scholarly journals Religious Faith as Cultural Heritage at the Refuge for World Truths

Religions ◽  
2020 ◽  
Vol 11 (4) ◽  
pp. 207
Author(s):  
Aaron Raverty

Faith undergirds the Refuge for World Truths, a multireligious heritage-scape that emerged out of an old Spanish land grant adjacent to the Wild West mining and ranching town of Crestone, Colorado. Established by an entrepreneurial husband-and-wife team in the late twentieth century, the Refuge’s spiritual centers were founded upon different faith commitments. Christian, [Sufi] Muslim, and Baha’i centers adhere to a monotheistic faith and claim divine revelation as the source of their presence in the Refuge. New Age, polytheistic, and nontheistic groups base their faith claim on the personal mystical revelations of “Glenn,” a local peripatetic and self-described prophet who hailed the arrival of the original couple. Two stints of ethnographic research point to the spiritual centers’ public ritual performances as both invitations to pilgrims to intensify this faith and as functional cogs in the integration and continuity of the heritage-scape’s ritual economy. Finally, the faith expressions underlying the Refuge for World Truths allow this unique locality to champion interreligious dialogue as a method for addressing diversity and negotiating potential onsite conflict on the path to peaceful mutuality.

1970 ◽  
Author(s):  
Mattias Bäckström

In this study, I investigate the concept of Nordic museology in the early 1990s. Per-Uno Ågren’s programmatic article about museology and cultural heritage, published in 1993 in the first ever issue of the journal Nordic Museology, is the point of departure for my historiographic investigation. Ågren’s article is firstly contextualized within the international museological discourse of the 1980s and early 1990s, secondly within a late twentieth-century idea milieu in Umeå where curators and researchers received, revised, shaped and used a variety of concepts and practices. The key concepts include traditional museology, new museology, museum studies and heritology as well as idea milieu and life milieu, total heritage, environmental heritage, idea heritage, cultural heritage and natural heritage. What were the specifics of Ågren’s concepts of museology and cultural heritage in relation to the adjacent concepts in the international museological discourse and the idea milieu in Umeå? How did Ågren and his colleagues formulate the concept of Nordic museology?


2009 ◽  
Vol 12 (3) ◽  
pp. 60-76 ◽  
Author(s):  
Sarah W. Whedon

In late twentieth-century America the notion of Indigo children emerged. Said to have indigo-colored auras and unique spiritual abilities, these young people have had difficulty fitting into social institutions and are often diagnosed with Attention Deficit Disorder. This article argues that good children turned bad through psychological illness were reinscribed as good with the aid of New Age beliefs and practices. These New Age components included ideas about auras, millennialism, and personal transformation.


2020 ◽  
pp. 62-101
Author(s):  
Boaz Huss

This chapter examines the new directions and perspectives that emerged in the research of Jewish mysticism in the late twentieth century. It discusses the theoretical and methodological changes that transpired that undermined many of Buber and Scholem’s basic assumptions but also the perseverance—and even intensification—of the use of the term mysticism as a fundamental category. The chapter demonstrates that the changes that occurred within the field were to a great extent delineated by the theological logic of the research field. The chapter examines definitions of mysticism among Kabbalah researchers and identifies their modern theological suppositions. This theological paradigm, I maintain, explains the ideological affinities between Kabbalah research and today’s alternative spiritual movements, first and foremost, the New Age.


Author(s):  
Deborah Gray White

This chapter demonstrates that Americans felt alone, angry, alienated, and isolated in the 1990s, and that they marched with likeminded people to both express these feelings and to find ways to take personal responsibility for their healing and renewal. This chapter compares the late twentieth century to the early twentieth century search for order that historians Robert Weibe and TJ Jackson Lears discuss. It also looks at the periods of Great Awakenings for points of comparison. To show why Americans were so disquieted, this chapter discusses the 1990s and the dislocations that impacted Americans by defining the new reality of postmodernism. It concludes by explaining how the different marches relate to post-modernism and why marches matter.


1970 ◽  
Vol 1 (1) ◽  
Author(s):  
Jacob Klein

Taking as its starting point the broad themes of globalisation and transnationalism, this paper focuses on what the author describes as an often neglected aspect of the growing interconnectedness of the late twentieth century: that is, the management of cultural influences moving between unequally positioned places within a single polity or region. In particular, the paper examines how the cuisine of Sichuan Province in south western China has been received in Guangzhou. Providing a summary of the historical background, the paper ends by outlining an agenda for further ethnographic research, which should look in particular at restaurateurs, restaurant workers, consumers and gastromic writers


What did it mean to be a man in Scotland over the past nine centuries? Scotland, with its stereotypes of the kilted warrior and the industrial ‘hard man’, has long been characterised in masculine terms, but there has been little historical exploration of masculinity in a wider context. This interdisciplinary collection examines a diverse range of the multiple and changing forms of masculinities from the late eleventh to the late twentieth century, exploring the ways in which Scottish society through the ages defined expectations for men and their behaviour. How men reacted to those expectations is examined through sources such as documentary materials, medieval seals, romances, poetry, begging letters, police reports and court records, charity records, oral histories and personal correspondence. Focusing upon the wide range of activities and roles undertaken by men – work, fatherhood and play, violence and war, sex and commerce – the book also illustrates the range of masculinities that affected or were internalised by men. Together, the chapters illustrate some of the ways Scotland’s gender expectations have changed over the centuries and how, more generally, masculinities have informed the path of Scottish history


2009 ◽  
Vol 32 (1) ◽  
pp. 55-76
Author(s):  
Quan Manh Ha

Trey Ellis has emerged as a prominent African American writer of the late-twentieth century, despite the small number of his published works. “The New Black Aesthetic,” an essay that he first published in CaUaloo in 1989, one year after the publication of his first novel, Platitudes, stands as a manifesto that defines and articulates his perspective on the emerging black literary voices and culture of the time, and on “the future of African American artistic expression” in the postmodern era.1 According to Eric Lott, Ellis's novel parodies the literary and cultural conflict between such male experimental writers as lshmael Reed and such female realist writers as Alice Walker.2 Thus, Ellis's primary purpose in writing Platitudes is to redefine how African Americans should be represented in fiction, implying that neither of the dominant approaches can completely articulate late-twentieth-century black experience when practiced in isolation. In its final passages, Platitudes represents a synthesis of the two literary modes or styles, and it embodies quite fully the diversity of black cultural identities at the end of the twentieth century as it extends African American literature beyond racial issues. In this way, the novel exemplifies the literary agenda that Ellis suggests in his theoretical essay.


1995 ◽  
Vol 5 (2) ◽  
pp. 249-263
Author(s):  
John F. Wilson

Over the last decade, a noteworthy number of published studies have, in one fashion or another, been defined with reference to religious denominations. This is an arresting fact, for, coincidentally, the status of religious denominations in the society has been called into question. Some formerly powerful bodies have lost membership (at least relatively speaking) and now experience reduced influence, while newer forms of religious organization(s)—e.g., parachurch groups and loosely structured movements—have flourished. The most compelling recent analysis of religion in modern American society gives relatively little attention to them. Why, then, have publications in large numbers appeared, in scale almost seeming to be correlated inversely to this trend?No single answer to this question is adequate. Surely one general factor is that historians often “work out of phase” with contemporary social change. If denominations have been displaced as a form of religious institution in society in the late twentieth century, then their prominence in earlier eras is all the more intriguing.


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