scholarly journals A Study on the Public Landscape Order of Xinye Village

2019 ◽  
Vol 11 (3) ◽  
pp. 586
Author(s):  
Li Xu ◽  
Shang-chia Chiou

In the modernization process since China’s reform and liberalization, urban and village space design is reflected in the characteristics of Western cultures. The idea of Western space design has a profound influence on China, but the piecemeal individuation of art design, the disorderly public art modeling and concept, not only interferes with the aesthetic sense of urban and village public space itself, but also seriously affected the landscape order of public space. In fact, Chinese traditional settlement landscape excels in abundant landscape design and spatial sequence. This paper, using the methods of literature discussion, field research and spatial analysis, takes the typical traditional landscape settlement “Xinye Village” (新葉村) in the south of the Yangtze River as an example, and explores its public landscape order as a whole, and finds its spatial structure based on the “Five Elements and Nine Divisions (五行九宮)” cultural schemata. In the process of development, it has experienced the competition of public space, thus forming a stable and sustainable spatial order form. The purpose is to explore the cultural schema of the public landscape from the traditional Chinese settlement, and to put forward the possibility of “constructing the public landscape order based on culture” in future urban and village landscape design.

2018 ◽  
Vol 227 ◽  
pp. 03008
Author(s):  
Han Zang ◽  
Yong-gang An ◽  
Xiaolin Pang

Under the background of the rise of the national theme park, the design connotation of the theme park, the scientific planning of landscape design and the design of the surrounding environment make the theme park more suitable for the aesthetics of tourists, enhance the satisfaction of tourists, and then improve the theme park. Overall quality. Taking Taiji Lake Kung Fu city theme park of Wudang Mountains in Hubei Province as an example, combined with the important influence of cognitive map theory on park planning, this paper analyzes the design of the Taiji Lake Kungfu City theme park through the five elements of the cognitive map city image, and the Kung Fu City theme park. The construction proposes targeted recommendations and effective design.


2019 ◽  
Vol 11 (23) ◽  
pp. 6546 ◽  
Author(s):  
Vukmirovic ◽  
Gavrilovic ◽  
Stojanovic

Being the vital element of successful cities, public spaces play an important role in achieving sustainable development goals and in coping with climate change. The new urban agenda considers public spaces indispensable for sustaining the productivity of cities, social cohesion and inclusion, civic identity, and quality of life. Accordingly, there is no doubt about the importance of public spaces, while their quality is generated through the symbiosis of various elements. On the basis of normative theories of urban design, several public space design frameworks have been established in order to define what makes a good public place. Such a framework for public space quality evaluation is developed and tested at the Chair for Planning and Design in Landscape Architecture at the University of Belgrade—Faculty of Forestry. The framework covers six criteria which illuminate key aspects of public spaces: safety and security, accessibility, legibility, comfort, inspiration and sensitivity and liveability. In this research, special attention is paid to the criteria of comfort analysed on two scale levels in Belgrade, Serbia. In the past, Belgrade was affected by extreme weather events that caused serious and sometimes disastrous consequences. The most pronounced challenges among them are heat waves in summer that, due to the shortage of vegetation combined with the proliferation of tarmac and concrete surfaces and reduced air ventilation, particularly threaten the densely populated central municipalities of Stari Grad, Savski Venac and Vracar. The first scale level covers the analysis of the public space network and the degree of establishment of green infrastructure in Lower Dorcol quartier, which is located in the Municipality of Stari Grad, using quantitative and qualitative indicators and GIS (Geographic Information System) digital tools. The aim of this study is to observe the actual state of the public space network and to define a future scenario of its development in line with climate change challenges. Jevrejska Street, as an element of the above-mentioned public space network, is the subject of the next phase of the research. The study on this scale level will cover qualitative and quantitative analysis of public space elements such as paving, urban equipment, greenery, lighting, water facilities, etc. Next to that, by using the ENVI Met platform, the actual and proposed improvement of the street will be explored. The final part of this research will include a discussion about the research methodology used in order to improve the public space design process and to point out the need for the careful consideration of comfort as an important aspect of good public space.


2020 ◽  
Vol 22 (1) ◽  
pp. 1-14
Author(s):  
Murtanti Jani Rahayu ◽  
Imam Buchori ◽  
Retno Widjajanti ◽  
Rufia Andisetyana Putri ◽  
Erma Fitria Rini

Stabilization as one of the street vendors arrangement type conducted by the government of Surakarta, that have great implications on the aesthetic style and form at some city parts. Some parts of Surakarta has changed a lot since the inauguration of the location, that is a public space, as a street vendors stabilization location in part of the area. Manahan area is one of the locations of street vendor stabilization that is considered successful. The presence of street vendors who have been arranged in the area Manahan able to attract visitors both weekand and weekdays, especially on holidays. This area is also more easily remembered by the visitors than other areas that there is no stabilization of street vendors. It means that this area has good and unique image quality that can be a memory for visitors. The purpose of this paper is to explore the image of street vendor Manahan stabilization area. Understanding the image of city area, principle that is used to assess the five basic elements of image formers include landmarks, path, edge, district and node. All five elements will be the componens in assessing the identity, identity and meaning that will shape the cognition of visitors so that it can be used as environmental orientation when someone is in a place. The introduction of Manahan stabilization area begins with stimulation done by graphic and visual technique before the interviews made a cognitive map in Stabilisasi PKL Manahan area and also made familiarity-favorability-semantic differensial assesment. This area has the potential of sustainability and good image compared to other stabilization locations, so that the managed street vendors can continue to grow and the location of the arrangement becomes an attractive area and supports the identity of the city of Surakarta as a merchant friendly city by staying a beautiful and friendly city for all the citizens and tourists who visit it.


