scholarly journals Counter-Mapping through Digital Tools as an Approach to Urban History: Investigating the Spatial Condition of Activism

2021 ◽  
Vol 13 (16) ◽  
pp. 8904
Author(s):  
Mesut Dinler

Cultural heritage has a central role in sustainable development, and it has the potential to re-imagine more democratic cities. Yet, critical theory has framed cultural heritage not only as the material remains of the past, but also as a dynamic interaction of humans with their past that encompasses tangible and intangible entities. Thus, it is necessary to research these dynamics to understand the role of cultural heritage as a resource for sustainable development. In this context, the main research question of this article is: “How does heritage is shaped and managed by the ‘present’? Can we understand this process through the opportunities of digital humanities?”. To confront this question, the research adapts the counter-mapping methodology with the digital humanities perspective focusing on the urban protest movements that took place in the historic areas of Istanbul throughout the 1960s. It is seen that the spatial pattern of these movements was the result of the urban operations of the 1950s. In the 1950s, an autocratic government shaped the urban space and redefined the urban heritage to concentrate more power. However, in the 1960s, workers and students used the very same spaces and again redefined the urban heritage by exercising their social rights. Based on these results, the main conclusion is that for revealing the full potential of cultural heritage in sustainable development, it is necessary to deepen our knowledge on how heritage operates in a society, considering that heritage changes meaning depending on the socio-political context of the period.

2021 ◽  
Author(s):  
◽  
Nazima Parveen

<p>The thesis investigates community-space relationship in colonial and post-colonial Delhi. Examining the process of identification, demarcation, organization and/or re-organization of space on the basis of religious demographics, the study questions the dominant imagination of ‘Muslim space’ as an objective, homogenous and permanent category. The research relies on extensive use of archival sources from national and local government, Urdu, Hindi and English-language newspaper reports and oral history interviews. The thesis particularly focuses on Shahjahanabad, that later became Old Delhi, to trace the story of the gradual transformation of caste/craft based shared community spaces into religion based ‘segregated’ pockets during the period of 1940-1977.  The study argues that the notion of communal space in Delhi is a product of a long historical process. The discourse of homeland and the realities of Partition not only demarcated space on religious lines but also established the notion of ‘Muslim dominated areas’ as being ‘exclusionary’ and ‘contested’ zones. These localities turned out to be those pockets where the dominant ideas of nation had to be engineered, materialized and practiced. Consequently, these localities were looked at differently over the period: in the 1940s, as ‘Muslim dominated’ areas that were to be administered for the sake of communal peace; in the 1950s, as ‘Muslim zones’ that needed to be ‘protected’; in the 1960s, as ‘isolated’ unhygienic cultural pockets that were to be cleaned and Indianized; and in the 1970s, as locations of ‘internal threat’ – the ‘Mini Pakistan(s)’ - that were to be dismantled.  The thesis starts with colonial Delhi where codification of cow slaughter practices; the demarcation of routes of religious processions; and the sectarian identification of residential wards, defined residential space and more specifically the electoral constituencies as ‘Hindu dominated’, ‘Muslim dominated’ or ‘mixed’ areas. The legal and administrative vocabulary that was deployed to establish such community-centric claims and counter-claims on urban space by political elite in the 1940s illuminates the ways in which a discourse of ‘homeland’ was gradually emerging in colonial and early post-colonial periods.  The thesis then moves on to the post-Partition period and explains the ways in which parallel imaginations of homeland, specifically the reconfigured idea of ‘Pakistan’, produced new imageries of communal space. It discusses the debates around ‘Muslim zones’, Muslim ‘refugee camps’ and ‘evacuee’ properties to unpack the issues of belongingness and identity of Delhi’s Muslims that termed Muslim dominated areas as ‘communally sensitive’ in the 1950s.  The thesis then explores the controversies around meat practice (its production, sale and consumption) in the 1960s -– to understand how an economic activity of slaughtering animals was turned into a ‘Muslim’ practice and placed in a binary opposition to selective Brahmanical vegetarianism claimed to be ‘Hindu’/ ‘Indian’ sensibilities. The consequent politics of space around Idgah slaughter-house, meat shops and the locality of Qasabpura is investigated to make sense of the contest over Muslim localities.  Finally, the ‘operation urbanization’ of the 1970s focusing on the re-organization of city space and communities through redevelopment, resettlement and population control is scrutinized. The thesis examines local politics and administrative policies to see how the authorities zeroed in to end Muslim ‘segregation’ through forced clearance and sterilization in Jama Masjid and Turkman Gate areas during the National Emergency (1975-77).  The study thus seeks to show that ‘Muslim localities’ are discursively constituted political entities that may or may not correspond to the actual demographic configuration of any administrative urban unit.</p>


