scholarly journals Photovoltaic BIPV Systems and Architectural Heritage: New Balance between Conservation and Transformation. An Assessment Method for Heritage Values Compatibility and Energy Benefits of Interventions

2021 ◽  
Vol 13 (9) ◽  
pp. 5107
Author(s):  
Cristina S. Polo López ◽  
Floriana Troia ◽  
Francesco Nocera
Keyword(s):  
Case Studies ◽  
Complete Information ◽  
Assessment Method ◽  
Architectural Heritage ◽  
Historical Building ◽  
Improve Energy Efficiency ◽  
Building Integrated Photovoltaic ◽  
Architectural Language ◽  
Guidance Documents ◽  
The Aesthetic

This paper proposes to identify an approach methodology for the incorporation of building-integrated photovoltaic systems (BIPV) in existing architectural heritage, considering regulatory, conservation and energy aspects. The main objective is to provide information about guidance criteria related to the integration of BIPV in historical buildings and about intervention methods. That will be followed by the development of useful data to reorient and update the guidelines and guidance documents, both for the design approach and for the evaluation of potential future interventions. The research methodology includes a categorization and analysis of European and Swiss case studies, taking into account the state of preservation of the building before the intervention, the data of the applied photovoltaic technology and the aesthetic and energy contribution of the intervention. The result, in the form of graphic schedules, provides complete information for a real evaluation of the analyzed case studies and of the BIPV technological system used in historical contexts. This research promotes a conscious BIPV as a real opportunity to use technology and a contemporary architectural language capable of dialoguing with pre-existing buildings to significantly improve energy efficiency and determine a new value system for the historical building and its environment.

Modernism and Non-Translation

2019 ◽  
Keyword(s):  
Case Studies ◽  
James Joyce ◽  
Ezra Pound ◽  
Modernist Literature ◽  
Cultural Implications ◽  
The Rich ◽  
The Aesthetic ◽  
Reading Key ◽  
Modernist Fiction ◽  
Selection Of

Modernism and Non-Translation proposes a new way of reading key modernist texts, including the work of canonical figures such as T. S. Eliot, James Joyce, and Ezra Pound. The topic of this book is the incorporation of untranslated fragments from various languages within modernist writing. It explores non-translation in modernist fiction, poetry, and other forms, with a principally European focus. The intention is to begin to answer a question that demands collective expertise: what are the aesthetic and cultural implications of non-translation for modernist literature? How did non-translation shape the poetics, and cultural politics, of some of the most important writers of this period? Twelve essays by leading scholars of modernism explore American, British, and Irish texts, alongside major French and German writers, and the wider modernist recovery of Classical languages. They explore non-translation from the dual perspectives of both ‘insider’ and ‘outsider’, unsettling that false opposition, and articulating in the process their individuality of expression and experience. The range explored indicates something of the reach and vitality of the matter of translation—and specifically non-translation—across a selection of poetry, fiction, and non-fictional prose, while focusing on mainly canonical voices. Offering a series of case studies, the volume aims to encourage further exploration of connections across languages and among writers. Together, the collection seeks to provoke and extend debate on the aesthetic, cultural, political, and conceptual dimensions of non-translation as an important yet hitherto neglected facet of modernism, helping to redefine our understanding of that movement. It demonstrates the rich possibilities of reading modernism through instances of non-translation.

scholarly journals 'Always think of the objects': Ekphrasis as aesthetics in the contemporary novel

2021 ◽  
Author(s):  
◽  
Lucy Eleanor Alston
Keyword(s):  
Critical Theory ◽  
Case Studies ◽  
Final Section ◽  
Critical Discourse ◽  
The Novel ◽  
Infinite Jest ◽  
Contemporary Novel ◽  
Critical Attention ◽  
The Aesthetic ◽  
Temporal Qualities

<p>It is a commonplace that ekphrasis – the description in literature of a visual work of art – brings to the fore questions of representation and reference. Such questions are particularly associated with the ‘postmodern’; ekphrasis is thus often subsumed under the category of metafiction. There has been little critical attention, however, to how the ekphrastic mode might be understood in aesthetic terms. This thesis considers the nature of ekphrasis’s referential capacity, but expands on this to suggest a number of ways in which the ekphrastic mode evinces the aesthetic and ontological assumptions upon which a text is predicated. Two case studies illustrate how the ekphrastic mode can be figured to different effect. In comparing these two novels, this thesis argues that the ekphrastic mode makes clear the particular subject-object relations expressed by each. If Lukács is correct in asserting that the novel mode expresses a discrepancy between ‘the conventionality of the objective world and the interiority of the subjective one’, ekphrasis provides a fruitful but under-explored avenue for critical inquiry because, as a mode, it is situated at the point at which subject and object must converge. The first chapter of this thesis is concerned with Ben Lerner’s Leaving the Atocha Station (2011), a novel that includes both traditional ekphrastic descriptions and embedded photographs and references to critical theory that function ekphrastically. David Foster Wallace’s Infinite Jest (1996) provides a contrast: the novel makes continued reference to film – a medium defined by its temporal qualities – but as used in the novel the ekphrastic mode implies a fixed, ahistorical schema. The implications that such differences have on the novel mode and critical discourse are explored in the final section of the thesis.</p>

