scholarly journals Humanizing Horses: Transitions in Perception and Perspective

Religions ◽  
2019 ◽  
Vol 10 (6) ◽  
pp. 375
Author(s):  
Petra Maurer
Keyword(s):  
Horse Racing ◽  
Medical Sciences ◽  
High Plateau ◽  
The People ◽  
Postal Services ◽  
Three Stages ◽  
Equine Studies ◽  
Tibetan History

In Tibetan history and culture, horses were among the most important animals, if not the most important of all. Horses were the mounts that provided transport, particularly for the nobility and kings, allowing them to travel more quickly and comfortably. Horses were also used for hunting, postal services, and to build a cavalry for warfare. In addition, they played a role in various entertainments, including horse racing, games, and parades. The unusually large number of manuscripts on horses attests to the value of horses in the Tibetan imaginaire compared to other animals that lived in the company of the people on the High Plateau, in Tibet itself, and in Tibetan cultural areas. This article begins with an outline of the uses and benefits of horses in Tibetan culture. It touches upon the animal’s role as the mount of Tibetan kings and debates regarding horses’ mental faculties. Then it presents a survey of the content of various manuscripts on equine studies based on sources from three stages: (1) the earliest Tibetan sources from Dunhuang; (2) translations from Indian texts; and (3) extensive compendia that merges all of the knowledge on horses available at the time of their composition. It analyzes the style and content of books that indicate the approach of the authors to the topic of “horse” and points to their view of horses in relation to Tibetan culture and Buddhism. Moreover, the books’ content mirrors the various functions and applications of horses in Tibet and India. It reveals the purpose of these books in general and illustrates the relation between textuality and orality. The study demonstrates the link between hippology and hippiatry, and the development of equine studies in Tibet. It shows the influence of humans on horse medicine and, moreover, contributes to an improved understanding of the development of Tibetan medical sciences in general.

DRAMATURGI KESENIAN TRADISIONAL DALUPA PRODUKSI SANGGAR SENI DATOK RIMBA DI WOYLA ACEH BARAT

2021 ◽  
Vol 10 (1) ◽  
pp. 15
Author(s):  
Susandro Susandro ◽  
Rika Wirandi ◽  
Hatmi Negria Taruan
Keyword(s):  
New York ◽  
Creative Process ◽  
Creation Process ◽  
Folk Tale ◽  
The Third ◽  
The People ◽  
Third Stage ◽  
Three Stages ◽  
Banda Aceh

