scholarly journals A Spatial–Temporal Analysis of Cultural and Creative Industries with Micro-Geographic Disaggregation

2020 ◽  
Vol 12 (16) ◽  
pp. 6376
Author(s):  
Iván Boal-San Miguel ◽  
Luis César Herrero-Prieto

Recent years have witnessed growing interest in studying the spatial distribution of cultural and creative industries (CCI), both for their contribution to economic development and for their impact on spatial planning and remodeling of urban structure. However, spatial interdependence and diffusion of agglomeration economies have not been explained enough so far, due to the use of aggregate spatial units. This paper examines CCI sector location patterns in Spain from a spatial–temporal perspective, using micro-geographic data and considering a new and hitherto unused territorial unit, districts, an intermediate demarcation between municipalities and provinces or regions. We used a geographic information system (GIS) analysis and spatial econometric techniques to study territorial distribution and spatial dependences. Results show that CCI are mainly concentrated in metropolitan areas, with spillover effects in adjacent districts, reflecting a non-contemporary spatial dependence process, whilst large territories are devoid of these effects. This reveals a new source of regional disparities, as CCI seems to follow technology gap models, triggering greater and more intense spatial imbalances wherever it appears. Policy implications regarding accountability resources and institutional coordination must be deduced.

2014 ◽  
Vol 11 ◽  
pp. 149-156 ◽  
Author(s):  
Maria Immacolata Simeon ◽  
Assunta Martone

Culture is a powerful and unique driver for economic and socio-cultural development. But in Italy nowadays the absence of systemic and integrated vision of cultural sector brings economical and social benefits which are non adequate to the fields potentiality. Starting from this premise, the paper focuses on the cultural sector in Italy and identifies a interpretative model of local development activated by culture, based on the relationships between heritage, intangible capital and cultural and creative industries. The model contributes to highlight from one hand the relationship between cultural sub-sectors, to the other hand the economic and cultural market spillovers that are determined within the cultural borders and in related sectors. In this perspective, the paper provides also guidelines and policy implications to operators and policy makers to support - through tangible and intangible cultural capital - the urban regeneration and development of the territories.


2002 ◽  
Vol 102 (1) ◽  
pp. 54-65 ◽  
Author(s):  
Stuart Cunningham

This paper presents a rationale for distinguishing between notions of cultural and creative industries which has implications for theory, industry and policy analysis. I do this from the standpoint of a researcher and analyst and also from a position of a corporate involvement in a substantial project to grow and diversify a regional economy through the development of its creative industries. This project is a ‘creative industries precinct’ in inner suburban Brisbane involving my university, Queensland University of Technology, the Queensland state government through its Department of State Development, a variety of industry players, and retail and property developers. There is theoretical purchase in distinguishing the two terms, in part to put further flesh on the bones of claims about the nature of the knowledge-based economy and its relation to culture and creativity. Shifts in the nature of the industries usually described by the terms also need to be captured effectively, as do different policy regimes that come into play as regulation of and support for cultural and creative industries.


2018 ◽  
Vol 9 (1) ◽  
pp. 46 ◽  
Author(s):  
Maoguo Wu ◽  
Qingshu Li

In the 1990s, the United States and some developed European countries began to focus on developing some emerging industries, such as the cultural and creative industries, which developed effectively with traditional industries and achieved great economic benefits. With the worldwide economic integration, as a developing country, China has gradually realized the importance of emerging industries in the 21st century. Cultural and creative industries have also attracted more attention and achieved rapid development in the past few years. However, cultural and creative industries in China are still in the early stage of development. Industrial investment and related facilities have not yet formed the scale. Besides, relevant industrial policies are constantly changing. Meanwhile, the speed of cultural and creative industries’ development and their impact on the economy vary greatly in different regions of China due to factors like the scale of industry-related talents and the level of scientific research, resulting in uncoordinated development of technical layout and unbalanced economic development. Therefore, it is imperative to study the relation between cultural and creative industries and regional economic development.This paper selects data of 31 provinces from 2003 to 2013 and forms spatial panel data set. Four types of spatial econometric models are utilized to assess the impact of cultural and creative industries on regional economic development in China. Empirical results show that there is a strong spatial autocorrelation among different regions’ economic development in China. The development of cultural and creative industries can effectively promote the development of the regional economy in many aspects. In particular, the economy in the Center and the East is affected more significantly by the development of cultural and creative industries. Cultivation and inflows of cultural and creative talents, expenditure of scientific research, support of government and construction of related facilities are important factors of improving regional economy. For the West, the development of cultural and creative industries has a certain hindrance to the regional economy and some more effective ways should be raised to improve the region’s economy. Finally, according to the empirical result, this paper puts forward corresponding policy implications for different cultural and creative industries and the economy in different regions.