Beyond Rhetoric

2021 ◽  
pp. 322-364
Author(s):  
Danuta Mirka
Keyword(s):  
Eighteenth Century ◽  
Case Studies ◽  
String Quartets ◽  
Musical Form ◽  
The Aesthetic ◽  
Multiple Agency

The chapter starts with the discussion of the aesthetic category of “humorous music,” which emerged in the last decade of the eighteenth century, and links it to the theory of multiple agency, proposed by Edward Klorman (2016). There follow two case studies of hypermetric manipulations in the first movements of Haydn’s string quartets Op. 50 No. 3 and Op. 64 No. 1. These analyses reveal how such manipulations act in concert with ingenious deployment of musical topics and contrapuntal-harmonic schemata, and how they affect musical form. The chapter closes with remarks about the role of the first violinist in Haydn’s string quartets.

Introduction

2020 ◽  
pp. 1-21
Author(s):  
Samantha Matthews
Keyword(s):  
Case Studies ◽  
Virginia Woolf ◽  
Women Poets ◽  
Poetic Language ◽  
Social Spaces ◽  
Gender Hierarchy ◽  
Cultural Interest ◽  
The Aesthetic ◽  
Key Terms

Virginia Woolf dismissed Byron’s early poetry as ‘album stuff’ and critics have assumed album poetry is inherently unoriginal and imitative. The introduction challenges these received ideas by laying out the aesthetic and cultural interest of this neglected hybrid, protean form designed to be read and circulated in manuscript, and which developed its own poetic language, generic conventions, and common themes. Writers of album poetry range from canonical Romantic poets, women poets, society poets, to amateurs, and albums create social spaces where different views of gender, hierarchy, and poetry clash. ‘Albo-mania’ has been seen as a phenomenon of the 1820s. The introduction traces the fashion’s origins in the 1780s, defines and contextualizes key terms ‘album verse’ and ‘album’, while analysis of Byron’s ‘Written in an Album’ (1812) lays out the characteristics and creative possibilities of album poetry examined in the six case studies which follow.

Fantasies of Improvisation

2018 ◽  
Author(s):  
Dana Gooley
Keyword(s):  
Case Studies ◽  
Franz Liszt ◽  
Primary Sources ◽  
Robert Schumann ◽  
Ethical Values ◽  
Perfect Performance ◽  
Carl Loewe ◽  
History Of ◽  
Central Argument ◽  
The Aesthetic

This book is the first history of keyboard improvisation in European music in the postclassical and romantic periods (c. 1815–1870). Grounded in primary sources, it documents practices of improvisation on the piano and the organ, with a particular emphasis on free fantasies and other forms of free playing. Case studies of performers such as Abbé Vogler, J. N. Hummel, Ignaz Moscheles, Robert Schumann, Carl Loewe, and Franz Liszt describe in detail the motives, intentions, and musical styles of the nineteenth century’s leading improvisers. The book further discusses the reception and valuation of improvisational performances by colleagues, audiences, and critics, which prompted many keyboardists to stop improvising. Its central argument is that amid the decline of improvisational practices in the first half of the nineteenth century there emerged a strong and influential “idea” of improvisation as an ideal or perfect performance. This idea, spawned and nourished by romanticism, preserved the aesthetic, social, and ethical values associated with improvisation, calling into question the supposed triumph of the “work.”

scholarly journals Three-Dimensional Thermal Mapping from IRT Images for Rapid Architectural Heritage NDT

Buildings ◽  
2020 ◽  
Vol 10 (10) ◽  
pp. 187
Author(s):  
Efstathios Adamopoulos ◽  
Monica Volinia ◽  
Mario Girotto ◽  
Fulvio Rinaudo
Keyword(s):  
Optical Sensors ◽  
Infrared Imaging ◽  
Low Cost ◽  
Three Dimensional ◽  
Cost Effective ◽  
Thermal Infrared ◽  
Architectural Heritage ◽  
Thermal Camera ◽  
Historical Building ◽  
Custom Made

