scholarly journals Allah, Allah, Allah: The Role of God in the Arab Version of The Voice

Religions ◽  
2021 ◽  
Vol 12 (6) ◽  
pp. 412
Author(s):  
Jan Jaap De Ruiter ◽  
Mona Farrag Attwa
Keyword(s):  

This article discusses Arabic expressions referring to God, such as inshallah, mashallah, and alhamdulillah in the 2014 season of the Arab version of the talent show The Voice. It discusses the question to what extent these expressions are used by the various actors in the show, in particular its four jury members and three presenters, and it tries to explain why they use them and to what purpose. The analysis is set against the background of the question what the relationship is between ‘language’ (in this case, the various varieties of Arabic) and ‘religion’ (in this case, Christianity and Islam). The analysis yielded nearly 40 Arabic expressions referring to God (Allah or Rabb (Lord)) that together showed up more than 600 times in the 10 episodes of the show that were the object of analysis. The conclusion is that the expressions indeed have ‘religious’ roots but that they have at the same time become part and parcel of not necessarily religiously intended speaking styles expressing all kind of feelings, such as astonishment, surprise, disappointment, etc. This conclusion goes well with observations made in earlier research on the questions at stake.

Author(s):  
Clare Tyrer

AbstractThe gap between how learners interpret and act upon feedback has been widely documented in the research literature. What is less certain is the extent to which the modality and materiality of the feedback influence students’ and teachers’ perceptions. This article explores the semiotic potential of multimodal screen feedback to enhance written feedback. Guided by an “Inquiry Graphics” approach, situated within a semiotic theory of learning edusemiotic conceptual framework, constructions of meaning in relation to screencasting feedback were analysed to determine how and whether it could be incorporated into existing feedback practices. Semi-structured video elicitation interviews with student teachers were used to incorporate both micro and macro levels of analysis. The findings suggested that the relationship between the auditory, visual and textual elements in multimodal screen feedback enriched the feedback process, highlighting the importance of form in addition to content to aid understanding of written feedback. The constitutive role of design and material artefacts in feedback practices in initial teacher training pertinent to these findings is also discussed.


2012 ◽  
Vol 37 (3) ◽  
pp. 295-318 ◽  
Author(s):  
Michael Yeo

One of the main issues in the long-form census controversy concerned the relationship between science and politics. Through analysis of the arguments and underlying assumptions of four influential and exemplary interventions that were made in the name of science, this paper outlines a normative account of this relationship. The paper nuances the science-protective ideals that critics invoked and argues that such conceptual resources are needed if science is to be protected from undue political encroachment. However, in their zeal to defend the rights of science critics claimed for it more than its due, eclipsing the value dimension of policy decisions and failing to respect the role of politics as the rightful locus of decision making for value issues. An adequate normative account of the relationship between science and politics in public policy must be capable not only of protecting science from politics but also of protecting politics from science.


2016 ◽  
Vol 75 (3) ◽  
pp. 789-793
Author(s):  
David Arnold

As studies of technology in modern Asia move from production to consumption, and from big machines to small, so they confront increasingly complex and nuanced issues about the relationship between the local, the regional, and the global; between political economy and culture; and, perhaps most crucially, between technology and modernity. From a South Asian perspective (and perhaps from a Southeast Asian one as well), many of these issues are inescapably bound up with the Western colonial presence, decolonization, and the post-independence quest for national self-sufficiency and economic autarky. In East Asia, as the articles by Antonia Finnane and Thomas Mullaney demonstrate, the issues play out somewhat differently, not least because of the pivotal role of Japan as a major regional force, an industrial nation, and an imperial power. In South Asia in the period covered by these essays, Japan was a far more marginal presence, with only some industrial goods—such as textiles, bicycles, or umbrella fittings—finding a market there by the mid-1930s. At their height in 1933–34, some 17,000 Japanese bicycles were imported into India (out of nearly 90,000 overall), and in 1934–35, barely 1,400 sewing machines (out of 83,000); within three years this had fallen to less than 700. However, as Nira Wickramasinghe has recently demonstrated with respect to Ceylon (colonial Sri Lanka), Japan had a significance that ranged well beyond its limited commercial impact: it inspired admiration for the speed of its industrialization, for its scientific and technological prowess, and as the foremost exemplar of an “Asian modern” (Wickramasinghe 2014, chap. 5). One other way in which Japan figured in postwar regional history was through demands for compensation made in 1946 for sewing machines destroyed by Japanese bombing (or the looting that accompanied it) and the occupation of the Andaman Islands. And yet, relatively remote though Japan and China might be from South Asia's consumer history, across much of the Asian continent there was a common chronology to this unfolding techno-history, beginning in the 1880s and 1890s and dictated less evidently by the politics of war and peace than by the influx of small machines, of which sewing machines and typewriters were but two conspicuous examples.


