scholarly journals A Queer and Foreign State

2021 ◽  
Vol 25 (3-4) ◽  
pp. 29-53
Author(s):  
Maxine Savage

Since the year 2000, twenty Icelandic films have been produced which could be aptly grouped as LGBTQ+ or queer Icelandic cinema. This “queer turn” in Icelandic cinema emerges as the nation makes strides in advancing LGBTQ+ rights and as its demographics markedly shift, first-generation immigrants now comprising 12.6 per cent of the population. These changes have not occurred in a vacuum, and the films discussed in this article complicate the boundary between native and foreign, Icelandic and non-Icelandic, alongside their centering of queer characters and stories. In addition to narrative focus on coming-out and sexuality, many of the films within “Icelandic queer cinema” thematize race and ethnicity, often through the inclusion of foreign characters living and traveling in Iceland.This collection of films is thus well suited to exploring the interlocking national and sexual regulations which produce the Icelandic nation state. This article explores conceptions of the Icelandic nation state in two films that span Icelandic cinema’s “queer turn,” Baltasar Kormákur’s 101 Reykjavík (2000) and Ísold Uggadóttir’s Andið eðlilega (And Breathe Normally, 2018). In tracing representations of racialized otherness within these films and taking theoretical cues from critical race theory and queer of color critique, this article considers the ways in which race and ethnicity co-constitute categories of sex, gender, and sexual orientation. Ultimately, this article poses “Icelandic queer cinema” as a key site for the contemporary negotiation of the meaning of national and sexual belonging in Iceland.

Author(s):  
Shuzhen Huang

The discourse of coming out has historically served as an effective vehicle to build and sustain the LGBTQ movement in the United States. It has also been utilized as an empowering resource that enables queer people to establish a queer identity organized around self-awareness and self-expression. However, queer of color critique and transnational queer theory argue that the prevalent discourse of coming out is built on a particular kind of queer experience and geography, which is usually from the standpoint of White, middle-class men of urban U.S. citizenship and is rarely derived from the experience of queer people of color and non-Western queer subjects. Taking an intersectional perspective, Snorton interrogates the racialization of the closet and proposes a sexual politics of ignorance—opposed to the disclosure imperative in coming out discourse—as a tactic of ungovernability. Centering the experience of Russian American immigrants who are queer-identified, Fisher proposes a fluid and productive relationship between the “closeted” and the “out” sexuality that resists any fixed categorization. Focusing on the masking tactic deployed by local queer activists, Martin theorizes the model of xianshen, a local identity politics in Taiwan that questions the very conditions of visibility in dominant coming out discourse. As a decolonial response to the transnational circulation of coming out discourse, Chou delineates a “coming home” approach that emphasizes familial piety and harmony by reining in and concealing queer desires. Being cautious against the nationalist impulse in Chou’s works, Huang and Brouwer propose a “coming with” model to capture the struggles among Chinese queers to disidentify with the family institution. These alternative paradigms serve as epistemic tools that aim to revise understanding of queer resistance and queer relationality and help people to go beyond the imagination of coming out for a livable queer future.


Author(s):  
Robert McRuer

Disability studies is an interdisciplinary mode of inquiry that flourished beginning in the late 20th century. Disability studies challenges the singularity of dominant models of disability, particularly the medical model that would reduce disability to diagnosis, loss, or lack, and that would insist on cure as the only viable approach to apprehending disability. Disability studies pluralizes ways of thinking about disability, and bodily, mental, or behavioral atypicality in general; it simultaneously questions the ways in which able-bodiedness has been made to appear natural and universal. Disability studies is an analytic that attends to how disability and ability are represented in language and in a wide range of cultural texts, and it is particularly attuned to the ways in which power relations in a culture of normalization have generally subordinated disabled people, particularly in capitalist systems that demand productive and efficient laborers. Disability studies is actively intersectional, drawing on feminist theory, critical race theory, queer theory, and other analytics to consider how gender, race, sexuality, and disability are co-constitutive, always implicated in each other. Crip theory has emerged as a particular mode of doing disability studies that draws on the pride and defiance of crip culture, art, and activism, with crip itself marking both a reclamation of a term designed to wound or demean and as a marker of the fact that bodies and minds do not fit neatly within or beneath a historical able-bodied/disabled binary. “To crip,” as a critical process, entails recognizing how certain bodily and mental experiences have been made pathological, deviant, or perverse and how such experiences have subsequently been marginalized or invisibilized. Queer of color critique, which is arguably at the absolute center of the project of queer theory, shares a great deal with crip theory, as it consistently points outward to the relations of power that constitute and reconstitute the social. Queer of color critique focuses on processes of racialization and gendering that make certain groups perverse or pathological. Although the ways in which this queer of color project overlaps significantly with disability studies and crip theory have not always been acknowledged, vibrant modes of crip of color critique have emerged in the 21st century, making explicit the connections.


Author(s):  
Bain Attwood

This chapter focuses on historical writing in New Zealand and Australia, which has been transformed since 1945. In the 1950s and 1960s, as the number of academic historians increased exponentially and growing professionalization occurred, a project of constructing a progressive story of masculinist nation-making and nationalism became dominant, while in the 1970s and 1980s, a younger generation of historians—many of them women and first-generation Australians—challenged this triumphant nationalist story of self-realization as they embraced social and cultural history and their emphases on the differences of class, gender, sexuality, race, and ethnicity. There is one area in which historical writing in New Zealand and Australia has undoubtedly been distinctive, at least in terms of its public impact; namely, that concerning the pasts of the indigenous peoples. The chapter then looks at the historiography of aboriginal–settler relations in Australia and New Zealand.