Thermal infrared imaging is fundamental to architectural heritage non-destructive diagnostics. However, thermal sensors’ low spatial resolution allows capturing only very localized phenomena. At the same time, thermal images are commonly collected with independence of geometry, meaning that no measurements can be performed on them. Occasionally, these issues have been solved with various approaches integrating multi-sensor instrumentation, resulting in high costs and computational times. The presented work aims at tackling these problems by proposing a workflow for cost-effective three-dimensional thermographic modeling using a thermal camera and a consumer-grade RGB camera. The discussed approach exploits the RGB spectrum images captured with the optical sensor of the thermal camera and image-based multi-view stereo techniques to reconstruct architectural features’ geometry. The thermal and optical sensors are calibrated employing custom-made low-cost targets. Subsequently, the necessary geometric transformations between undistorted thermal infrared and optical images are calculated to replace them in the photogrammetric scene and map the models with thermal texture. The method’s metric accuracy is evaluated by conducting comparisons with different sensors and the efficiency by assessing how the results can assist the better interpretation of the present thermal phenomena. The conducted application demonstrates the metric and radiometric performance of the proposed approach and the straightforward implementability for thermographic surveys, as well as its usefulness for cost-effective historical building assessments.

scholarly journals Digital storymaking: Dramatherapy with young people online

Dramatherapy ◽  
2019 ◽  
Vol 40 (1) ◽  
pp. 28-40
Author(s):  
Alyssa Millbrook
Keyword(s):  
Young People ◽  
Case Studies ◽  
Current Literature ◽  
Assessment Method ◽  
The Internet ◽  
Illustrative Case ◽  
Modern Life ◽  
Web Based ◽  
Digital Space ◽  
Mainstream School

The Internet has become thoroughly embedded into most aspects of modern life, and no one is more plugged-in than the youngest generations. With the aim of utilising the omnipresence of the digital space to therapeutic ends, this article examines the application of online storymaking interventions with adolescents. The young people discussed are quite isolated and high-need; they have self-excluded from mainstream school and are now pursuing education in an alternative online provision, where they also have access to therapy. Following an overview of the current literature on web-based therapies, this article offers two illustrative case studies in which a story-based dramatherapy intervention was delivered online. This will include an evaluation of the therapeutic work from the case studies using the BASIC Ph assessment method, as well as a broader discussion on the experience of working as a therapist online.

Introduction: Revisiting Civil Religion from an Aesthetic Point of View

2017 ◽  
Vol 10 (1-2) ◽  
pp. 1-15
Author(s):  
Anne Koch
Keyword(s):  
Social Integration ◽  
Case Studies ◽  
Civil Religion ◽  
Value Orientation ◽  
Point Of View ◽  
Special Issue ◽  
National Discourse ◽  
The Subject ◽  
The Aesthetic ◽  
Central Characters

This special issue enquires into aesthetic ways of newly creating or re-shaping and re-presenting civil religion and its central characters, symbols, or figures. Normally, civil religion addresses value-orientation and social integration. In addition to these features, the papers make the aesthetic performance of civil religion the subject of discussion. The reason for taking this path is the altered aesthetic circumstances of highly mediatised and consumerist societies. Before this backdrop, images, literary figurations, movie sequences, and brands in media, public and national discourse are examined in various case studies from Italy, Finland, the uk, France, the former gdr, and Switzerland. At the same time, the negotiation and aesthetic plausibility of aesthetic styles, pragmatic power, and particular media logics are evaluated. The concept of civil religion deserves this closer re-definition also with respect to past and recent (post-)secularisation and non-religion discourses. Hopefully, this multi-layered analysis of aesthetics and aesthetic pragmatics of civil religion will shed some light on the persistent appropriateness of the ‘civil religion’ concept and its capacity to be introduced into various methodological contexts in combination with the aesthetic perspective.

scholarly journals Attributing and Defining an Unbuilt 1859 Architectural Plan for the Site of Trogir’s Medieval Walls

Prostor ◽  
2021 ◽  
Vol 29 (2 (62)) ◽  
pp. 174-185
Author(s):  
Ana Šverko
Keyword(s):  
Nineteenth Century ◽  
Spatial Context ◽  
Architectural Heritage ◽  
Apartment Building ◽  
Ground Floor ◽  
Rental Property ◽  
Building Typology ◽  
Architectural Language ◽  
Commercial Spaces

This paper discusses the attribution of an anonymous and unbuilt 1859 plan for a four-storey apartment building with commercial spaces on the ground floor, located on the site of the old town walls in Trogir. It proposes Josip Slade as the architect of the plan, interpreting Slade’s architectural language and the development of his approach to architectural heritage. An analysis of the project in a historical socio-political and spatial context, moreover, supports the conclusion that this was intended as rental property, and this paper therefore offers insights into the first known example of the tenement housing building typology in the nineteenth-century Trogir

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