Dalupa art emerged from the creative process of the people of West Aceh which can be stretched into three stages. First, Dalupa was originally a folk tale or folklore that was narrated from generation to generation. Second, the Dalupa then manifests (a person wearing the costume of a Dalupa character) so that it can be witnessed in person. At this stage, the Dalupa character does not manifest itself in the form of theater or dance. Its presence is only intended to entertain or enliven an event, such as weddings, processions, campaigns and so on. Third, the Dalupa character is presented by considering the dramatic element; arrangement of a series of events that tell the beginning of the appearance to the end of the Dalupa story. This study aims to record and describe how the process of creating the Dalupa art, as mentioned in the third stage. The method used is qualitative with the dramaturgy approach. This study shows the results that the art of Dalupa presents a story about the origin of the appearance of Dalupa with the manifestation of organized events. On this basis, it can be concluded that Dalupa art can be categorized as dramatic or theater art.Keywords: dalupa, creation process, dramatic, dramaturgy.AbstrakKesenian Dalupa muncul dari proses kreatif masyarakat Aceh Barat yang dapat direntangkan menjadi tiga tahap. Pertama, Dalupa mulanya merupakan cerita rakyat atau folklor yang dinarasikan secara turun-temurun. Kedua, Dalupa kemudian mewujud (seseorang yang mengenakan kostum tokoh Dalupa) sehingga dapat disaksikan secara langsung. Pada tahap ini, tokoh Dalupa mewujud tidaklah dalam bentuk kesenian teater atau tari. Kehadirannya hanya bertujuan untuk menghibur atau meramaikan suatu acara, seperti pernikahan, arak-arakan, kampanye dan sebagainya. Ketiga, tokoh Dalupa dihadirkan dengan mempertimbangkan unsur dramatika; penataan rangkaian peristiwa yang menceritakan awal kemunculan hingga akhir kisah Dalupa. Penelitian ini bertujuan mencatat serta memaparkan bagaimana proses penciptaan kesenian Dalupa, sebagaimana disebut pada tahap ketiga. Metode yang dilaksanakan yaitu kualitatif dengan pendekatan dramaturgi. Penelitian ini menunjukkan hasil bahwa kesenian Dalupa menyajikan cerita tentang asal mula kemunculan Dalupa dengan perwujudan peristiwa-peristiwa yang tertata. Atas dasar tersebut, dapat dismpulkan bahwa kesenian Dalupa dapat dikategorikan sebagai seni dramatik atau teater.  Kata Kunci: dalupa, proses penciptaan, dramatika, dramaturgi. Authors: Susandro : Institut Seni Budaya Indonesia Aceh Rika Wirandi : Institut Seni Budaya Indonesia Aceh Hatmi Negria Taruan : Institut Seni Budaya Indonesia Aceh References:Barba, Eugenio. (2010). On Directing and Dramaturgy: Burning the House. New York: Routledge.Harymawan. (1993). Dramaturgi. Bandung: Rosdakarya.Herman, RN. (2016). Dalupa: Teater Tradisional Pantai Barat. Buletin Tuhoe edisi XVII. Banda Aceh: JKMA Aceh.Koster, G.L. (1998). Kacamata Hitam Pak Mahmud Wahid Atau Bagaimanakah Meneliti Puitika Sebuah Sastra Lisan?, dalam Pudentia MPSS (Ed.), Metodologi Kajian Tradisi Lisan. Jakarta: Yayasan Obor Indonesia dan Yayasan Asosiasi Tradisi Lisan.Moleong, Lexy J. (2005). Metodologi Penelitian Kualitatif, Ed. Revisi cetakan keduapuluhsatu. Bandung: Rosdakarya.Pramayoza, Dede. (2013). Dramaturgi Sandiwara: Potret Teater Populer Dalam Masyarakat Poskolonial. Yogyakarta: Penerbit Ombak.Soedarsono, R.M. (2001). Metodologi Penelitian Seni Pertunjukan dan Seni Rupa. Bandung: MSPI (Masyarakat Seni Pertunjukan Indonesia).SSDR. (2019). “Dramaturgi Kesenian Tradisional Dalupa”. Hasil Dokumentasi Pribadi: _________  2020, Aceh Barat.Stokes, Jane. (2007). How to do Media and Kultural Studies: Panduan Untuk Melaksanakan Penelitian dalam Kajian Media dan Budaya. Terj. Santi Indra Astuti. Yogyakarta: Bentang.Taruan, H.N. (2020). “Dramaturgi Kesenian Tradisional Dalupa”. Hasil Dokumentasi Pribadi: _________  2020, Aceh Barat.  Wirandi, R. (2020). “Dramaturgi Kesenian Tradisional Dalupa”. Hasil Dokumentasi Pribadi: _________  2020, Aceh Barat.

scholarly journals Analysis and identification of Pseudomonas sp. and molds on dried anchovy (Stelophorus sp) products produced by the people of Toniku Village, Halmahera Barat Regency, North Maluku Province

2019 ◽  
Vol 3 (1) ◽  
pp. 1
Author(s):  
Ruslan A. Daeng ◽  
Azis Husen
Keyword(s):  
Plate Count ◽  
Bacterial Cells ◽  
Pseudomonas Sp ◽  
Fishing Community ◽  
Total Plate Count ◽  
The People ◽  
Sampling Locations ◽  
Preparation Stage ◽  
Three Stages ◽  
Identification Stage