2019 ◽  
Author(s):  
Marie-Paul MacDonald ◽  

Urban public spaces and their associated architecture should be capable of eliciting responses from all of the human senses, yet traditionally urban and architectural designers rely primarily on visual display to persuade the public of the qualities of new proposals. As it becomes more common to use a variety of media to depict and simulate proposed urban spaces, designers and teachers of design look for ways to sensitize emerging designers to the full spectrum of sensations that inform potential users of a public space. The design studios discussed in this paper bring together the issues of the design of the experience of visual and aural settings, in an era of podcasts and ear-buds.In order to address issues of sound and public space, the author selected examples from two architectural design studios that took place in 2016 and 2018. Undergraduate students composed their own programs and projects to take into account the aural as well as visual qualities associated with their design intentions and ambitions. The process began with a programming phase to designate performing and listening as interactions that constitute primary activities happening in the context of the proposed public built form and related urban space. The research continued with an exploration of the tectonics and materials of the projects. Preliminary field research located and mapped small centralized urban organizations related to the sonic: collectives and small businesses working, for example, in the areas of sound recording, radio and musical performance.


2020 ◽  
Vol 16 (3) ◽  
pp. 50-57
Author(s):  
Dariusz Gaweł

This article is the result of the research carried out by the author in creating new public spaces and shaping contemporary urban-forming trends in the conditions of globalization. In his research (through literature criticism and in situ field research) the author analyzes selected contemporary architectural realizations in Poland over the last decades, comparing them with similar works around the world, assessing their impact on shaping the cities’ build environment. The comparison is made through the analysis of such factors as: the construction of the form, elements of architecture and construction affecting the location, visibility, perception and created relations between the building and the surroundings.


2019 ◽  
Vol 30 (2) ◽  
pp. 99-114 ◽  
Author(s):  
Jurgita Staniškytė

Contemporary theatre performances offer many examples of audience engagement - its forms range from physical interventions into public space to mental emancipation of the audience’s imagination. These practices put into question the effectiveness of the existing tools of audience research because, in some instances, theatre serves as a manipulation machine, “tricking” the public to perform specific social actions, while in other cases, it becomes a tool for the deconstruction of manipulation mechanisms at the same time serving as a platform for engaging entertainment. Audience research paradigms, based on dichotomies such as passive/active, inclusion/exclusion or incorporation/resistance are no longer able to address the complex concepts of spectatorship as performance, co-creation, or audience participation. Therefore, new practices of audience participation, conspicuously emerging in contemporary Lithuanian theatre, can only be adequately addressed by combining methodologies from different disciplines and critically evaluating historical and theoretical implications of these practices. In my article, I will focus on the historical implications of the term “audience participation” as a form of public engagement and issues of its application as experienced by theatre artists and audiences in Lithuania. The article will also examine the theoretical implications of the notion of participatory turn and its effect on theatre productions at the same time challenging the conceptual equations of “active spectatorship” in the aesthetic sphere to the emergence of “active participant” in the public sphere.


Author(s):  
Alfred Stepan

This chapter investigates whether there should be more or less secularism in Indonesia and particularly, since religions can be neither wholly privatised nor allowed to dominate political life, what are the best ways of accommodating it in a democratic society, in line with this volume’s overall focus. Indeed, it should be pointed out that Indonesia lived under a military dictatorship from 1965 till 1998 so the question needs to be addressed first by asking if Indonesia is a democracy now; and if it is, what types of accommodations about religion Indonesians have made and why. I come at these questions as a specialist in subjects such as authoritarian regimes, military governments, the breakdown of democracies, failed and successful democratic transitions, and recently the role of religion and politics. My writing is normally comparative, and has often been based on field research in Brazil, Chile, Spain, India, Sri Lanka, Tunisia, Senegal and Indonesia.


2003 ◽  
Vol 30 (2) ◽  
pp. 63-67
Author(s):  
Mihály Szilágyi-Gál

AbstractThese words of Victor Burgin serve as the motto of the first issue of the Review. In fact, the very same sentences can be taken as the motto also of this review of the Review. One of the authors in Idea's first issue, Boris Groys recalls Greenberg's words, that the avant-gard imitates art, and art imitates the world itself - the avant-gard imitates art because art is part of the world. Idea leaves the impression of a report of an avant-gard renaissance in the present art of the East-Central European and Balkan regions. It does not commit itself to any particular artistic current: its foci are the aesthetic phenomena of everyday life, and the concordant relationship between art and society.


2020 ◽  
pp. 45-66
Author(s):  
Giorgos Velegrakis ◽  
Danai Liodaki

This paper analyses five public art projects exhibited in documenta 14 in Athens in 2017 that redefine and interact with the public space and therefore, form three different narratives on public space. These narratives are outlined according to the different interpretations of ‘public space’, ‘public sphere’ and democracy by the various artists. Our argument is structured as follows; firstly, we present an analysis of public art and its basic features drawing from contemporary literature. Secondly, we provide a number of key facts regarding documenta and documenta 14, outlining the main reasons we selected it as a reference point. Thirdly, we describe the three narratives about public space that we came up with after our field research and interviews with the respective artists: Sanja Iveković, Joar Nango, Rasheed Araeen, Mattin and Rick Lowe. We then discuss the relations between them and develop a model that unravels the way artists explore the public domain, look for locations, and redefine public space and the lived experience in the city. To do so, we engage with theoretical approaches as well as elaborations on specific artworks that engage the shifts and changes of the lived urban experience through art.


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