The Women Poets of Alawi-Bektashi Literature and Some Disputes

2020 ◽  
Vol 93 ◽  
pp. 111-142
Author(s):  
REYHAN KELES
Keyword(s):  
Women Poets

‘The well-known, old, but still unbeaten track’: Women Poets and Irish Periodical Culture in the Mid-Twentieth Century

2012 ◽  
Vol 42 (1) ◽  
pp. 32-52 ◽  
Author(s):  
Anne Mulhall
Keyword(s):  
Twentieth Century ◽  
Literary Culture ◽  
Woman Writer ◽  
Double Bind ◽  
Women Poets ◽  
Substantial Body ◽  
Growing Body ◽  
Critical Attention ◽  
Irish Women ◽  
Under Construction

While neglected Irish male poets of the mid century have seen some recuperation in recent decades, the work of Irish women poets still languishes in obscurity. A growing body of scholarship has identified the need to bring critical attention to bear on this substantial body of work. In this essay I explore the positioning of Irish women poets in mid-century periodical culture, to flesh out the ways in which the terms of this ‘forgetting’ are already established within the overwhelmingly masculinist homosocial suppositions and idioms that characterized contemporary debates about the proper lineage and aesthetic norms for the national literary culture that was then under construction. Within the terms set by those debates, the woman writer was caught in the double bind that afflicted any woman wishing to engage in a public, politicized forum in post-revolutionary Ireland. While women poets engage in sporadic or oblique terms with such literary and cultural debates, more often their voices are absent from these dominant discourses – the logic of this absence has continued in the occlusion of these women poets from the national poetic canon.

Women Poets and the Origin of the Greek Hexameter

Arion ◽  
2019 ◽  
Vol 27 (2) ◽  
pp. 85
Author(s):  
Connor
Keyword(s):  
Women Poets

Women Poets and the American Sublime.

1991 ◽  
Vol 63 (4) ◽  
pp. 751
Author(s):  
Margaret Dickie ◽  
Joanne Feit Diehl
Keyword(s):  
Women Poets

LYRICAL STUDIES

1999 ◽  
Vol 27 (2) ◽  
pp. 521-530 ◽  
Author(s):  
Virginia Jackson ◽  
Yopie Prins
Keyword(s):  
Nineteenth Century ◽  
Literary History ◽  
Women Poets ◽  
Victorian Poetry ◽  
Women's Poetry ◽  
Victorian Women ◽  
On Line ◽  
Late Twentieth ◽  
The 19Th Century ◽  
Victorian Women Poets

THE VICTORIAN POETESS has become as important a figure in the late twentieth century as she was in the late nineteenth — perhaps because she seems now, as then, to have lapsed into the obscurity of literary history. In recent years feminist critics have been interested in reclaiming a tradition of nineteenth-century popular poetesses whose verse circulated broadly on both sides of the Atlantic. A spate of new anthologies, annotated editions, and critical collections (as well as texts now available on-line) has reintroduced supposedly lost women poets into the canon of Victorian poetry. Indeed, this recovery is often predicated on a rhetoric of loss, as if only by losing women poets we can rediscover and read them anew. Thus in recent advertisements for such anthologies, we read that Victorian Women Poets (edited by Angela Leighton and Margaret Reynolds in 1995) “aims to recover the lost map of Victorian women’s poetry,” and British Women Poets of the 19th Century (edited by Margaret Higonnet in 1996) “restores the voices and reputations of these ‘lost’ artists”; likewise, the compendious Nineteenth-Century Women Poets (edited by Isobel Armstrong and Joseph Bristow with Cath Sharrock in 1996) “rediscovers rich and diverse female traditions.”

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