionalization of the discipline of archaeology occurred slowly due to the lack of formal training in France, weak legal protections for antiquities, and insufficient state funding for archaeological endeavors. This chapter identifies the implications of the central place occupied by cemeterial excavations up until the mid-twentieth century and its impact on broader discussions in France of national origins and ethnic identity. In more recent years, with the creation of archaeological agencies such as Afan and Inrap, the central place once occupied by grave remains has been diminished. Rescue excavations and private funding for new structures have brought about a shift to other priorities and research questions, with both positive and negative consequences, though cemeteries remain an important source of evidence for our understanding of Merovingian society.


1998 ◽  
Vol 23 (2) ◽  
pp. 46-48
Author(s):  
Chris Goddard

Translating great novels to the small or large screen inevitably involves the loss of some of the insights gained from the written word and the creation of a new world. Some novels appear to be written with screen translations in mind. Others appear to be impossible to translate. In this article The Kiss, by Kathryn Harrison, is reviewed. The book provides beautifully written insights into the painful world of emotional and psychological child abuse, anorexia and bulimia. There are other important messages in the work, not the least being those that we can learn about the isolation that an abused child can suffer. Such abuse can prepare (or groom) children for later abuse as an adult.


Zootaxa ◽  
2021 ◽  
Vol 4938 (1) ◽  
pp. 145-147
Author(s):  
RUDOLF H. SCHEFFRAHN

Cryptotermes Banks, 1906 is the third most diverse kalotermitid genus worldwide after Glyptotermes Froggatt, 1897 and Neotermes Holmgren, 1911, with its greatest diversity found in the Neotropics (Krishna et al. 2013a). Furthermore, the greatest number of species of Cryptotermes are known from the Caribbean Basin (Scheffrahn & Křeček 1999, Casala et al. 2016, Scheffrahn 2019). Although Araujo (1977) and Bacchus (1987) list Cryptotermes domesticus (Haviland, 1898) from Trinidad (treated as mainland) and Panama, respectively, Scheffrahn & Křeček (1999) and Scheffrahn et al. (2009) doubt the existence of this Asian species in the New World. Without C. domesticus, the total extant Neotropical diversity of Cryptotermes is 29 endemic and three exotic species (Constantino 2020). 


2007 ◽  
Vol 73 (21) ◽  
pp. 7114-7117 ◽  
Author(s):  
Siobain Duffy ◽  
Edward C. Holmes

ABSTRACT A phylogenetic analysis of three genomic regions revealed that Tomato yellow leaf curl virus (TYLCV) from western North America is distinct from TYLCV isolated in eastern North America and the Caribbean. This analysis supports a second introduction of this Old World begomovirus into the New World, most likely from Asia.


1991 ◽  
Vol 96 (3) ◽  
pp. 1002
Author(s):  
Hilary MCD. Beckles ◽  
Marietta Morrissey

2014 ◽  
Vol 6 (4) ◽  
pp. 857-872
Author(s):  
Marsha Pearce

In the Caribbean, the practice of getting dressed matters because it is a practice of attending to the body. Under a colonial regime, black bodies were ill-treated and selves were negated. Clothing played an instrumental role in the abuse of bodies and the stripping of a sense of wellbeing. Attire was one key way of demarcating master and slave and rendering some members of society null and void. Enslaved Africans, who were forcibly brought across the Atlantic to the New World, were considered chattel or commodities rather than people and clothes functioned in a way that reinforced that notion. Yet, dress became a strategy of subversion – of making chattel, property or ‘non-people’ look like people. The enslaved recognised that, through clothes, it was possible to look and feel free. Today that legacy remains. Clothing is seen not only as that which can make a people ‘look like people’ but also feel like people – clothing sets up a specific structure of feeling. This paper pivots on notions of looking and feeling like people while deploying Joanne Entwistle’s conceptual framework of dress as situated bodily practice. The article locates its investigation in the Caribbean, examining the philosophy and practice of Trinidadian clothing designer Robert Young. The article establishes him as a source of aesthetic therapeutic solutions in the Caribbean. It argues that his clothing designs produce a therapeutic discourse on the Black Caribbean body – a discourse, which facilitates a practice of getting dressed that gives a sense of agency, self-empowerment and psychic security even if that sense is embodied temporarily; lasting perhaps only as long as the garment is worn.


Author(s):  
José Luis González Quirós

ABSTRACTAs so often happens with the philosophy of Ortega, a beautiful metaphor serves as a solution to reconcile two versions in tension within his thought. First, Ortega is loyal to an image os the techniques as a creature of desire and as a generator of problems, to a conventional view of the technique than the majority of his contemporaries, the technique as discovery of the possibility, as the creation of a new world that is possible because the reality is revealed in its requirements as something broader and more complex, more seductive. The technique can be like the centaur Chiron, who was the master of the Greeks, wich leads us to a more complex understanding of the reality, of our being in it, and as such, a new philosophical way to seize what things are and can be, the meaning of our life.RESUMENComo tantas veces sucede con la filosofía de Ortega, una hermosa metáfora le sirve de solución de compromiso para compatibilizar dos versiones en tensión en el seno de su pensamiento. Por una parte, Ortega es fiel a una imagen de la técnica como criatura del deseo y como generadora de problemas, a una visión convencional de la técnica, pero, por otra parte, Ortega ha sido capaz de ver en la técnica unas dimensiones más amplias e interesantes que la de la generalidad de sus contemporáneos.


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