This research was conducted to determine the characteristics of Pseudomonas sp. and mold on dried anchovies. The sample in this study was obtained from the fishing community of Toniku Village, West Halmahera Regency, North Maluku Province. The stages carried out in this study were 3 (three) stages, namely the sample preparation stage, the analysis phase and the identification stage of Pseudomonas sp. and mold. The results showed that the characteristics of the Total Plate Count (TPC) of dried anchovy in the Toniku Village obtained a different composition from each other, with the highest log Total Plate Count (TPC) obtained, namely 5.5 or 3.2 x 105 Cfu/g or 320.000 cells bacteria, while the lowest Total Plate Count (TPC) log was obtained, 2.5 or 3.1 x 102 Cfu/g or 310 bacterial cells and for total Pseudomonas bacteria from the three sampling locations no growth was found. The highest total log fungi were obtained ie 5.6 or 3.7 x 105 Cfu/g or 370.000 mold cells, while the lowest total log fungi were obtained which were 2.4 or 2.6 x 102 Cfu/g or 260 mold cells

scholarly journals THE Utilization of Family Medicine Plant in Nias Islands, North Sumatra Province

2020 ◽  
Vol 1 (3) ◽  
pp. 174-184
Author(s):  
Adam Smith Bago
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Family Medicine ◽  
Medicinal Plants ◽  
Data Presentation ◽  
The People ◽  
Analysis Technique ◽  
Long Time ◽  
Three Stages ◽  
North Sumatra

Based on preliminary observations, it was found that the people in Nias Islands,North Sumatra province had used medicinal plants for a long time and had inheritedthem from generation to generation. So that many people still use medicinal plants.This study aims to determine the types of family medicinal plants used by thecommunity, how to mix or process family medicinal plants, and public perceptionsof family medicinal plants. This research is a type of qualitative research withdescriptive methods with 125 respondents. Collecting data by observation,interviews, documentation. The data analysis technique uses three stages, namelydata reduction, data presentation, and drawing conclusions or verification. Fromthe research results, there were 23 plant species used by the community in NiasIsland as Family Medicinal Plants. The method of concocting family medicinalplants varies greatly, depending on the type of plant and disease, the people ofSambulu village have good perceptions about family medicinal plants. Suggestionsare expected to maintain the habit of using medicinal plants, and also teach them tochildren or young people.

scholarly journals Eksistensi sedekah bumi di era modern: Desa wisata Plesungan Kecamatan Gondangrejo Kabupaten Karanganyar

2021 ◽  
Vol 5 (2) ◽  
pp. 268-283
Author(s):  
Nabila Masruroh ◽  
Abdul Rahman ◽  
Yosafat Hermawan
Keyword(s):  
Research Data ◽  
Mutual Cooperation ◽  
Data Presentation ◽  
The Earth ◽  
The People ◽  
Analysis Technique ◽  
History Of ◽  
Three Stages ◽  
Traditional Process ◽  
Modern Era

Masyarakat Jawa tidak lepas dengan budaya juga tradisi yang menjadi ciri khas daerahnya. Salah satunya tradisi sedekah bumi di Jawa menjadi manifestasi bentuk rasa syukur. Warga Plesungan masih menjaga tradisi ini meskipun mayoritas bukan petani dan tergolong masyarakat urban. Tujuan penelitian ini melihat sejarah tradisi sedekah bumi di era modern, makna yang terkandung pada tradisi sedekah bumi, proses tradisi dan dinamika untuk menyimpulkan eksistentesinya. Metode penelitian yang digunakan adalah deskriptif kualitatif untuk menggambarkan fakta tentang tradisi sedekah bumi.  Sumber data penelitian adalah informan dan fenomena tradisi sedekah bumi. Teknik pengumpulan data dengan observasi, wawancara, dan dokumentasi. Teknik analisis data dengan menggunakan tiga tahap yaitu reduksi data, penyajian data, dan penarikan kesimpulan. Penelitian ini menyimpulkan bahwa tradisi sedekah bumi telah dilaksanakan turun-temurun sejak nenek moyang, masyarakat melihat tradisi ini wajib dilaksanakan dan dilestarikan karena banyak menanamkan nilai-nilai luhur yang baik seperti gotong royong juga silaturahmi dengan adanya perubahan tersebut masyarakat Desa Plesungan mengambil sisi baik sebagai pengenalan tradisi sedekah bumi kepada generasi penerus agar tidak hilang ditelan zaman.                                 Javanese society cannot be separated from the culture and traditions that characterize the region. One of them is the earth alms tradition in Java which is a manifestation of gratitude. The people of Plesungan still maintain this tradition even though the majority are not farmers and belong to the urban community. The purpose of this study is to look at the history of the earth alms tradition in the modern era, the meaning contained in the earth alms tradition, the traditional process and the dynamics to conclude its existence. The research method used is descriptive qualitative to describe facts about the earth alms tradition. Sources of research data are informants and the phenomenon of the earth alms tradition. Data collection techniques by observation, interviews, and documentation. The data analysis technique uses three stages, namely data reduction, data presentation, and drawing conclusions. This study concludes that the earth alms tradition has been carried out from generation to generation since the ancestors, the community sees this tradition as obligatory to be implemented and preserved because it instills many good noble values ​​such as mutual cooperation and friendship. the tradition of giving the earth alms to the next generation so that it is not lost in time.