2021 ◽  
pp. 57-63
Author(s):  
Viana Hassan ◽  
Miloš Zrnić

Slow tourism is one of the new trending concepts that bring the concept of slowness into tourism practices in the way that tourists appreciate local food, culture, heritage, and sustainability. Destinations adopting principles of slow tourism tau reduce the financial leakage of the suppliers and generate more income and employment to the locals. Thus, the case of "Moonlight farm and Resort at Barouk" area, is the core topic for this study to understand the relation between slow tourism, sustainable development and ecology, which has the roots in interest for locality, community, and green travel. The main research question is ,,How can slow tourism be a tool of sustainable development?". In order to answer this, a mixed-method approach was conducted through the use of two questionnaires addressed to tourists visiting "Moonlight farm " and residents in Barouk area. Additionally, an interview with the owner provided significant insight into the topic. The analysis of the results was beneficial in understanding the perceptions and motivations of tourists and helping promote slow tourism in this area.


This research shows the importance of Baghdad in the field of urban heritage and was demonstrated in Ibn al-Fiqh al-Hamdani's book Baghdad the City of Peace in which he focused on many urban aspects and reviewing its historical importance by connecting them with modern events and the role they play in cultural and civilized construction which included: mosques, schools and markets etc. and the service providing institutions and other pillars of the Islamic cities. Through showing the development back then and its importance as an integral part of the urban and cultural heritage of the Islamic cities in general and Baghdad city in particular. In his book Baghdad The City of Peace, Ibn al-Faqih Hamadhaani carried plenty of data about Baghdad, in relevance to urban, civilized and intellectual life which included: feudalism, skylight and city gates, and other service centers that were abundant in the city, which formed in its content a part of the curriculum that was followed by him as the base he used as sporadic categories which had an effect in achieving sustainable development and building cultural bridges between nations in the intellectual field and to observe the development which the pillars mentioned in the book witnessed as these pillars represent an important link of the knowledge, communication and cultural formation links, these links are considered with benefits over the ages. This is one of the goals through which Ibn al-Fiqh al-Hamdani expressed the depth of that heritage, including its exploits and personalities, however its simplicity was placed in different classifications.


2021 ◽  
Author(s):  
◽  
Nazima Parveen

<p>The thesis investigates community-space relationship in colonial and post-colonial Delhi. Examining the process of identification, demarcation, organization and/or re-organization of space on the basis of religious demographics, the study questions the dominant imagination of ‘Muslim space’ as an objective, homogenous and permanent category. The research relies on extensive use of archival sources from national and local government, Urdu, Hindi and English-language newspaper reports and oral history interviews. The thesis particularly focuses on Shahjahanabad, that later became Old Delhi, to trace the story of the gradual transformation of caste/craft based shared community spaces into religion based ‘segregated’ pockets during the period of 1940-1977.  The study argues that the notion of communal space in Delhi is a product of a long historical process. The discourse of homeland and the realities of Partition not only demarcated space on religious lines but also established the notion of ‘Muslim dominated areas’ as being ‘exclusionary’ and ‘contested’ zones. These localities turned out to be those pockets where the dominant ideas of nation had to be engineered, materialized and practiced. Consequently, these localities were looked at differently over the period: in the 1940s, as ‘Muslim dominated’ areas that were to be administered for the sake of communal peace; in the 1950s, as ‘Muslim zones’ that needed to be ‘protected’; in the 1960s, as ‘isolated’ unhygienic cultural pockets that were to be cleaned and Indianized; and in the 1970s, as locations of ‘internal threat’ – the ‘Mini Pakistan(s)’ - that were to be dismantled.  The thesis starts with colonial Delhi where codification of cow slaughter practices; the demarcation of routes of religious processions; and the sectarian identification of residential wards, defined residential space and more specifically the electoral constituencies as ‘Hindu dominated’, ‘Muslim dominated’ or ‘mixed’ areas. The legal and administrative vocabulary that was deployed to establish such community-centric claims and counter-claims on urban space by political elite in the 1940s illuminates the ways in which a discourse of ‘homeland’ was gradually emerging in colonial and early post-colonial periods.  The thesis then moves on to the post-Partition period and explains the ways in which parallel imaginations of homeland, specifically the reconfigured idea of ‘Pakistan’, produced new imageries of communal space. It discusses the debates around ‘Muslim zones’, Muslim ‘refugee camps’ and ‘evacuee’ properties to unpack the issues of belongingness and identity of Delhi’s Muslims that termed Muslim dominated areas as ‘communally sensitive’ in the 1950s.  The thesis then explores the controversies around meat practice (its production, sale and consumption) in the 1960s -– to understand how an economic activity of slaughtering animals was turned into a ‘Muslim’ practice and placed in a binary opposition to selective Brahmanical vegetarianism claimed to be ‘Hindu’/ ‘Indian’ sensibilities. The consequent politics of space around Idgah slaughter-house, meat shops and the locality of Qasabpura is investigated to make sense of the contest over Muslim localities.  Finally, the ‘operation urbanization’ of the 1970s focusing on the re-organization of city space and communities through redevelopment, resettlement and population control is scrutinized. The thesis examines local politics and administrative policies to see how the authorities zeroed in to end Muslim ‘segregation’ through forced clearance and sterilization in Jama Masjid and Turkman Gate areas during the National Emergency (1975-77).  The study thus seeks to show that ‘Muslim localities’ are discursively constituted political entities that may or may not correspond to the actual demographic configuration of any administrative urban unit.</p>