Behaviour ◽  
1975 ◽  
Vol 54 (3-4) ◽  
pp. 258-277 ◽  
Author(s):  
Jean Pouzat

AbstractA resume is made of the major sequences of egg-laying behaviour, both in nature and on stored seeds, of the bean weevil. An experimental analysis of the role of the ovipositor in the act of egg-laying is then undertaken by simple techniques. It is observed that an important stimulus, with respect to this, is mechanical in nature: resulting from contact between the setae of the ovipositor on the one hand, and the seed and the "ground" on the other. Simply suspending the seed instead of leaving it lie on the cage bottom, suffices to reduce egg-laying and production significantly. Examination of egg-laying, when the substratum furnished is a trellis with suitable sized mesh, shows that an important aspect of the mechanical stimulus is in its concentrical character, i.e., the fact that it is applied to a greater number of setae all around the ovipositor. The result enables us to understand better the behaviour in nature, where there is a boring of the bean pod followed by egg-laying inside that pod through through the hole made. In the course of the paper some connected problems are evoked: - The relationship between egg-laying and production; - The more or less necessary character of the succession of the different sequences in egg-laying behaviour. Existence of intermediary cases, between individuals which can lay eggs only in the pod and those laying in the apparent absence of any stimulus, particularly stimuli connected with the bean; - Links between the phytophage and its host, remarks on the apparently unfavourable peculiarity of laying a great number of eggs in the same place, the possible consequences with respect to population dynamics.


2017 ◽  
Vol 32 (3) ◽  
pp. 281-308 ◽  
Author(s):  
Eva Alexandra Schmitz ◽  
Matthias Baum ◽  
Pascal Huett ◽  
Ruediger Kabst

Guided by two competing theoretical perspectives, we investigate the contextual role of perceived regulatory stakeholder pressure in the relationship between firms’ strategic orientation and their pursuit of a proactive environmental strategy (PES). While the enhancing perspective suggests that perceived regulatory stakeholder pressure strengthens the association between strategic orientation and PES, the buffering perspective argues that greater regulatory stakeholder pressure mitigates this relationship. Our study looks at a sample of 349 German energy sector firms to identify which perspective holds greater explanatory power. Surprisingly, the empirical findings go beyond the arguments made in the buffering perspective: high perceived regulatory stakeholder pressure not only weakens but also eradicates the relationship between strategic orientation and the pursuit of a PES. Our results indicate that in the case of high perceived regulatory stakeholder pressure, market-oriented considerations are eclipsed by the need to gain legitimacy within the regulatory stakeholder context.


Author(s):  
Kieran Fenby-Hulse

In this essay, I consider the music that has been chosen as part of the previous essays in this collection. I attempt to understand what this assemblage of musical tracks, this anthropology playlist, might tell us about fieldwork as a research practice. The chapter examines this history of the digital playlist before going on to analyse the varied musical contributions from curatorial, musicological, and anthropological perspetives. I argue that the playlist asks us to reflect on the field of anthropology and to consider the role of the voice, the body, the mind with anthropology, as well as the role digital technologies, ethics, and the relationship between indviduals and the community.