scholarly journals A study on the demographic, clinical, and radiological profile of lineage B.1.1.7 (United Kingdom) strain Covid-19 patients at Telangana institute of medical sciences and research, Hyderabad

2022 ◽  
Vol 13 (1) ◽  
pp. 13-18
Author(s):  
Jayasri Helen Gali ◽  
Manasa Musku ◽  
Devireddy Pallavi Reddy ◽  
Vimala Thomas ◽  
Ehsan Ahmed Khan
Keyword(s):  
United Kingdom ◽  
Statistical Tests ◽  
Medical Sciences ◽  
Rt Pcr ◽  
Asymptomatic Group ◽  
Cross Sectional ◽  
The People ◽  
Asymptomatic Patients ◽  
Significant Difference ◽  
The Uk

Background: Emergence of variants with specific mutations in key epitopes in the spike protein of severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2) raises concerns pertinent to its severity. Aims and Objectives: To assess the demographics, clinico-radiological pattern, and outcome of reverse transcription-polymerase chain reaction (RT-PCR) positive isolated coronavirus disease 2019 (COVID-19) patients arrived from the United Kingdom (UK). Materials and Methods: A cross-sectional, observational study was conducted in RT-PCR positive COVID-19 patients arrived from the UK, from December 2020 to February 2021. Nasopharyngeal samples of all patients were sent for whole-genome sequencing of SARS-CoV-2. The aimed parameters were compared between the B.1.17 positive and non-B.1.1.7 groups, among the people, arrived from the UK. All statistical tests with P<0.05 were considered significant. Results: A total of 59 SARS-CoV2 infected patients, who arrived from the UK, were isolated from December 2020 to February 2021 at Telangana Institute of Medical Sciences hospital, Hyderabad, were enrolled in the study. Of these, 27 patients (mean age-31.81±11.28 years) were infected with the B.1.1.7, diagnosed by whole genomic sequencing. Males were predominant in our study. Personal habits such as smoking, alcohol intake were higher among the sequenced group with a significant P<0.05. The most common symptoms observed in the sequenced group were cough (22.22%), sore throat (22.22%), cold (11.11%), fever (11.11%), and in the unsequenced group were cough (22.22%), cold (6.25%), fever (6.25%). In the sequenced group, chest X-ray posteroanterior view was normal in 74%, patchy ground-glass opacities was observed in 25.92% patients, whereas in the unsequenced group it was 84.37% and 15.62%, respectively. Asymptomatic patients, observed in the sequenced and unsequenced group were 48.18% and 78.12%, respectively, and symptomatic patients were 51.85% and 21.87%, respectively. We found a statistically significant difference between sequenced and unsequenced patients in the asymptomatic group with a significant P<0.05. In the sequenced and unsequenced group, mild cases were 48.18% and 18.75%, moderate cases were 3.7% and 3.12%, respectively. We found no evidence of an association between disease severity and lineage B.1.17. Conclusion: Our data, within the context and limitations of a real-world study, provide initial reassurance that severity in hospitalized patients with B.1.1.7 is not markedly different from severity in those without B.1.1.7.

