scholarly journals Cross-Modal Sensory Integration of Visual-Tactile Motion Information: Instrument Design and Human Psychophysics

Sensors ◽  
2013 ◽  
Vol 13 (6) ◽  
pp. 7212-7223 ◽  
Author(s):  
Yu-Cheng Pei ◽  
Ting-Yu Chang ◽  
Tsung-Chi Lee ◽  
Sudipta Saha ◽  
Hsin-Yi Lai ◽  
...  
Keyword(s):  
Sensory Integration ◽  
Instrument Design ◽  
Motion Information ◽  
Human Psychophysics

Multisensory Modalities and Modernist Translation

CounterText ◽  
2016 ◽  
Vol 2 (3) ◽  
pp. 283-306
Author(s):  
Tamara Brzostowska-Tereszkiewicz
Keyword(s):  
Twentieth Century ◽  
Reader Response ◽  
Sensory Integration ◽  
Cultural Anthropology ◽  
Sensory Perception ◽  
Cross Cultural ◽  
Avant Garde ◽  
Artistic Production ◽  
High Modernism ◽  
The Arts

Multisensory and cross-modal perception have been recognised as crucial for shaping modernist epistemology, aesthetics, and art. Illustrative examples of how it might be possible to test equivalences (or mutual translatability) between different sensual modalities can be found in theoretical pronouncements on the arts and in artistic production of both the avant-garde and high modernism. While encouraging multisensory, cross-modal, and multimodal artistic experiments, twentieth-century artists set forth a new language of sensory integration. This article addresses the problem of the literary representation of multisensory and cross-modal experience as a particular challenge for translation, which is not only a linguistic and cross-cultural operation but also cross-sensual, involving the gap between different culture-specific perceptual realities. The problem of sensory perception remains a vast underexplored terrain of modernist translation history and theory, and yet it is one with potentially far-reaching ramifications for both a cultural anthropology of translation and modernism's sensory anthropology. The framework of this study is informed by Douglas Robinson's somatics of translation and Clive Scott's perceptive phenomenology of translation, which help to put forth the notion of sensory equivalence as a pragmatic correspondence between the source and target texts, appealing to a range of somato-sensory (audial, visual, haptic, gestural, articulatory kinaesthetic, proprioceptive) modalities of reader response.

Visual Tracking of an Object with its Motion Information

2009 ◽  
Vol 129 (5) ◽  
pp. 977-984
Author(s):  
Atsutoshi Shimeno ◽  
Seiichi Uchida ◽  
Ryo Kurazume ◽  
Rin-ichiro Taniguchi ◽  
Tsutomu Hasegawa
Keyword(s):  
Visual Tracking ◽  
Motion Information

Cinnarizine - Potential Trigger of the Dopamine Supersensitivity Psychosis in Patients with Paranoid Schizophrenia Particular neurobiochemical model

2019 ◽  
Vol 70 (8) ◽  
pp. 3003-3007
Author(s):  
Ileana Marinescu ◽  
Puiu Olivian Stovicek ◽  
Dragos Marinescu ◽  
Marius Toma Papacocea ◽  
Mihnea Costin Manea ◽  
...  
Keyword(s):  
Sensory Integration ◽  
Paranoid Schizophrenia ◽  
D2 Receptor ◽  
Point Of View ◽  
Cognitive Symptoms ◽  
Receptor Blocking ◽  
Clinical Reality ◽  
Potential Trigger ◽  
Dopamine Supersensitivity ◽  
Blocking Capacity

Supersensitivity psychosis is a subdiagnosed clinical reality. This entity, however, is insufficiently elucidated from the point of view of the neurobiochemical mechanisms involved in the pathogenesis. The combination of an antipsychotic with a high D2 receptor blocking capacity and a neuroleptic-like substance such as cinnarizine trigger the dopaminergic hypersensitivity mechanisms. This stimulates the sensitivity for dopamine in the prefrontal cortex, ameliorating the negative and cognitive symptoms at the thalamic level, remodeling sensory integration and decreasing tinnitus, as well as in the cerebral tonsil, consequently decreasing the risk of antisocial behavior.

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