Author(s):  
Nancy H. Shane Butler

This chapter considers what classical antiquity understood the voice to be, as well as how that understanding has influenced subsequent Western thought. The chapter begins with discussion of song, a term that antiquity applied to written poetry as well as to song proper. It then turns to more general questions about how the Greeks and Romans theorized the relationship of the voice to language. After explaining some of the principal terms for “voice” in both Greek and Latin, the author reviews the vocal theories of various schools of ancient philosophy. He then considers the role of the voice in oratory and the special problems generated by the growing circulation of speeches in written form. He turns finally to a celebrated if perhaps apocryphal vocal performance by a pantomime in Rome in order to consider the tension between the particular voice of an individual and the more generic vocality of antiquity itself


2019 ◽  
Vol 9 (3) ◽  
pp. 53 ◽  
Author(s):  
Mark Reybrouck ◽  
Piotr Podlipniak

This paper explores the importance of preconceptual meaning in speech and music, stressing the role of affective vocalizations as a common ancestral instrument in communicative interactions. Speech and music are sensory rich stimuli, both at the level of production and perception, which involve different body channels, mainly the face and the voice. However, this bimodal approach has been challenged as being too restrictive. A broader conception argues for an action-oriented embodied approach that stresses the reciprocity between multisensory processing and articulatory-motor routines. There is, however, a distinction between language and music, with the latter being largely unable to function referentially. Contrary to the centrifugal tendency of language to direct the attention of the receiver away from the text or speech proper, music is centripetal in directing the listener’s attention to the auditory material itself. Sound, therefore, can be considered as the meeting point between speech and music and the question can be raised as to the shared components between the interpretation of sound in the domain of speech and music. In order to answer these questions, this paper elaborates on the following topics: (i) The relationship between speech and music with a special focus on early vocalizations in humans and non-human primates; (ii) the transition from sound to meaning in speech and music; (iii) the role of emotion and affect in early sound processing; (iv) vocalizations and nonverbal affect burst in communicative sound comprehension; and (v) the acoustic features of affective sound with a special emphasis on temporal and spectrographic cues as parts of speech prosody and musical expressiveness.


1987 ◽  
Vol 19 (11) ◽  
pp. 21-37 ◽  
Author(s):  
S A. L. M. Kooijman ◽  
A. O. Hanstveit ◽  
N. van der Hoeven

One of the main obstacles that hampers ecotoxlcology is the poor insight into the relationship between physiological and population dynamics. The role of laboratory experiments, modeling, mathematical analysis and computer simulation studies is discussed in research aiming at this relation. Energy and nutrient budgets of organisms are found to be of vital importance. This paper evaluates the progress that has been made in concrete efforts to work out energy and nutrient budgets for simple freshwater plankton systems stressed by toxic chemicals with different modes of action.


2021 ◽  
Vol 11 (9) ◽  
pp. 3930
Author(s):  
Li Dong ◽  
Jiangping Kong

The phonation types used in the young male role in Kunqu Opera were investigated. Two national young male role singers volunteered as the subjects. Each singer performed three voice conditions: singing, stage speech, and reading lyrics. Three electroglottogram parameters, the fundamental frequency, contact quotient, and speed quotient, were analyzed. Electroglottogram parameters were different between voice conditions. Five phonation types were found by clustering analysis in singing and stage speech: (1) breathy voice, (2) high adduction modal voice, (3) modal voice, (4) untrained falsetto, and (5) high adduction falsetto. The proportion of each phonation type was not identical in singing and stage speech. The relationship between phonation type and pitch was multiple to one in the low pitch range, and one to one in the high pitch range. The sound pressure levels were related to the phonation types. Five phonation types, instead of only the two phonation types (modal voice and falsetto) that are identified in traditional Kunqu Opera singing theory, were concomitantly used in the young male role’s artistic voices. These phonation types were more similar to those of the young female roles than to those of the other male roles in the Kunqu Opera.


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