2015 ◽  
Vol 34 (2) ◽  
pp. 7-27 ◽  
Author(s):  
Paulina Tomczak ◽  
Krzysztof Stachowiak

AbstractThe paper analyses spatial and locational aspects of cultural and creative industries (CCI) taking into consideration the internal heterogeneity of this group of activities. Emphasis is put on similarities and differences in those aspects found for the sector as a whole and for its individual branches. On the basis of the proposed criteria the paper tries to exemplify a set of CCI characteristics, on the one hand to highlight their diversity, and on the other, to select the best criteria for analysing spatial and locational aspects of CCIs. A detailed analysis of CCI location patterns and location factors is also carried out, and on this basis two groups of models of the spatial aspects of CCIs are proposed: those of CCI location and those of the range of CCI markets.


Sociology ◽  
2021 ◽  
pp. 003803852110083
Author(s):  
Mark McCormack ◽  
Liam Wignall

Drag performance has entered mainstream British culture and is gaining unprecedented appreciation and recognition, yet no sociological accounts of this transformation exist. Using an inductive analysis of in-depth interviews with 25 drag performers, alongside netnography of media and other public data, this article develops a sociological understanding of the mainstreaming of drag. There are two clear reasons for the success of drag. First, there is a pull towards drag: it is now seen as a viable career opportunity where performers receive fame rather than social stigma in a more inclusive social zeitgeist, even though the reality is more complex. Second, there is a push away from other creative and performing arts because heteronormative perspectives persist through typecasting and a continued professional stigma associated with drag. In calling for a sociology of drag, future avenues for research on contemporary drag are discussed, alongside the need for the sociology of cultural and creative industries to incorporate sexuality as both a subject and analytic lens.


2021 ◽  
pp. 135481662110211
Author(s):  
Honghong Liu ◽  
Ye Xiao ◽  
Bin Wang ◽  
Dianting Wu

This study applies the dynamic spatial Durbin model (SDM) to explore the direct and spillover effects of tourism development on economic growth from the perspective of domestic and inbound tourism. The results are compared with those from the static SDM. The results support the tourism-led-economic-growth hypothesis in China. Specifically, domestic tourism and inbound tourism play a significant role in stimulating local economic growth. However, the spatial spillover effect is limited to domestic tourism, and the spatial spillover effect of inbound tourism is not significant. Furthermore, the long-term effects are much greater than the short-term impact for both domestic and inbound tourism. Plausible explanations of these results are provided and policy implications are drawn.


Sensors ◽  
2021 ◽  
Vol 21 (9) ◽  
pp. 2898
Author(s):  
Milica Vujovic ◽  
Ishari Amarasinghe ◽  
Davinia Hernández-Leo

The role of the learning space is especially relevant in the application of active pedagogies, for example those involving collaborative activities. However, there is limited evidence informing learning design on the potential effects of collaborative learning spaces. In particular, there is a lack of studies generating evidence derived from temporal analyses of the influence of learning spaces on the collaborative learning process. The temporal analysis perspective has been shown to be essential in the analysis of collaboration processes, as it reveals the relationships between students’ actions. The aim of this study is to explore the potential of a temporal perspective to broaden understanding of the effects of table shape on collaboration when different group sizes and genders are considered. On-task actions such as explanation, discussion, non-verbal interaction, and interaction with physical artefacts were observed while students were engaged in engineering design tasks. Results suggest that table shape influences student behaviour when taking into account different group sizes and different genders.


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