scholarly journals Suite by A. Beloshitsky “From the Depths of Centuries” in dialogue with the genre tradition of national-historical ballads

2021 ◽  
pp. 182-188
Author(s):  
Ольга Викторовна Бегичева ◽  
Александр Васильевич Солянкин
Keyword(s):  
Twentieth Century ◽  
Invariant Model ◽  
The Third ◽  
The Past ◽  
The People ◽  
Third Stage ◽  
Genre Identification ◽  
Three Stages ◽  
First Time

Рассматривается эволюция романтической баллады в баянном искусстве. Впервые обозначены три стадии ее жанровой эволюции. В качестве материала анализа избрана сюита для готово-выборного баяна А. Белошицкого «Из глубины веков». Цель исследования - атрибуция жанрово-балладных элементов в названном произведении. Использованы методы теоретической поэтики, целостного и жанрового музыковедческого анализа. В задачи работы входит установление соотношений между балладной моделью-инвариантом и ее реализацией в названном опусе, для чего даны критерии жанровой идентификации национально-исторической баллады. К ним относятся жанровый код - «Человек и историческая трагедия народа», генеральная интонация жанра - Nordic sublime, балладные персонажи - бард, воин и возлюбленная - и канонический мотивный тезаурус, лежащий в основе ее композиционно-драматургической модели. Делается вывод, что движение от баллады к балладности в сюите соответствует третьей стадии жанровой эволюции, связанной с разрушением «твердой жанровой формы», а ее реактуализация в ХХ веке способна выступить инструментом мифологизации прошлого. This work examines the evolution of romantic ballad in accordion art. For the first time, three stages of its genre evolution are identified. A suite for the converter accordion by A.Beloshitsky “From the Depths of Centuries” was chosen as the analysis material. The purpose of the article is to attribute genre-ballad elements in the named work. Methods of theoretical poetics, holistic and genre musicological analysis were used. The tasks of the work include establishing relationships between the ballad invariant model and its implementation in the named opus, for which the criteria for genre identification of a national-historical ballad are given. These include the genre code - «Man and the historical tragedy of the people», the general intonation of the genre - Nordic sublime, ballad characters - bard, warrior and beloved and canonical motive thesaurus, which underlies its composition and drama model. It is concluded that the movement from ballad to balladness in suite corresponds to the third stage of genre evolution associated with the destruction of the “true genre form” and its reactualization in the twentieth century is able to act as an instrument for the mythologization of the past.

scholarly journals The Application of the Third Party's Right Relief System in Civil Procedure Law of the People's Republic of China

2020 ◽  
Vol 14 (1) ◽  
pp. 43
Author(s):  
Haitao Chen
Keyword(s):  
Civil Procedure ◽  
Third Party ◽  
Republic Of China ◽  
The Third ◽  
Legal Provisions ◽  
The People ◽  
Three Stages ◽  
The Third Party ◽  
Right Relief ◽  
Relief System

With the continuous revision and improvement of the Civil Procedure Law and relevant judicial interpretations, China has formed a complete system to protect the rights and interests of the third party not involved in the original trial, including enforcement objection, execution objection lawsuit, the third party revocation lawsuit and retrial procedure. However, at present, the legal provisions on the cis-position of application of the above procedures are still vague. In order to explain and solve this problem more clearly, this thesis divides the time after the judgment is made into three stages - &quot;from the time when the judgment is made to before the judgment takes effect&quot;, &quot;the stage of execution&quot; and &quot;after the stage of execution&quot;. Based on the characteristics and purposes of each procedure and the functional characteristics of judicial organs, the cis-position of each procedure in different stages is determined reasonably.

scholarly journals A study of deaths due to railway fatalities at a tertiary care hospital mortury 2015-16