Breast Care ◽  
2020 ◽  
pp. 1-7
Author(s):  
Elna Kuehnle ◽  
Wulf Siggelkow ◽  
Kristina Luebbe ◽  
Iris Schrader ◽  
Karl-Heinz Noeding ◽  
...  

<b><i>Background:</i></b> Although immigrant health is an important issue in national health policy, there is a serious shortage of data in many countries. Most studies lack information on educational status, which is a major limitation. This prospective cross-sectional study analyzed a real-world breast cancer population on the influence of immigration background and educational status on participation in breast cancer early detection programs in the federal state of Lower Saxony, Germany. <b><i>Methods:</i></b> Data collection was conducted from 2012 to 2016 in six certified breast cancer centers using a standardized questionnaire for patients’ interview and tumor-specific data from the patients’ medical records. <b><i>Results:</i></b> 2,145/3,047 primary breast cancer cases were analyzed. 17.5% of our patients had a history of immigration, including <i>n</i> = 202 first-generation immigrants and <i>n</i> = 168 second-generation immigrants. Most of them were citizens of EU27 member states. No significant difference was seen in age, tumor stage, histology, grading, Ki-67, Her2/neu-status, and hormone receptor status compared to the native cohort. 100% participation rate in the breast cancer early detection programs were seen in patients with no school graduation. With regards to the national mammography screening program, participation decreased significantly with educational status (<i>p</i> = 0.0003). <b><i>Conclusions:</i></b> No tumor biological differences were seen between immigrants and German natives. In first-generation immigrants, early detection programs were well accepted despite sociocultural and language differences. Participation rate decreased significantly with higher education levels irrespective of country of origin. Immigration background does not have a negative effect on the participation in breast cancer screening. This mainly relates to immigrants from EU27 member states.


2021 ◽  
Vol 123 (2) ◽  
pp. 1-42
Author(s):  
Elizabeth J. Meyer ◽  
Mary Quantz

Background/Context This is the first published systematic literature review with an exclusive focus on Title IX scholarship. This article aims to offer a holistic view of the existing knowledge base in this field presented in peer-reviewed scholarly publications. Purpose This review of the literature identifies key trends in this body of research and highlights strengths, as well as gaps and oversights, that future research should address. Research Design This descriptive literature review systematically collected 169 peer-reviewed articles to identify the conceptual boundaries of the field and the current gaps. Data Collection and Analysis Authors applied Booth, Sutton, and Papaioannou's SALSA approach (Search, AppraisaL, Synthesis, and Analysis) to this systematic review to identify and analyze the 169 articles included in the study. We applied an intersectional feminist lens and Queer of Color critique to the analysis of the included articles. Findings/Results Peer-reviewed scholarly publications on Title IX (169) have generally focused on analyses of legal decisions (93) and studies of athletics (75), with little attention to other aspects of the law. Most studies lacked intersectional analyses of how “sex discrimination” has been understood in K–12 and higher education contexts, which leaves experiences of students of color, transgender students, and LGBQ students missing from most of the scholarship in this field. Conclusions/Recommendations This review of the literature is intended to help scholars interested in issues of sex discrimination and gender equity in educational institutions in the United States have a clear overview of scholarship that already exists related to Title IX in order to ask more focused and critical questions about its impacts and implementation. More research is needed to understand the ways in which educational institutions interpret and apply their responsibilities under this law—particularly through the lenses of intersectional feminism and Queer of Color critique. Contemporary issues, including campus sexual assault, and the negative experiences documented about gay, lesbian, bisexual, and transgender students in schools underline the importance of staying current with Title IX, and the current body of literature indicates scant attention to collecting and analyzing data about this law's application in practice and implications for diverse groups of people.


2021 ◽  
Author(s):  
micha cárdenas

In Poetic Operations artist and theorist micha cárdenas considers contemporary digital media, artwork, and poetry in order to articulate trans of color strategies for safety and survival. Drawing on decolonial theory, women of color feminism, media theory, and queer of color critique, cárdenas develops a method she calls algorithmic analysis. Understanding algorithms as sets of instructions designed to perform specific tasks (like a recipe), she breaks them into their component parts, called operations. By focusing on these operations, cárdenas identifies how trans and gender-non-conforming artists, especially artists of color, rewrite algorithms to counter violence and develop strategies for liberation. In her analyses of Giuseppe Campuzano's holographic art, Esdras Parra's and Kai Cheng Thom's poetry, Mattie Brice's digital games, Janelle Monáe's music videos, and her own artistic practice, cárdenas shows how algorithmic analysis provides new modes of understanding the complex processes of identity and oppression and the intersection of gender, sexuality, and race.


2001 ◽  
Vol 22 (1/2) ◽  
pp. 39-71 ◽  
Author(s):  
Leif Husted ◽  
Helena Skyt Nielsen ◽  
Michael Rosholm ◽  
Nina Smith

2012 ◽  
Vol 47 (12) ◽  
pp. 1917-1927 ◽  
Author(s):  
Naoko Ide ◽  
Kairi Kõlves ◽  
Maria Cassaniti ◽  
Diego De Leo

Author(s):  
A. Stefanie Ruiz ◽  
Lili Wang ◽  
Femida Handy

This study investigates the association between the integration of first-generation immigrants and their volunteering. Using data from a Canadian national survey, we examine three dimensions of immigrant integration: professional, psychosocial and political. General volunteering is not significantly related to integration; however, there exists a relationship between the different dimensions of integration and where immigrants choose to volunteer. Thus, the relationship between the type and degree of immigrant integration and volunteering is nuanced; it matters where volunteering occurs.


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