2018 ◽  
Vol 16 (3) ◽  
pp. 449-463
Author(s):  
Ana Nikovic ◽  
Bozidar Manic

Serbia is characterized by a rich cultural heritage and cultural diversity, as well as by a developed system of protecting cultural property. The current trend is that of a constant increase of the number of registered cultural properties under protection. Urban settlements in Serbia are characterized by specific typological characteristics and recognizable architectural typologies that are valuable architectural heritage as well as an urban identity factor. Together, protected cultural property and architectural heritage belong to a wider concept of urban heritage in the sense comprised in the modern charters on the protection of cultural heritage (HUL). The primary starting point of the paper is that the law and plans in Serbia must become more sensitive to the context. In addition to protecting registered property, the protection of buildings and other structures that are not cultural heritage should also be introduced. However, current planning practice in Serbia does not sufficiently recognize cultural heritage in the wider sense of urban heritage, nor does it affirm it as an important resource for sustainable development. By analyzing the planning context, the problems and challenges in terms of institutional, legal and governance frameworks, as well as planning methodologies, can be identified. The paper is a contribution to the contextual analysis within the National Strategy for the Sustainable and Integral Urban Development of Serbia (currently developing within a wider team of experts), with the aim of affirming the cultural potential of Serbia and incorporating the topic of cultural heritage as a resource for sustainable development into Serbia?s development programs and projects.


Author(s):  
Samia Touati

Jassim Mohamed Zaini was a leading figure in the development of the fledgling Qatari art scene in the 1960s. Zaini was one of the few artists who witnessed the significant social and economic changes that Qatar underwent during the 1950s and 1960s, especially with the discovery of oil. To document his environment, Zaini resorted to realism to create works that depicted local and Gulf scenes, events and customs. However, Zaini did not confine his creativity to a given style or technique. He engaged with various styles including abstraction, Expressionism, Cubism, Impressionism, and Surrealism to highlight aspects of his subjects and the themes of identity and cultural heritage. Zaini exhibited widely, both locally and in the Middle East and North Africa. He was awarded a certificate of honor in the Arab Artists exhibitions in 1985, the Museum Award for GCC countries Riyadh in 2007, and the Qatar Gratitude Reward in Science, Art and Literacy, Doha. Following his death, a retrospective exhibit titled Jassim Zaini was held at the main activities hall at the Cultural Tower under the auspices and presence of His Excellency Dr Hamad Bin Abdulaziz Al Kuwari, Minister of Culture, Arts and Heritage, on 24 December 2013.


Energies ◽  
2021 ◽  
Vol 14 (15) ◽  
pp. 4592
Author(s):  
Tomasz L. Nawrocki ◽  
Danuta Szwajca

In recent years, corporate involvement in CSR has become increasingly important and appreciated in the context of the ideas and assumptions regarding sustainable development. Due to the specificity of the energy sector, its particular impact on the environment, the living conditions of the population, and the social involvement of energy companies is particularly desirable, therefore it is observed and assessed by many stakeholder groups. The aim of this article is to assess the CSR commitment of Polish energy companies listed on the Warsaw Stock Exchange. The assessment was based on the proposed indicator model, based on the data published in the annual reports of the companies. The study uses data from the years 2016–2020. The main research question is as follows: What is the engagement in CSR activities of six Polish energy companies towards contractors, investors, employees, society, and the environment? The obtained results show that the investigated energy companies present a similar average level of engagement in CSR activities. The highest level of involvement concerns the area of contractors and the lowest levels relate to the donors of capital and the environment.