2017 ◽  
Vol 6 (1) ◽  
pp. 264
Author(s):  
P. Ravi Kumar
Keyword(s):  
Forensic Medicine ◽  
Tertiary Care Hospital ◽  
Tertiary Care ◽  
Study Group ◽  
Care Hospital ◽  
Medical Sciences ◽  
Medicine Department ◽  
Rail Network ◽  
The People ◽  
Railway Crossing

Background: Railway accidents according to the NCRB, 25,006 people died and 3,882 were injured in a total of 28,360 railway accidents across the country in last year. Railway crossing accidents like India has an extensive rail network with high levels of injury and violence.Methods: This study was conducted at Forensic medicine department, PIMS (pondicherry institute of medical sciences). The study group consisted of all the victims reporting to PIMS hospital Mortuary, during the period of study (January 2015-January 2016) were subjected to thorough post mortem examination and the pattern of injuries were noted.Results: A total of 300 postmortems, performed at the mortuary of the Dept. of Forensic Medicine, DMC during the period of January to December 2016, were studied. Of them 164 (54.89%) cases were of accidents, 72 (23.19%) cases were suicide, 54 (17.12%) cases homicide, 8 (2.46%) cases undetermined and 2 (0.80%) cases were of natural deaths. In this study accidental deaths were commonest, seen in (72.12%) cases followed by suicidal (20.63%) and least was homicidal seen in (7.16%) cases.Conclusions: Deaths have occurred in association with railway since the inception of railway in the present study males are commonest victims of railway deaths which concurs with studies conducted by other authors. Helpline numbers should be printed inside the coaches to inform the authorities in case of emergency. Railway should strictly implement the laws of railway acts and the people should be penalized for breaking the rules for the safety of passengers.

One Nation, Divided, under Stress

2020 ◽  
pp. 102-107
Author(s):  
Yael Tamir
Keyword(s):  
International Organizations ◽  
Personal Freedom ◽  
The People ◽  
The World ◽  
Visual Expression ◽  
Three Stages ◽  
Election Results ◽  
Class Divisions

This chapter states that the globalization of individuals (rather than of states or international organizations) can be seen as providing the highest degree of personal freedom. It discusses the three stages of globalism as defined in Thomas Friedman's book, The World Is Flat. The chapter also provides a bracing reflection of the two Americas. America, it argues, is now made up of two groups: the “FTE sector” — the people who work in finance, technology, and electronics — and “the low-wage sector.” The chapter then demonstrates election results in different countries which give this phenomenon a visual expression: two nations geographically divided, culturally dissimilar, economically disjointed, and politically opposed. Ultimately, the chapter examines the class divisions and how its new definition reflected the scheme of risks and opportunities individuals face.

Resurrection by Surrogation: Spectral Performance in Putin's Russia

Slavic Review ◽  
2020 ◽  
Vol 79 (4) ◽  
pp. 800-824
Author(s):  
Maksim Hanukai
Keyword(s):  
Political Theology ◽  
Memory Studies ◽  
Cultural Critique ◽  
Sovereign Power ◽  
Generational Change ◽  
Life And Death ◽  
The People ◽  
Spectral Performance ◽  
Three Stages ◽  
The Dead

This article examines the emergence of what I call “spectral performance” in Putin's Russia. Focusing on the Immortal Regiment initiative, I investigate the growing importance of practices that ask the living to act as surrogates for the dead. My analysis proceeds in three stages. First, applying a memory studies frame, I show how the Regiment helps preserve memory of WWII in a time of significant generational change. Second, drawing on theories of political theology and biopolitics, I show how the Regiment reaffirms the Kremlin's sovereign power to regulate the boundaries between life and death while symbolically displacing sovereignty from the “flesh” of the people to a growing ranks of “immortals.” Finally, focusing on the question of representation, I show how the Regiment helps construct an oppressive distribution of the sensible that privileges the dead over the living. I conclude by examining St. Petersburg artist Maksim Evstropov's necro-activist project Party of the Dead as a cultural critique of the Regiment.

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