Author(s):  
Snizhana Zhyhun

The relevance of the study is due to the underestimation of the influence of entertainment literature on the formation of ideas about the world in the reader. Therefore, the purpose of the presented article is to demonstrate how the spatial structures of the Soviet detective determine the creation of values, forming collective strategies. The subject of research is the ratio of the foreign and Soviet spaces, as well as local space and imperial space, which was the Soviet one. The main research method is structuralist analysis, and the interpretation of the results obtained with its help was made in the context of the ideas of postcolonial criticism. It defines the novelty of the study, which is to consider the detective texts of the Soviet period as carriers of not only political ideology but also a colonial view. As a result of the research it is found out that modeling of space in the Ukrainian detective story of the 1950s–1980s is defined by a ratio of world and imperial spaces, provided with ethical estimates as well as imperial and local spaces which create the system of knowledge of the world. At the same time, the space of the Ukrainian detective story of this period is significantly narrowed if compared with the detective of the 1920s or the Russian detective of the 1950s–1980s. The described space is often devoid of national features or they are not focused. Instead, attention is focused on the achievements of the power: construction of new buildings, re-equipment of old ones, industrial facilities. The “entertaining” text fixed the replicated by mass media narrative of the civilization mission of the Soviet power and its successes. The urban space is usually determined by production and trade, often illegal. And it is the trade that becomes the core of the image of Moscow, the capital of the Union. There is a hidden rejection of the metropolis in its representation as a center of stolen things selling to foreigners. But the image of Kyiv as an averaged “regional center demonstrates colonial mimicry and assimilation strategy. The space mystification, characteristic of texts about crimes with ideological mechanics, destroyed the association of responsibility for them with specific cities. Instead, memory places accentuated the losses incurred in the fight against the external enemy, and raised the emotional value of the Ukrainian SSR within the Union. Thus, the analyzed texts demonstrate unambiguous relations between the world and the empire, and complex relations between the empire and the colony. In the prospect of research it is advisable to compare the image of space in Russian detectives (metropolitan and regional authors), as well as in detectives of other republics and countries of the Warsaw Pact.


2019 ◽  
Vol 11 (9) ◽  
pp. 2669 ◽  
Author(s):  
Mladen Obad Šćitaroci ◽  
Bojana Bojanić Obad Šćitaroci

Heritage urbanism considers the revitalization and enhancement of cultural heritage in spatial, urban, and landscape contexts, and it explores models for its inclusion in contemporary life. The main research question is whether it is possible, based on a number of case studies, to recognize models of the future use of heritage and interpret them as general models that may be applied to numerous specific cases. In doing so, the experience of the past becomes relevant and applicable to contemporary heritage revitalization and enhancement projects. The goal of the paper is to present Heritage Urbanism approach as an integral view of heritage in line with the ideas of sustainable development. Heritage is not viewed as isolated objects but rather as part of the immediate and wider environment. The context/environment affects heritage and its revival, while finding new uses and repurposing heritage has a stimulating effect on the environment and its development. The effects of this interaction can make heritage recognisable and can stimulate its sustainability. The survival and future of heritage are linked to urban and spatial planning, which takes into account the integrity of space and the cultural heritage in it. Urban and spatial planning methods are used. When these methods are enriched by the heritage urbanism approach, the result is the creation of specific methods that supplement well-known methods. In this context, cultural heritage can be used for place branding, infrastructure development, as a crucial element of urban design, or in other ways that aim to achieve an integral view of cultural heritage. The integral view requires the concerted action of different fields, such as regional development, the economy, tourism, transportation, and infrastructure. A fragmented and selective approach does not yield results.


Author(s):  
Diana Jacobsson

This article examines sustainable development discourses while addressing the unsustainable structures within which these discourses take place. The main research question concerns how sustainability is understood in relation to class and capitalism and what ideologies are expressed as neutral in the anodyne context of public information. Critical discourse analysis is applied as a method to examine how sustainable development is shaped through the construction of problems, responsibilities and solutions in a Swedish municipal magazine. The analysis reveals two parallel constructions: hyper-politicised discourses about free enterprise and a trivialisation of discourses about socio-economic challenges. Texts about social care and social responsibility are represented in the form of banal politics, transforming conflict into consensus, while stories about the business sector rely heavily on market rationales stressing the importance of political intervention to increase the attractive power of entrepreneurialism. Taking Critical Theory as its starting point, the analysis discusses the neoliberal paradox, namely that in the neoliberal political regime, despite the rhetoric of individualism and freedom, the role of the state is to support private enterprises. The article argues that the role of communication needs further analytical attention to increase our understanding of how sustainability is shaped and established in mainstream public discourse. It concludes that the specific communication practice examined here promotes neoliberal capitalism by encouraging the continued unsustainable class structuring of our society.


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